Fiddler on the Roof (2004 Broadway Revival Cast) [CAST RECORDING]

Jerry Bock (Artist), Sheldon Harnick (Artist), Alfred Molina (Artist), Randy Graff (Artist)

Product Details

• Audio CD (June 8, 2004)
• Number of Discs: 1
• Format: Cast Recording
• Label: P.S. Classics
• ASIN: B00023GFYK
• In-Print Editions: MP3 Download
• Average Customer Review: 4.8 out of 5 stars See all reviews (17 customer reviews)
• Amazon.com Sales Rank: #93,787 in Music (See Bestsellers in Music)

Editorial Reviews

Amazon.com
It is difficult but possible to put your stamp on a role closely identified with a particular performer. Just look at Bernadette Peters taking on Mama Rose in Gypsy or Patti LuPone tackling Mrs Lovett in Sweeney Todd. Alfred Molina had a similar challenge when he signed on to play the Jewish dairyman Tevye: who could forget Zero Mostel in the original production or even Topol in the movie? Molina wisely plays the part down, steering clear of Mostel's hamming, but then he goes overboard in the other direction and too often his characterization is colorless rather than subtle. This actually applies to David Leveaux's overall production, which lacks energy. This recording is mostly for completists, and the original cast album still stands as the definitive one. --Elisabeth Vincentelli

Product Description
Alfred Molina stars as Tevye in this new production of the American musical classic, with a book by Joseph Stein, music by Jerry Bock and lyrics by Sheldon Harnick. Tony® and Olivier Award nominee Molina was last seen on Broadway in the Tony-winning Best Play Art; his films credits include Raiders of the Lost Ark, Magnolia, Frida and this summer's upcoming blockbuster Spider-Man 2. The beloved score to Fiddler includes "Sunrise, Sunset," "If I Were a Rich Man" and "Matchmaker." The original production was the longest running show ever to play Broadway. Now this new production#preserved here in a sumptuous 75-minute CD (with songs never before recorded), performed by a cast of 40 and a 25-piece orchestra#is already setting records of its own.

Customer Reviews

Most Helpful Customer Reviews

29 of 30 people found the following review helpful:

5.0 out of 5 stars This CD's THE BEST & Here's Why, June 15, 2004

By	Jan Lisa Huttner (Chicago, Illinois USA) - See all my reviews

When the new Broadway Cast Recording of FIDDLER ON THE ROOF arrived in stores on June 8th, I already had three FIDDLER CD's on my shelf: the Original Cast Recording from 1964 starring Zero Mostel, the film soundtrack from 1971 staring Topol, and a Yiddish recording made in Israel in 1965 staring Shmuel Rodenski. So did I buy the new CD? Immediately! Furthermore, having listened to it several times already, I am certain that, as the years go by, this is the one I will reach for first whenever I'm cooking big dinners or driving long distances.

While no one else "deedle dums" as well as Zero Mostel, this recording removes all doubts: despite any buzz you may have heard when the production opened last February, Alfred Molina is a splendid Tevye. Since this is the first version actually made with the long form CD in mind, it contains far more material than any prior version. So while Molina and cast cover all the beloved moments from 1964, we also get Tevye's three soliloquies and Molina performs them all brilliantly. No one who listens to this recording would ever describe Tevye as "a man desperately clinging to Tradition." The soliloquies make it clear that Tevye is a true mensch, a man who gives himself to each new challenge, and makes each difficult decision with a strong mind and a big heart.

Robert Petkoff does a terrific job as Perchik the revolutionary (lover of second daughter Hodel). His Perchik is virile and ardent, investing his big number "Now I Have Everything" with all the passionate self-revelation it requires. Norman Jewison eliminated this song from the 1971 soundtrack. Big mistake!

