- Summer Staycation: No need to load up your car or book airline tickets--get away from it all in the comfort of your own home with the Summer Staycation plan. For a limited time save on action, comedy, and drama hits.
- Save 47% off the July's Horror Spotlight Title of the Month - the Dario Argento homicidal frenzy Tenebre.
|
||||||||||||||||||||||
|
||||||||||||||||||||||
|
||||||||||||||||||||||
Join Amazon Prime and ship Two-Day for free and Overnight for $3.99. Already a member? Sign in.
|
Product Details
Would you like to update product info or give feedback on images?
|
Editorial Reviews
Amazon.com essential video
Roman Polanski was still a newcomer to the world of cinema when he unleashed this unforgettable exercise in skin-crawling terror. Repulsion was the Polish director's first film in English, but that hardly mattered: much of the movie is as wordless (and as weird) as the silent Nosferatu. The young Catherine Deneuve plays a Belgian girl stranded in '60s London, a shy beauty with no social skills. When her sister leaves their shared flat, Deneuve goes gradually, quietly, completely mad. Her world becomes Polanski's paintbox, as the devilish director distorts reality via a series of surrealistic touches (grasping hands that protrude from elastic walls) and out-and-out murderous horror. Very few films cast the kind of eerie spell that this 1965 classic achieves, and it clearly points the way toward Polanski's Rosemary's Baby. As with most of the director's work, what is unsettling is not the overt violence, but the terrifying sense of emptiness and isolation, and the boiling unease inside one's own mind. --Robert Horton
Roman Polanski was still a newcomer to the world of cinema when he unleashed this unforgettable exercise in skin-crawling terror. Repulsion was the Polish director's first film in English, but that hardly mattered: much of the movie is as wordless (and as weird) as the silent Nosferatu. The young Catherine Deneuve plays a Belgian girl stranded in '60s London, a shy beauty with no social skills. When her sister leaves their shared flat, Deneuve goes gradually, quietly, completely mad. Her world becomes Polanski's paintbox, as the devilish director distorts reality via a series of surrealistic touches (grasping hands that protrude from elastic walls) and out-and-out murderous horror. Very few films cast the kind of eerie spell that this 1965 classic achieves, and it clearly points the way toward Polanski's Rosemary's Baby. As with most of the director's work, what is unsettling is not the overt violence, but the terrifying sense of emptiness and isolation, and the boiling unease inside one's own mind. --Robert Horton
Customer Reviews
Customer Discussions
Beta (What's this?)
New! See all customer communities, and bookmark your communities to keep track of them.
|
This product's forum
(2 discussions)
Active discussions in related forums
|
Product Information from the Amapedia Community
Beta (What's this?)Be the first person to add an article about this item at Amapedia.com.
› See featured Amapedia.com articles
Listmania!
|
|
So You'd Like to...
Look for Similar Items by Category
Hot Deals on Hitachi |
Down to the Nuts and Bolts |
 |
Tidy Up Your Tools |
|||||||
|
Your Recent History
(What's this?)|
You have no recently viewed items or searches.
After viewing product detail pages or search results, look here to find an easy way to navigate back to pages you are interested in. Look to the right column to find helpful suggestions for your shopping session. |
Continue shopping: Top Sellers
| ||||
| ||
| ||
| ||
| ||
| ||
