Ivey-Divey

Don Byron

Product Details

• Audio CD (September 21, 2004)
• Original Release Date: September 21, 2004
• Number of Discs: 1
• Label: Blue Note Records
• ASIN: B0002UY8W4
• In-Print Editions: MP3 Download
• Average Customer Review: 4.4 out of 5 stars  See all reviews (5 customer reviews)
• Amazon.com Sales Rank: #24,474 in Music (See Bestsellers in Music)

Editorial Reviews

Amazon.com

Clarinetist Don Byron's albums frequently reflect an ongoing battle for control between two sides of his artistic identity: the virtuoso instrumentalist and shrewd conceptualist. Sometimes, in mounting his concepts, which have ranged from a tribute to klezmer king Mickey Katz to an album of tunes by offbeat '30s bandleaders John Kirby and Raymond Scott, he hasn't given his playing free enough rein. With Ivey-Divey, inspired in part by a great 1946 album teaming tenor legend Lester Young with pianist Nat King Cole and drummer Buddy Rich, Byron gives each side of his talent a fair shake. Honoring his source, he offers his own luminous take on tunes from it including "I Cover the Waterfront" and "I've Found a New Baby." While paying homage to Young, though, he cuts loose to deliver his freest and most dazzling performance on record. Emphatic where Young was famously laid back, soaring where Young floated, he joins forces with the brilliant, adaptable young pianist Jason Moran and fearsome drummer Jack DeJohnette (sounding great these days, having pared back his excesses) to create a classic of his own. No standard-issue tribute, Ivey-Divey includes intriguing reworkings of two Miles Davis classics, "Freddie Freeloader" (from Kind of Blue) and "In a Silent Way," and the gleeful original "'Leopold, Leopold ... ,'" a nod to Bugs Bunny's impersonation of conductor Leopold Stokowski. Then there's the boogie woogie classic "The Goon Drag," on which Byron gives a rare sampling of his sound on tenor, joined by trumpeter Ralph Alessi and bassist Lonnie Plaxico. Everything's ivey-divey, and hunky dory as well. --Lloyd Sachs

Product Description

Don Byron digs into a Lester Young classic and much more on Ivey-Divey, the follow up to the critically acclaimed You Are #6. Centered around Byron's effervescent new trio with piano rising star Jason Moran and drumming paragon Jack DeJohnette, Ivey-Divey is a master class in jazz chemistry-a worthy successor in spirit to tenor sax legend Young's mid-'40s trio with Nat "King" Cole and Buddy Rich.

With musicians of this caliber, it's no surprise that Ivey-Divey sizzles with exuberance-the confidant sound of three musicians working at a profound level of empathy. While the spirit of the session may hark back to Lester Young, this is no mere swing down memory lane. Byron and Co. bring an up-to-the minute rhythmic and harmonic sensibility, not to mention improvisational fireworks to their four selections from the Prez repertoire: "I Want to Be Happy," "Somebody Loves Me" (in two equally dazzling, yet substantially different renditions), "I Cover the Waterfront," and "I've Found a New Baby."

In addition to the trio, Ralph Alessi (trumpet) and Lonnie Plaxico (bass) are added to round out the session. The quintet tackles classic Miles Davis repertoire including "In a Silent Way" and "Freddie Freeloader" as well as original Byron compositions.

Customer Reviews

Most Helpful Customer Reviews

26 of 27 people found the following review helpful:

5.0 out of 5 stars Don Byron's best album since his debut!, September 21, 2004

By	Troy Collins (Lancaster, PA United States) - See all my reviews (REAL NAME)

"Ivey-Divey" may very well be clarinetist Don Byron's finest album since his debut over a decade ago. Where most of his previous albums seem to have been stylistically limited by genre conventions in order to properly market them, this effort showcases Byron the improvisor instead of Byron the conceptualist.

Joined by piano phenomenon Jason Moran and elder statesman and masterful drummer Jack DeJohnette, Byron and co. stretch out on a varied selection of tunes, half of them old standards associated with Lester Young, who also once lead a similar bass-less trio. But this is no nostalgic look back to jazz's humbler origins. Classic standards are torn asunder and re-imagined as vehicles for extended improvisation. Nothing is sacred on this disc. Even an old chestnut like "Somebody Loves Me" gets deconstructed and utilized as a springboard for intensive rhythmic, harmonic and melodic free-interplay. An acoustic take on Miles Davis' electric classic "In a Silent Way" provides the group with a launching pad into the stratosphere, transforming the original ambient melody into an anthem of catharsis. It is in their expansion and elaboration of these tunes that their interpretive skills come to the fore. Although the group is occasionally joined by bass and trumpet it is the core trio and their telepathic interplay that dominate the proceedings here.

Easily one of the best jazz albums to come out so far this year, Byron finally makes good on all the promise alluded to on albums past by finally delivering the goods.

5.0 out of 5 stars Great takes on classic tunes - wonderful interaction with Moran and Dejohnette., August 2, 2008

By	Scott Williams "sneakyneighborsdog" (Oakland, CA United States) - See all my reviews (REAL NAME)

Overview:
Ivey Divey is primarily a trio album with Byron on clarient & bass clarinet, Jason Moran on piano, and Jack Dejohnette on drums. Ralph Alessi (trumpet) and Lonnie Plaxico (bass) join in as guests on a few tunes as well. Throughout the album Moran, Dejohnette, and Byron have amazing chemistry as they play off each other's every move. The arrangements of classic tunes (I Want to Be Happy, Somebody loves me, I've found a new Baby, Freddie Freeloader, and In a Silent way) are creative and classic. Who would have thought a trio could pull off in a silent way, but it's done brilliantly here. The overall sound is post bop, with a 30's swing feel and a little flare of avante garde. This is my second favorite Don Byron album (after Bug Music).

Song Highlights:

In a Silent Way: Wow! where do I start with this one. Just a killer arrangement for a trio (Bryon, Moran, & Dejohnette). Byron opens with reflective clarient, and Dejohnette, taps a wide array of symbols for an emotional intro which culminates in passionate screams from Byron's clarient. Next the faster pace section begins which Dejohnette hitting the drums and Moran just doing a killer take of the faster melody on the low keys of his keyboard. Absolutely classic.

I've found a new Baby: One of my favorite standards. This is a great take, once again done by the trio. It's got kind of a 30's swing feel to it, and reminds me a bit of the mood and feel from Bug Music. Passionate playing abounds from Byron.

The Goon Drag: The best of the originals on the CD. Features the full band (R.Alessi + L. Plaxico join the trio). It's got a swing feel with a melody that features inter-twining horn parts. Once again reminds me a bit of the feel of bug music. Ralph Alessi has a great tone on the trumpet and he is my favorite contemporary trumpet player after Dave Douglas. He plays well with Byron.

9 of 17 people found the following review helpful:

5.0 out of 5 stars 6 stars if allowed, November 18, 2004

By	G. McMahon - See all my reviews (REAL NAME)

This is the best clarinet featured cd that I've ever heard. The only real question I find myself having about this cd is whether the old standards are better than the new material or vice-versa. In the past I have not been overwhelmed by Byron's material so orginally passed this by but I am glad that I took the leap.