About the Artist
Over the course of his five official recordings and the many EPs, performance-only specials, and soundtrack contributions the man and his lethal guitar have recorded since 1997, Dan Bern has been finding the big picture in the small whether plumbing the infinite sadness of being Van Goghs overlooked son or describing a horrific breakup through the gentle light of an Italian holiday. He processes the monumental, sifting through the rubble of increasingly distant youth and devastating world events, and comes up with gems of insight and emotion.
Bern is reflexively literate, in the style of his favorite authors, including L.A.'s legendary bohemians Charles Bukowski and John Fante, urbane fantasist James Thurber, and yarn-spinning humorist Ring Lardner. He's in love with the power of words to turn on themselves, to frolic, to bite, and his strong, friendly voice can go from earnest to ferocious within seconds.
The nomadic Bern, a Mid-westerner-turned-Angeleno now residing in fittingly quirky Truth or Consequences, New Mexico, has always had an outsiders wry vision. He grew up in Mt. Vernon, Iowa, informed equally by the wholesome wheatiness which inspired his longtime passion for sports in general and baseball in particular, and his Jewish immigrant parents artistic leanings (he played cello as a child) before decamping for the West Coast neo-folk scene in the early 1990s, where he began his professional career.
Being captivated by Dan is the easy part; describing his music to the non-initiated is more difficult. One journalist tried: "topical-poetical-sarcastic-punk-folk." An admirable effort, further elaborated by the New York Times: "He veers from comedy to anger, conjectures to shaggy-dog stories; he takes sidelong approaches to theology, science fiction, consumer culture, art, love and baseball."
Product Description
In the past decade, few songwriters have proven as prolific, and at such a phenomenally high consistency of quality, as Dan Bern. Here we have the opportunity to glimpse into his method and madness, as every witticism and whim unfolds, as both the sour and sublime moods hit, and as he ultimately undergoes the process of birthing and molding all those amazing songs. That, at its core, is what World Cup provides.
World Cup is a travelogue, "A Sort of Travel Diary" that follows our intrepid guide, armed with a well-traveled acoustic guitar, a notebook, and strumming partner Slim Nickel, on a short two-man European trekthrough London and Spain, Italy, Switzerland, France, and The Netherlandsin support of the previous year's "New American Language" CD. The book is ostensibly about international soccer, World Cup fever having overtaken the continent at the time, as well as the delights and frustrations of touring. But more fascinatingly, it is a journey through the mind and imagination of one of rock & roll's preeminent creative artists.
Through bits of lyrics, offhanded jottings, flash aphorisms, off-the-cuff sketches, and snatches of conversations, intoxicating portraits of the artist and the summer gradually take shape. In the cracks between, we are treated to some indelible flights of fantasy: carefully wrought set pieces during which Pablo Picasso's father becomes a pigeon-sketching artist, or Dan imagines himself as a spirited old Catalan bricklayer, or Mozart stars in a stand-alone time travel story, with a walk-on role for the ghost of Hitler.
Best of all, Dan treats us to five pristine new songsintimate, acoustic, troubadour tunes, simply recorded and decidedly somber, but in the romantic, mooning, starry-eyed mold of mythic old Europe.