Most Helpful Customer Reviews
|
|
16 of 16 people found the following review helpful:
5.0 out of 5 stars
True Story & Great Example of 1930s Social Conscience Films., May 14, 2005
"I Am a Fugitive from a Chain Gang" is one of the most respected Depression-era "social conscience" pictures. The story was adapted from Robert Burns' autobiography "I Am a Fugitive from a Georgia Chain Gang", and Burns was an advisor on the film even though he was a wanted man at the time it was made. The film was released to great popular success less than a year after Burns' book was published. The story is essentially true, although some details have been changed. The real Robert Burns was perhaps a little less a victim than his character, James Allen, in the movie, and he was a magazine editor, not an engineer. Allen is a man who is consistently wronged in spite of trying to do right, and Depression-era audiences identified with his victimhood. Robert Burns was a crusader against the inhumanities of chain gangs, on which he was twice forced to serve. Instead of confining its themes to one cause, filmmakers made "I Am a Fugitive from a Chain Gang" into a platform for a host of social issues of the time, including unemployment, veterans' rights, the penal system, and the criminal justice system. Although most of the events of the film take place in the 1920s, the economic circumstances depicted in the film have been altered to reflect the hardships of the 1930s, when the film was made.
James Allen (Paul Muni) is a World War I veteran returning home with high hopes of putting the engineering skills he learned in the Army to civilian use. He takes a factory job, but is reluctant to replace the routine of the military with that of the factory. So he travels the country in search of construction work but has trouble making ends meet. One evening, he accompanies an acquaintance to a lunch wagon for a hamburger. His friend tries to rob the proprietor, and James is sentenced to 10 years hard labor on a chain gang as his accomplice. On the chain gang. prisoners are beaten, starved, and sleep deprived, and James makes a successful escape. He ends up in Chicago, where his landlady, Marie (Glenda Farrell), blackmails him into marrying her with threats of exposure. But James works his way up from a laborer on a bridge project all the way to engineer and becomes a honored and affluent citizen of the city. When he threatens the free-spending and philandering Marie with divorce, she exposes James to the police. And things begin to repeat themselves.
The social agenda of "I Am a Fugitive from a Chain Gang" is heavy-handed, but there is no denying the film's impact on audiences in 1932. And this film isn't nearly as political as some of the New Deal movies that would follow later in the decade, as it was made during the Hoover administration. It's just a very good example of "social conscience" filmmaking of the 1930s, made all the more interesting because the story is essentially true. Paul Muni gives a sympathetic performance as a bright, hardworking man who is trying to build America into a better nation as America keeps tearing him down. I have to mention Edward Ellis, a wonderful character actor of the 1930s who is memorable here as James' friend on the chain gang, Bomber. "I Am a Fugitive from a Chain Gang" was critically acclaimed, popular, and timely in the 1930s. It's also a very good film that fans of 1930s cinema won't want to miss.
The DVD ( Warner Brothers 2005 release): This is a good print of the film, but it does not appear to be a restored print. There is an occasional white speck on the image, but picture and sound quality are basically good. Bonus features include a short film, a theatrical trailer, and an audio commentary. The short film is "20,000 Cheers for the Chain Gang" (20 minutes), which is a comedic spoof of "I Am a Fugitive from a Chain Gang". A zany group of convicts escape the chain gang only to try to return because the conditions have become luxurious in preparation for a review by the Governor's Committee. The audio commentary is by USC film professor Richard B. Jewell. Jewell talks about the actors, making the film, the film's reception, and compares the life of the real Robert Burns to his fictional counterpart in the film. This is an informative, generally well-organized commentary that I recommend if you enjoyed the film. Subtitles of the film are available in English, French, and Spanish.
