Review
The tracks are, in a sense, the diametrical opposite of "nu metal"; Limp Bizkit, for example, uses inept hip-hop beats as a rhythmic base, but "Drums of Death"sound starts with Lombardoâ TMs Rock-with-a-capital-R kit work expansive, thick tom rolls and razor-sharp cymbals. Often this produces hip-hop/electronica-infused metal not vice-versa. Public Enemy frontman Chuck D raps on three tracks, all of them hard rock remakes of classic PE tunes; of these,"B-Side Wins Again"'s the finest, as Chuck rants winningly over Lombardo's lock-step snare, Dangers' chugging electric guitar and Spooky's chiming electronic beats and layered, panic-attack turntable work. (Chuck D's presence is a reminder of the golden age of 1987 when Slayer and Public Enemy were both on Def Jam Records.)
Vernon Reid's howling guitar blends with Lombardo's cut-up, churning drums and Spooky's bleeping turntables on "The Art of War",and the result's not unlike very recent King Crimson."Terrus Nullius"sounds the most like a Slayer song as guest guitarist Gerry Nestler rips out a downstrokey riff and Lombardo finally produces that sternum-rattling double-kick badabadabadabada that is his sonic trademark."Assisted Suicide" has Lombardo playing a comparatively funkier pattern alongside Spooky's metronomic synth and a looped, warbling, wordless vocal from performance artist Meredith Monk. Underground hip-hop emcee Dälek contributes a terrific rap and the track is one of the CD's best.
Best of all, there's "Incipit Zarathustra," a duet of sorts between Lombardo and Spooky no guests. Spooky's ripping, wildly imaginative turntable scratching faces off against Lombardo's drums-tutorial-video collection of patterns and rolls... --All About Jazz
Product Description
Two years in the making "Drums of Death" has finally emerged.
DJ Spooky That Subliminal Kid has teamed up with Dave Lombardo (drummer for
Slayer) to see what one of the world's best DJs could do with beats supplied
by the best thrash metal drummer of all time. Added to the mix, Chuck
D from Public Enemy and legendary Living Colour guitarist Vernon Reid have
contributed their enormous talents to the album. To bring it all together Meat
Beat Manifesto co-produced "Drums of Death" along with DJ Spooky.
"Check it like this: the drum is universal - it doesn't matter if it's
hip-hop, drum n bass or thrash metal - it's all about that beat.
Me and Dave Lombardo flip beats to a different drummer -
that's what this project is about: rhythm dialog, building
bridges between scenes and styles. Flippin' the script always
means there's new vocabularies to be explored, and we're
just making up a new language as we go...Slayer was one of
the only rock bands on early Def Jam, and they influenced my
style. Dave's drumming wasmad rugged, and he was the
rhythm unit. Like the illest live band in hip-hop, The Roots, has
Q?est-love as their rhythm section, Slayer has Dave.
Think of this as a dialog about that kind of cultural collision"
-DJ Spooky
Thirsty Ear is proud to present these world class artists as they
have never been seen before.
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