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Sporting a hearty endorsement from emo-rock hero Chris Walla, the debut record from Australias Youth Group is extremely easy to like. Its sunny and sad like all good emo, as lead singer/songwriter Toby Martins melodies float around in a hazy kind of heartache. Sounding a bit (as you might expect) like
Death Cab For Cutie, with a side of early
James and a dash of
Coldplay,
Skeleton Jar isnt perfect; theres a sameness of structure and tempo, and you get the sense Walla shaved off one too many rough edges in the studio. Still, Martin writes with warmth and intelligence, and the band is limber enough to tackle a range of textures and emotions, dealing equally well with quick, bright choruses ("Shadowland") and more extended dramas (the lovely "See-Saw"). A promising release.
Matthew Cooke
Product Description
Youth Group are at the forefront of an exciting new era in Australian alternative music. They have the pop of The Posies, the articulate desire of The Red House Painters and Death Cab For Cutie, the rock of The Pixies, and the angst of Bright Eyes. "Skeleton Jar" is the band's second album and the first to be released in the US. Left field, yet highly emotive lyrics navigate their way across varied landscapes of pop, folk, and indie rock terrain. The beauty of this album is that every note is well-placed, every strum thought through, economic in the precision of the pop-coated anger. If the darkened cover and alienated art work don't tip you early, this is a dark album. Tightened, taut even, Toby Martin's unmistakably melancholic voice remains pure and potent throughout.