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13 of 13 people found the following review helpful:
4.0 out of 5 stars
Panda Bear's High Lonesome, October 3, 2004
"Young Prayer" is not the recording that you might expect to hear from Panda Bear. Half of the prolific and enchanting Animal Collective, "Young Prayer" does not overwhelm the senses in the manner of the Animal Collective's "Sung Tongs" or "Spirit They're Gone Spirit". Animal Collective is the intersection of Brian Wilson's spiritual harmonies and the Stockhausen/Cage-meets-the-pop-song sonic dissonance of Can and the Velvet Underground. Found sounds, waves of distortion and compression, joyful dissonance, in-the-round singing, cut-and-paste sound collage. This is the sort of hypnotic music that your cats will hate you for.
The sounds of "Young Prayer" are unexpected even while they rest within the sonic footprint created by the Animal Collective. By unexpected I mean that "Young Prayer" is less reminiscent of the latest Animal Collective recording, "Sung Tongs," than of the reverbed high lonesome of My Morning Jacket's Jim James in "At Dawn". And high lonesome this album is; recorded in Panda Bear's childhood home, following the death of his father, this album, if nothing else, is a requiem.
"Young Prayer" is a stripped down recording, for all I know it might have been taped onto a four-track or a walkman. "Young Prayer" is the strumming of an acoustic guitar, it is the thin wail of Panda Bear, it is the rhythm of a hand-clap, it is the feeling of being alone in an empty house. "Young Prayer" is not a solo album in the sense of setting oneself apart from a previous musical endeavor (think of Lou Reed's "Transformer" following the dissolution of the Velvet Underground), it is the miles that pass from the Velvet Underground's freak-out on 'European Son' to the pleading of 'Jesus'. Or the boisterous surf-rock of the Beach Boys singing 'Surfin' Safari' in 1962 to the transcendental 'God Only Knows' in 1966. By these comparisons I mean that "Young Prayer" possesses a feeling that the Animal Collective recordings lack, and that is the feeling of loneliness and loss.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
Beauty, Pain, Loss...all recorded with Grace., November 29, 2004
We can all relate to the loss of a loved one. Some of us have lost great-grandmothers, cousins twice-removed, or other folks that we didn't know well enough to cause serious mourning. Noah Lennox (a.k.a. Panda Bear) is another story. He lost his father, and as an emotional response to this he recorded "Young Prayer".
Now, you can choose to seperate the record from its overwhelming context, but I choose not to. That's like trying to take the South out of Faulkner's "The Sound and the Fury". So listening to "Young Prayer" as a man's catharsis and healing place is absolutely essential to the experience itself.
The record consists of eight tracks, all unnamed, which makes it much easier to absorb if you can sit and listen all the way through (which isn't that hard...it's under 30 minutes long, all total). The arrangements are sparse, with guitar, vocals, and selected other instruments taking up the bulk of the album. The lyrics are mostly unintelligable, but what you do feel is how much his father meant to Noah. This is a record that can be emotionally draining if you're not in the right frame of mind.
Ultimitely, however, it serves as a guidepost along the way to those in mourning. In the liner sleeve, Panda Bear dedicates it simply, beautifully; "This is for my father. Goodbye, dad. I hope you are good where you are." Thanks to Panda Bear, we're all a little better off, too.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
The Album Title Says It All, July 29, 2005
Panda Bear's Young Prayer is, to my mind, a perfect album, in that it does exactly what it sets out to do as a musical work. How can I make such an allegation? Although I can't profess to somehow know the precise effect that the artist was aiming for, I would refer skeptics to the album's title, which, in this case, serves as an excellent expression of the music's intent. Let me explain a little more clearly.
Listening to these 9 untitled tracks as one cohesive whole has an overwhelming effect on both my senses and consciousness. The music is simply so powerful and beautiful that I have felt it necessary to listen to it only under ideal circumstances, usually with headphones, so that every sonic detail can be picked up and fully appreciated. I would advise potential listeners to do the same, either waiting for or setting up situations conducive to relaxation and reflection, without interruptions. Then, open yourself up and allow this entrancing elegy to be poured into you.
Each track follows a succession that, when considered, seems to be the one necessary arrangement. For instance, although almost none of the vocals consist of understandable lyrics, one can hear Panda Bear at the end of track 1 proclaiming "...this is how I will speak to you..." and "...this is how you will know me." This acts as a perfect lead-in to the rest of the album as a whole. Most tracks are heavily-strummed, lovely, pensive wanderings, but a few stray from this prototype, most notably 5 and 7. The former is a playful, pounding chant, and the latter is a slow, mournful lament with highly-processed vocals. The emotions evoked by each of these miniatures are intense but very difficult to pinpoint. My personal listening experience tends to make me feel completely immersed in my surroundings, contemplative, melancholic and elated (often at the same time!), and extremely nostalgic. This is where the title comes in: this music is simply bursting at the seams with all the joy and the pain, all the wonder and the fear of childhood. In its unabashed youthfulness, it yearns for the soothing presence of a wise and trusted adult, but in the end, it assumes that roll as well. It is the arc of learning to accept something. I will never let this music go.
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