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68 of 80 people found the following review helpful:
4.0 out of 5 stars
You'll Just Die If You Don't See This Movie, November 2, 2002
Whether or not you've actually seen it, you'll probably have heard of "The Stepford Wives". Based on Ira Levin's novel, it was produced in the 1970s and has endured in the public consciousness ever since. Indeed the terms "Stepford" and "Stepford Wife" are now part of our vernacular. If you're in any doubt what these expressions mean, just imagine a woman who is the perfect male fantasy...a wife who cooks, cleans and keeps her husband's home to perfection whilst remaining an object of beauty, with well-preserved looks, sexy outfits and just the right-sized cleavage. A female who is there to service her man's every need - domestic, emotional, sexual - whilst never questioning her role as devoted housewife.<P... but the "The Stepford Wives" remains a powerful and disturbing movie, because it shows what could happen if men allowed their fantasies about women to become a reality.The film tells the tale of New York housewife and photographer Joanna Eberhart, who moves with her lawyer husband Walter (sexy name - not!) and their two kids to the seemingly idyllic rural town of Stepford. Very soon Joanna becomes disenchanted with her surroundings, missing the liveliness of New York. Her feelings of isolation are compounded by the fact that the other women in the town appear content to stay at home for their husbands as loyal house fraus, with no outside interests whatsoever. Also, all new male arrivals in Stepford are invited to join "The Men's Association", an organisation from which the town's women are strictly excluded. Whatever goes on there remains a mystery; the women aren't told. Fortunately Joanna meets the effervescent and rebellious Bobby Marco, another recent arrival in Stepford who shares her concerns about the strange behaviour of the women in the community. Together they decide to set up a consciousness-raising group and rally to get the local women involved...almost to no avail! At the first meeting of the wives, the other women prefer to agonise over the cleanliness of their kitchens and talk about the wonders of "Easy-On" starch spray and baking. One other recruit is found though; a feisty redhead called Charmaine who feels restricted by her husband Ed's demands. However after a weekend away with him, Charmaine returns strangely altered, allowing her hubby to bulldoze her much-loved tennis court and confessing that she all she wanted to do was "please Ed...and boy am I gonna please him". Weird. Mystified, Joanna and Bobby seek an answer to the zombie-like behaviour of the local women, wondering if "something in the water" might be responsible. They enlist one of Joanna's ex boyfriends, who is a scientist, to help, but this fails to pay dividends. Joanna soon comes to the frightening realisation that the town's wives undergo a change in personality after they have been resident in Stepford for roughly three months... and her time is almost up... I won't give any more away but this is a thought-provoking and intriguing movie!! Although low on action, the film builds its sense of momentum through a growing feeling of paranoia: are the women in the town somehow being "substituted" for drone-like replacements? Or are all of Joanna's anxieties inside her own head? If you're looking for a fast-moving film you might be disappointed, but the cleverness of the movie lies in its subtlety and the way in which the events take place in a seemingly normal domestic setting. Another reason for this movie's success lies in the acting. Katherine Ross (also of "The Graduate") puts in an intelligent, sympathetic performance as a woman who feels increasingly hemmed in by the claustrophobia of Stepford, and you really root for her as she feels she might be next on the list for "conversion". Paula Prentiss is great as Bobby, a funny, bubbly and tomboyish character determined not to become "one of those pan-scrubbers" and the rapport between her and Joanna is believable and touching. Given her determination to escape Stepford, Bobby's last few scenes are all the more poignant; I won't say any more but they make for some of the film's best moments! The supporting cast do a good job: amongst these are Peter Masterson as Walter, becoming gradually less supportive of his wife's feelings and fears and more and more influenced by the demands of the "Men's Association"; and Nanette Newman as Carol Van Sant, one of the wives who starts behaving very oddly at a barbecue, continually proclaiming "I'll just die if I don't get that recipe" (!!) Newman's role as a wife is all the more ironic considering all those "Fairy Liquid" adverts she once did (remember?!) The movie has also attained a kitsch/camp quality over time, mostly due to the fact that it was made in the 1970s! This doesn't spoil the subtler elements to the film, rather makes it all the more entertaining! A large part of the camp appeal is down to the wives themselves - their appearance, behaviour and dialogue. According to this movie, men would like nothing better than to see their wives dressed in frilly blouses (still showing off their assets), flowery dresses and big floppy hats - hilarious. The wives all say things like "I really shouldn't say it, but I just love my brownies" (that's cakes in case you were wondering) and constantly praise their husbands' performances in the bedroom department: "You're the King....you're the Master"!! No comment! To summarise this is a very enjoyable movie, which, as I have already mentioned, shows the dangers of male fantasies coming true and the perils that women must face having to exist in a patriarchal society. Go buy it...but don't get any ideas about changing your girlfriend...okay?!
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