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For those accustomed to Carla Bley's recent nudge-and-a-wink big-band efforts and corny post-lounge work, the more grounded pleasures of
The Lost Chords may come as something of a surprise. Her compositions are not without their playful side: the elegantly ambulating "Red," she tells us, was named after a chicken friend of hers. Recorded live, with Bley on piano, longtime partner Steve Swallow on bass, young British associate Andy Sheppard on tenor and soprano saxophone, and Billy Drummond on drums, the album radiates a newfound sense of purpose and, possibly, a new outlook on life. Judging by the fragmented melodies and loose,
Monk-like structures at play here, Bley's new working band isn't just looking for lost chords, but thriving in the absence of conventional ones. "Three Blind Mice," one of two suite-like pieces, recasts the kids' tune with wide harmonic contrasts, dancing exchanges, and a relaxed funk groove. As an instrumentalist, Bley mainly lends accents, deepens contrasts, and provides direction on the stylistic compass, pointing toward gospel on "Hip Hop." The melodic load is carried by Sheppard, long a comer on the British scene, but here rising to a new level of feathery fluency and tonal strength. Drummond, perhaps best known for his muscle, displays a winning lightness of touch throughout.
--Lloyd Sachs
Product Description
This record kicks off with a suite based on "Three Blind Mice" - the first tune Carla learned to play as a child. The music has a nostalgic component, and is witty also in its allusions to modern jazz history, but it swings and dances and has terrific power. **This package includes a 16-page booklet with tour photos and liner notes.