|
|
|
11 of 11 people found the following review helpful:
5.0 out of 5 stars
A Cinema Classic, April 3, 2000
By A Customer
Watching I AM A FUGITIVE is an experience. The viewer can't help but get caught up in the ongoing saga of James Allen, a World War I vet who is sent to jail for a crime he didn't commit. Because it was made so long ago, in 1932, you would think that it's age would hurt the film. But in this case, it is just the opposite. Watching this movie is like going back into time and we can almost feel the suffering of James Allen (Paul Muni) as he endures the horrors of a Georgia chain gang. This film has some historical significance as well, for after its release there was a public outcry against the chain gang prison system which was mostly prevelant in the South. As a result, chain gangs soon disappeared. I AM A FUGITIVE hits the viewer with all the subtlety of a sledgehammer. It stunned the audiences of the 30s with its brutal portrayal of living conditions in Georgia prisons (mild by today's cinema standards). And although Muni's acting gets a bit hammy at times, his portrayal of Allen is a great achievement. And the ending! Besides the emotional punch it delivers, I AM A FUGITIVE is full of truths. And after 65 years, those truths may be even more relevant today than when the film was made. Don't miss it!
|
|
|
18 of 21 people found the following review helpful:
5.0 out of 5 stars
The Cruel Hand of Fate, April 15, 2005
You will never see a more powerful film in American cinema than "I Am a Fugitive From a Chain Gang." Nor will you find a more effective performance than Paul Muni's as James Allen. Mervin Leroy was given a chance to direct by WB Vitaphone and proved himself more than capable. This film is as fresh and powerful today as it was in 1932, thanks in part to the pre-Hay's office frankness of its subject matter. It is a film about the role destiny and fate play in our lives. You will never look at the life you have in the same way after seeing this film.
James Allen, returns from WWI a changed man. Working as an engineer in the military has given him dreams for something more than his brother expects from him. Only his mother understands and gives him her blessing to go out into the world and find himself. So he sets off to work in construction to build, traveling all across the country from job to job.
Times are lean in the depression and when Preston Foster offers to mooch a hamburger for him he can not refuse. But Foster pulls a gun and forces Allen to help him rob the diner. He is killed during the robbery by the police and Allen is unjustly sentenced to 10 years in the chain gangs of the deep south. The brutality and demoralization of the human spirit is more than he can bear and with a little help from his friend (nicely played by Edward Ellis) he plans a successful escape. He manages to avoid the police and changes his name to Allen James.
In her brief screen time, Noel Francis as Linda, a speakeasy girl, gives a touching performance, offering a little humanity and love back to James. He seems to have a fresh start and slowly works his way up in construction to become a prominent and respected member of the community, helping Chicago become a great city.
But fate forms a dark cloud once more in the form of Marie (Glenda Farrel), a self absorbed girl who blackmails him into marriage when she accidently learns his secret. Her hard drinking and free-spending lifestyle and her free loving ways are only made bearable when he meets the wonderful Helen, played nicely by the lovely Helen Vinson. In Helen, he finds the love that has been missing in his life and asks for a divorce so they can be together. He calls Marie's bluff only to find it was not a bluff.
His prominence in the community keeps him from jail for a time and he lashes out publicly against the brutality of the chain gangs of the deep south. This film changed public opinion about the chain gangs and was the impetus for its demise in the deep south.
James finally strikes a deal where he will return for 90 days and then receive a pardon. He accepts so he and Helen can live free from the cloud that has been hanging over him. But the state reneges on its deal and offers one year as a model prisoner before his release.
He has no choice but to accept and it is a quietly powerful scene when that deal also is taken away after the year is up and it breaks Allen's spirit. He plans another escape from the chain gang and is once more successful, but his friend is killed this time. Allen's last stint in the chain gang has changed him, however, and he must now live a life on the run, barren of love and devoid of humanity.
Robert E. Burns wrote this powerful story and Paul Muni gives an unforgettable performance. The final scene is as powerful as any you will ever see, as he hunts down his beloved Helen just to see her one last time and say goodbye. Her desperate words as they embrace embody this entire film: "It was all going to be so different." As Allen backs away into the darkness and she asks him how he survives, you will never forget Muni's heartbreaking response.
Don't be turned off by this film, thinking it is just a prison movie from the past. It is about fate and destiny, and our own humanity. You will not see anything else like it in American cinema. A Must Own.
|
|
|
Most Recent Customer Reviews
|
DVD ~ Sylvia Sidney
DVD ~ James Cagney
DVD ~ Norma Shearer
DVD ~ Paul Muni
DVD ~ Edward G. Robinson
