Let It Die

Feist

Product Details

• Audio CD (April 26, 2005)
• Original Release Date: May 18, 2004
• Number of Discs: 1
• Label: Interscope Records
• ASIN: B0008KLVW8
• Also Available in: Audio CD  |  MP3 Download
• Average Customer Review: 4.4 out of 5 stars See all reviews (102 customer reviews)
• Amazon.com Sales Rank: #2,450 in Music (See Bestsellers in Music)

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Editorial Reviews

Amazon.com
Canadian singer Leslie Feist has served as a guest vocalist for Norwegian folkies Kings of Convenience, Toronto power-pop troupe Broken Social Scene, and - under the frightening moniker "Bitch Lap-Lap" - the hairy female rapper Peaches. But her unruly resume hardly prepares you for the emotionally rich, softy sensual music on her major label debut. Moving from tortured torch songs such as "Lonely Lonely" to pulsating originals like "Mushaboom," it also contains stunning remakes of Ron Sexsmith's "Secret Heart" and the Bee Gees' "Inside and Out," tunes Feist not only makes her own but effectively uses to dissect her romantic desolation. "Don't you wish we could forget that kiss?" she smolders on the title track. Not in this lifetime. --Aidin Vaziri

Product Description
Feist is a Canadian songstress, hailing from Toronto. Her first album 'Let It Die', is produced by Renaud Letang & Gonzales. Feist has been Gonzales' fellow for years. Part of the Canadian collective band, Broken Social Scene, Gonzales convinced her to come to Paris to record this first album. The journey started in an out of time, out of norm atmosphere, whose lush grooves are offset by a thoroughly enjoyable live performance, with members of the Germany via Toronto Kitty-Yo crew such as Peaches, Gonzales, & Taylor Savvy. Features 11 tracks including the singles 'Mushroom' & 'One Evening'. Universal. --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

Most Helpful Customer Reviews

65 of 68 people found the following review helpful:

5.0 out of 5 stars Simply brilliant. Understated. Sexy. Haunting. Best CD of 05, May 19, 2005

By	G. Mitchell "greggmitch" (Los Angeles, CA United States) - See all my reviews (REAL NAME)

I heard the import singles and now have the domestic full CD (even though the import version contains two bonus tracks NOT on the cheaper U.S. version)...simply put, this is simply BRILLIANT. While not really her "debut" (Feist has been in several Canadian bands like Broken Social Scene, self-released her own Monarch CD a few years ago, and popped up with roomie Peaches on some projects), it's a definite keeper. It's so rare to hear a CD nowadays that, from the moment you hear the opening chords and voice, you are immediately hooked, pulled in, and instantly addicted til the last note. Not a bad apple in the bunch, but standouts are her amazing, gutsy, sexy cover of Bee Gee's INSIDE & OUT (who woulda thunk?), ONE EVENING, MUSHABOOM (getting spins on KCRW now), and her understated cover of Ron Sexsmith's classic overlooked SECRET HEART. With spare, expert production from pal GONZALEZ (who has put out some interesting electro/faux-rap efforts on his own), it's all about HER VOICE: breathy, rich, ethereal, sensual with confident yet carefree phrasing and tone. The kind of voice you hear once and never ever forget. I know that if Interscope puts some serious marketing muscle and money beyond Feist's CD it can be a contender for a Grammy sweep - it's THAT good. Handsdown the BEST album of 2005, bar none. (Here's hoping for the remixes soon! Ewan Pearson & Mocky, do you feel me?)

48 of 51 people found the following review helpful:

4.0 out of 5 stars Let it live, May 30, 2005

By	E. A Solinas "ea_solinas" (MD USA) - See all my reviews (TOP 10 REVIEWER)    (REAL NAME)

If Lesie Feist sounds familiar, it's because of her musical resume -- it ranges from Canadian indie-popsters Broken Social Scene to female rapper Peaches to the Kings of Convenience. That sort of resume also makes one wonder -- what will her solo debut, "Let It Die," sound like?

The answer: Stripped down, sensual pop music, with a touch of jazz and trip-hop around the edges. It kicks off with only the strums of an acoustic guitar, before Feist jumps in like an orphaned torch singer. "Well it's time to begin/as the summer sets in/It's the scene you set for new lovers," she croons.

From there on, Feist doesn't even slow down. She ventures into cheery, catchy pop like "Mushaboom," sensual slow ballads, rippling trippy songs, and smooth torch songs. There's even -- surprisingly -- a cover of the Bee Gees' "Inside And Out," which she gives a funky spin, and a delicately catchy cover of Ron Sexsmith's underrated "Secret Heart."

The flavour of Feist's music isn't the sort that sets off fireworks and sets you raving about how much fun it is. "Let It Die" is the sort of album that is periodically hailed as being the real deal -- no studio tricks, little musical polish, and a reliance on good songwriting and tunes rather than hooks. In other words, pure music.

The star of the music is Feist herself; her vocals are front-and-center, and she proves herself a rare kind of singer. No "American Idol" vocal explosions, no hyperdramatics. Instead, Feist flexes her vocals in all sorts of different ways -- breathy, husky, ethereal and coy, and and moving along with the music in perfect sync.

Not that Feist's good voice doesn't mean that the music isn't also good. Most of the instrumentation is based on piano and acoustic guitar, with snapping fingers, cowbells, a hint of synth and handclaps thrown in. It's very simple, and very pretty, whether trying out catchy pop or traditional-sounding folk. Only a few songs, like the clunky "Lonely Lonely," fail to be captivating.

Leslie Feist moves out of the shadow of the other bands and artists she's worked with, and establishes herself with the beautiful "Let It Die." A rare and good type of pop.

9 of 9 people found the following review helpful:

3.0 out of 5 stars Enjoying this CD Thoroughly!, September 24, 2006

By	L. E. Jenkins "Ma2FourSons" (Broomfield, CO USA) - See all my reviews (REAL NAME)

I hadn't even heard of "Feist" before my 16 year old son made me a compilation CD of various artists. I heard "Mushaboom" and was delighted. "Who IS this?" I asked him, and he told me. I felt so out-of-it, but also very happy to discover that not every female vocalist nowadays sounds like Minnie Mouse on speed, thank Heavens. There are some out there who can sing and who are not afraid to be a bit different than the mainstream. Her voice is unique, and Feist's style is hard to peg. I like that. I immediately went on Amazon, listened to some samples and read some reviews, then bought my first "Feist" CD. I have not been disappointed.