Apple Final Cut Studio (Mac DVD) [Final Cut 5, Motion 2, DVD Studio Pro 4, Soundtrack Pro] [OLD VERSION]

Other products by Apple

Product Features

• Edit with Final Cut Pro—The scalability, performance, and workflow of Final Cut Pro make it the first choice of professional editors everywhere.
• Create Audio with Soundtrack Pro—Soundtrack Pro revolutionizes the way audio and video professionals edit and design sound.
• Make motion graphics with Motion—Apple's real-time motion graphics software Motion is the easiest way for artists and editors to animate text, movies, and graphics.
• DVD Studio Pro—From DVD dailies to highly interactive commercial titles, DVD Studio Pro is the easiest and most popular way for professionals to author SD and HD DVDs.

Product Details

• Shipping Weight: 17.6 pounds
• Shipping: Currently, item can be shipped only within the U.S.
• ASIN: B0009319Q2
• Item model number: M9911Z/A
• Date first available at Amazon.com: April 17, 2005
• Average Customer Review: 4.3 out of 5 stars See all reviews (6 customer reviews)
• Amazon.com Sales Rank: #2,453 in Software (See Bestsellers in Software)

  Popular in these categories: (What's this?)

  #19 in	Software > Macintosh > Apple Brand Software
  #49 in	Software > Video & Music > Digital Video > Video Editing
  #58 in	Software > Macintosh > Video & Music > Digital Audio

• Discontinued by manufacturer: Yes

Product Description

Amazon.com
You know the benefits of keeping all your production under one roof. Why not keep all your production tools in one box? Final Cut Studio combines the industry-standard Final Cut Pro 5, including powerful SD, DV and HD editing capability with the real-time design engine of Motion 2 for stunning motion graphics, the flexible audio creation and control tools of Soundtrack Pro and the sophisticated SD and HD DVD authoring features of DVD Studio Pro 4.

Elevate production values with powerful editing tools, revolutionary sound design, real-time motion graphics and next-generation DVD authoring, all in one affordable package. Edit virtually any format, from film to DV and native HDV to fully uncompressed HD--complete with simultaneous multicamera playback--in real time. Create, manipulate and fix audio. Create eye-popping motion graphics with GPU-accelerated, 32-bit float rendering. Then author your finished product to DVD, complete with highly interactive titles and fast, distributed encoding. Do it all with Final Cut Studio and its integrated, state-of-the-art applications.

Final Cut Pro 5
The first choice for professional editors everywhere, Final Cut Pro 5 delivers powerful and precise editing tools that work with virtually any format, from DV and native HDV to fully uncompressed HD. With a real-time multistream effects architecture, multicam editing tools, advanced color correction and intuitive integration with other Apple professional video and audio applications, Final Cut Pro gives you more creative options and technical control than ever before. See the Final Cut Pro 5 interface.

From SD to HD, Final Cut Pro 5 is designed to handle just about any format you can throw at it.

Working with multi-camera footage has never been easier.

Dynamic real-time effects processing means you have more time to experiment and perfect your transitions and other effects.

• Edit Anything: With native support for virtually any video format all in one application, Final Cut Pro 5 lets you edit everything from DV and SD to to DVCPRO HD and uncompressed high-definition video. Work with new formats like native HDV (long-GOP MPEG-2) and 50-Mbps IMX.
• Native HDV Support: Unlike other solutions, Final Cut Pro 5 acquires HDV media via FireWire and keeps it in the original format, transferring it into the system without any generation loss. Output via FireWire back to an HDV camera or deck, or transfer your native HDV to DVD Studio Pro 4 for an end-to-end native HDV workflow.
• Tapeless Workflow: Capture and output video frames accurately using professional decks, or go tapeless with built-in Panasonic P2 media support. View and browse P2 devices, then transfer the files you need directly into the Final Cut Pro 5 Browser.
• Multicam Editing: Simultaneously view and cut from multiple sources in real time, thanks to new multicam editing for DV, SD and HD. Group up to 128 sources together into multi-clips, then add or subtract cameras at any time for maximum flexibility. Switch from shot to shot, with or without effects, and auto-assemble sequences based on time-of-day timecode.
• RT Extreme with Dynamic RT: Save time with real-time effects processing on everything from DV to fully uncompressed HD. New Dynamic RT adjusts image quality and frame rate on the fly for optimal playback and scales performance as CPU power increases. You define Dynamic RT preferences for total control.
• Multichannel Audio: Capture and output up to 24 channels of high resolution 24-bit, 96kHz audio in a single pass with Final Cut Pro 5. Fully compatible with MCP (Mackie Control Protocol) devices, Final Cut Pro 5 lets you use external audio control surfaces to mix and record multiple fader automations simultaneously. Mix and record multiple fader automation simultaneously and enjoy two-way communication between your system and the control surface.
• Improved Xsan Support: Capture once, save time and share media with multiple editors using a consolidated storage pool powered by Xsan. Improved Media Management Tools provide support for reconnecting and managing files across large Xsan environments, budgeting your real-time effects according to available Xsan bandwidth.