Nancy Opel gives uncommon depth to her Yente. At Leveaux's request, Harnick and Bock wrote a new song for her, "Topsy-Turvy," which makes explicit what was implicit in the number they've replaced ("The Rumor"). Yente may say she's doing God's work, but she knows her objection to love matches is purely pragmatic: "The matchmaking business? Finished! Done! I've counted [my blessings]. None!"

(Jewison not only eliminated "The Rumor" from the soundtrack, he also took out Yente's attempt to pitch Ruchel the Shoemaker's Daughter during the opening number "Tradition" - another Big Mistake!)

David Ayers also does fine work in the critical role of third daughter Chava's Russian lover Fyedka. In this new version, it's now Fyedka's voice breaking in with the Russian words "Za va sha, Zdarovia" while Tevye & his Jewish friends are singing "To Life! To Life! L'Chaim!" Fyedka didn't have these lines in the 1964 original or the 1971 film, but giving him these lines now makes a crucial point. From first to last, FIDDLER's Fyedka is a good guy. This is the most significant change FIDDLER's creative team made to Sholem Aleichem's original. They've put him there to challenge us, and that challenge is more relevant than ever.

Finally, this new version also gives us most of the music Jerry Bock wrote for Jerome Robbins' dances. The music for the famous "Bottle Dance" at the end of Act One is especially thrilling, the single clarinet as expressive here as the solo violin which frames the whole musical in its opening and closing moments.

Bottomline: If you buy the 1964, you buy it for Mostel. If you buy the 1971, you buy it for Isaac Stern's medley (created for the film's opening credit sequence). If you buy the 2004, you simply get a whole lot more: more scenes (especially the 3 soliloquies + new Yente song) AND more music (for the Robbins dance sequences).

I'm a FIDDLER fanatic & now that I have the new 2004 CD, I doubt any of the others will get much play. That's the truth!

16 of 19 people found the following review helpful:

5.0 out of 5 stars Broadway is back, June 26, 2004

By A Customer

What's so amazing to me is that I actually just saw this on Broadway with a few other shows on my recent trip to New York. I feel like I was part of Broadway history. This is a story to be told again and again. It will survive many decades like our operas have. After the show I bought singing lesson CDs at The Colony on Broadway called Voice Lessons To Go by Vaccarino(available on Amazon too)- they are great, and the piano vocal scores to quite a few shows. If only Baz Lurman could here me now! That store was so amazing. So fun to be in the smack middle of Broadway with dancers, actors, singers and tons of tourists everyway- buying my "singing supplies" like I was really a part of it. OK, so we all have secret fantasies! So happy that Broadway is becoming revitalized again.

9 of 10 people found the following review helpful:

4.0 out of 5 stars a FIDDLER plays once more..., June 29, 2004

By	Byron Kolln (the corner where Broadway meets Hollywood) - See all my reviews (TOP 50 REVIEWER)

This cast album to the 2004 Broadway revival of FIDDLER ON THE ROOF is, as touted, the most complete album of the Jerry Bock-Sheldon Harnick score to date, including the brand-new song "Topsy-Turvy". Alfred Molina essays the role of Tevye, still most-associated with Zero Mostel and Topol, and does a credible job. Though he occassionally lacks the joyful spirit and charm of his predecessors, his performance is solid (and no doubt the performance on disc cannot compare to the live performance). Randy Graff (the original Fantine in Broadway's LES MISERABLES) is a vibrant and vital Golde (and perhaps the most beautifully-sung). Leading the daughters is the ravishing Laura-Michelle Kelly as Hodel. Kelly is in my opinion the most affecting actress to play the role since Julia Migenes in the original cast. Nancy Opel is a fantastic Yente (Opel was a late replacement for Barbara Barrie, who left the show during previews). Opel gets the brand-new song "Topsy-Turvy", which is on the whole not very memorable, indeed the song it replaced, "The Rumour" was a one-joke number that wasn't too great, either. This sparkling new FIDDLER features a tight and strong cast. Highly recommended for fans of the score.