Lullabies to Paralyze [EXPLICIT LYRICS]

Queens Of The Stone Age

Product Details

• Audio CD (March 22, 2005)
• Original Release Date: March 22, 2005
• Number of Discs: 1
• Format: Explicit Lyrics
• Label: Interscope Records
• ASIN: B0007QJ1MK
• Also Available in: Audio CD  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.1 out of 5 stars See all reviews (186 customer reviews)
• Amazon.com Sales Rank: #5,299 in Music (See Bestsellers in Music)

Editorial Reviews

Amazon.com
Nick Oliveri may have departed, taking his naked bass playing skills with him, but Queens of the Stone Age remains in good hands with co-founder Josh Homme. Putting extracurricular projects like Eagles of Death Metal and the Desert Sessions briefly on hold, the restless front man keeps things dependably loud and sludgy on the group's third album. Monster riffs, choppy rhythms, explosive melodies, and, yes, even a generous serving of cowbell, propel standout songs like "Medication" and "Little Sister" on the follow-up to 2002's breakthrough Songs for the Deaf. Friends also lend a hand. ZZ Top's Billy Gibbons shreds through the reverberating "Burn The Witch," while Garbage's Shirley Manson and the Distillers' Brody Dalle join Homme for a tantalizing threesome on "You Got A Killer Scene." -- Aidin Vaziri

Product Description
Japanese pressing of 2005 album includes three bonus tracks, 'Like a Drug', 'Precious and Grace' and 'Infinity'. Universal. --This text refers to the Audio CD edition.

Customer Reviews

Most Helpful Customer Reviews

74 of 83 people found the following review helpful:

4.0 out of 5 stars Strange "Lullabies", March 22, 2005

By	E. A Solinas "ea_solinas" (MD USA) - See all my reviews (TOP 10 REVIEWER)    (REAL NAME)

The last album by the Queens of the Stone Age was "Songs for the Deaf," a frenetic collection of the hardest kind of rock. It was a thrilling, visceral experience, not one soon forgotten. Then nude bassist Nick Oliveri departed from the band, taking the wilder edge of the band with him. Oh, what would become of the Queens of the Stone Age?

Well, if "Lullabies to Paralyze" is any indication, then they are doing fine. This album relies on Josh Homme, and it's stripped down to... well, not down to the bare bones, but some very strong, lean sinew. The albums opens with a little acoustic ballad, "Lullaby," which starts things off on a strong footing.

From there on, things get stranger -- fast paced songs that just keep speeding up, ominous buildups, and nightmarish undertones.There are moments of quieter catchiness -- "Little Sister" seems perfect for the album's first single. And a few tracks feel a bit like filler. But overall, "Lullabies" is very much in the flavour of the Queens' second album, "Rated R." Only darker and somehow more whimsical.

Singer/songwriter/guitarist Josh Homme gets to rule in this one. Truth be told, he ruled all through the Desert Sessions, Kyuss, and now he sits in the middle of the Queens of the Stone Age, like a sinister-but-not-evil mastermind. Oliveri's manic style and gimmicks are gone, and in their place is steady, dark rock'n'roll that takes strange and unexpected twists.

It's not a concept album, but it feels that way -- the mood gets generally creepier as "Lullabies" goes on. Fuzzy guitars, dark metallic riffs, and eerie harmonies get a few unusual flourishes, such as that broken music box. And Homme's vocals blend into the songs like another instrument -- great stuff. It only emphasizes how central he is to the band's unique sound.

Queens of the Stone Age seemed to be endangered when Oliveri departed, but "Lullabies to Paralyze" shows that the band is just fine. Not quite perfect, but a solid creation.

49 of 54 people found the following review helpful:

5.0 out of 5 stars Nick Who? Queens Still Rule. , March 28, 2005

By	G P Padillo "paolo" (Portland, ME United States) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Whoever was concerned what a post-Oliveri "QOTSA" would sound like need fear no more: the future is here and it's solid. There is a deceptive "easy" quality to the work, but trust me it is deceptive. Repeated listenings of "Lullabies" reveal a growing "adult" quality to the Queens work, but the intensity that attracted so many fans is still at work here and Homme and Company give everything they have to the project with the ensuing result being: one of the best rock albums to come out this year. (Granted, the year is still young, but my comment about "Lullabies" will be just as valid come December.)

Even more, unlike other "QOTSA" that held (in my humble opinion) a few misses as well as hits, there isn't a single bad moment on "Lullabies."

Although everyone is saying this isn't a concept album, "Lullabies to Paralyze" has a strong feeling all the way through it that make it nearly impossible not to want to listen to the entire thing. Over and over. A+ Effort!

6 of 6 people found the following review helpful:

4.0 out of 5 stars Excellent Album, March 22, 2005

By	Tim Alexander (Australia) - See all my reviews

This review is from: Lullabies to Paralyze (Audio CD)

This album is great. It grows on you the more you listen to it. In my opinion, it's better than Songs for the Deaf, and much much better than R (which I thought only had a few good songs). This album however is a great overall album - good songs the whole way through. Especially tracks like 'Everybody Knows That You Are Insane', 'I Never Came', 'Medication', and 'Someones In The Wolf' for which there's a film clip on the bonus dvd (in Australia). I think this album is a little darker and more melodic, which is a good thing in my book. It's also sounds more like their classic self-titled album (I need to listen to this new one a bit more before saying it's better than their first album, as it one of my all-time favourites). The absense of Nick Oliveri seems it will now prove what Kyuss fans have known all along that Josh is a very talented musician, as the first QOTSA album also proved (I'm not saying that Nick isn't very talented himself).