Soundtrack Pro
Meet the next indispensable addition to your professional workflow. Sample-accurate and nondestructive editing in an intuitive interface make Soundtrack Pro the must-have tool for pro audio engineers and sound designers alike. Enjoy more than 50 effects from Logic Pro and over 5,000 Apple Loops. See the Soundtrack Pro interface.

The new Soundtrack Pro waveform editor makes it easier than ever to edit with extreme accuracy.

Thousands of effects and loops are just a few clicks away.

• Precise Audio Control: Manipulate audio in a breakthrough nondestructive, sample-accurate, action-based waveform editor. Reorder, suspend, modify and delete any edit, effect or process. Quickly identify, preview and fix common audio problems such as background noise, pops, clicks and hum. Stretch audio without affecting pitch.
• Advanced Sound Design: Use more than 50 professional effect plug-ins from Logic Pro to enhance a dialog track, recreate the reverberant ambience of any space, create sound effects or design new music sounds and samples. Select the perfect audio bed for your project from more than 5,000 sound effects and music files using the intuitive Apple Loops browser.
• Comprehensive Toolset: Get all the features you would expect from an advanced audio application including multitrack arranging and a console-style mixer with control surface support. What's more, you can use AppleScript to create batch processes for tasks you perform frequently, such as format conversions, noise reduction and normalization.
• Integrated Workflow: Move back and forth between other Final Cut Studio applications for quick and easy audio touch-up or creation. Send entire sequences from Final Cut Pro 5 directly into the Soundtrack Pro multitrack editor or round-trip individual clips between Final Cut Pro and the Soundtrack Pro Waveform Editor. Record director's commentary for a DVD Studio Pro project or add a sound effect or transition audio to a Motion project. Or use Soundtrack Pro as a powerful waveform editor and sound design tool with Logic Pro, Logic Express or other digital audio workstation.

Motion 2
Nothing like your old-school motion graphics system, Motion 2 ushers in a new paradigm, offering true film-quality output, GPU accelerated real-time performance and an astounding tool set that lets you create advanced motion graphics with drag-and-drop ease, startling clarity and unprecedented color fidelity. See the Motion 2 interface.

Motion can tap your graphics card's GPU to deliver 32-bit float rendering for true film-quality motion graphics.

The new Replicator makes it easy to create more robust actions from a single graphic.

• GPU Accelerated 32-Bit Rendering: Motion is the world's first motion graphics software with GPU accelerated 32-bit float rendering for true film quality. 32-bit float rendering produces extremely fine color accuracy, eliminates banding artifacts and even improves quality when rendering to 8-bit formats. You get great detail, quality and range of color that automatically scales with new generations of GPUs and CPUs.
• Replicator: An amazing new design tool, Replicator allows you to generate multiple copies of a single graphic, shape or movie and animate them in mesmerizing patterns. Just drag and drop the Sequence behavior to produce wave-like animations along grids, swirls, burst shapes or any user-defined layout.
• New Filters and Effects: Motion 2 offers more than 500 filters, effects and particle presets, each and every one designed to take advantage of the stunning quality produced by 16 and 32-bit float rendering. Apply filters such as 3D Rotate, Extrude and Vignette that are fundamental to almost every project; explore unique Caustics and Membrane Generators or apply and modify dozens of new particle presets to produce animations that will stand out.
• MIDI Behavior: Move beyond a single hand on a mouse or pen to enjoy the flexibility of multiple fingers on a MIDI control surface. With Motion 2, you can assign any number of filters or transform parameters to a MIDI knob, fader or pad with "Learn" mode. Because you get real-time, dynamic response to simultaneous inputs, you can even "play" Motion like a musical instrument for spontaneous live performances.
• Integrated Workflow: You can now use Motion in conjunction with Adobe After Effects. All of the particle effects, Replicator designs and animations in Motion can be added to an After Effects "comp" without rendering. Making a change is as simple as selecting "Open in Editor" from the After Effects edit menu.

DVD Studio Pro 4
Showcase your HD content in HD resolution with DVD Studio Pro 4. Distributed network encoding allows you to quickly convert your source materials to a wide range of industry formats. Create professional-quality DVDs right away, developing more sophisticated commercial projects as your expertise grows. See the DVD Studio Pro 4 interface.

DVD Studio Pro 4 builds on the already outstanding DVD-authoring capabilities of past versions.

Dramatically streamline the authoring process by using context-sensitive drop palettes.

• Author in SD or HD: Showcase your HD content with integrated, scalable H.264 encoding that allows you to fit HD content on DVDs using existing drives and existing media. Create HD on DVD versions from existing SD projects. Go from native HDV to HD on DVD with no recompression from Final Cut Pro and save time by encoding HD and SD in one Compressor batch.
• Distributed Encoding: Dramatically increase your HD and SD encoding speed by sharing the encoding workload over multiple computers. Offload encoding tasks to another machine and add encoding notes at no extra cost.
• Integrated Dolby Encoder: Encode Dolby Digital Professional (AC-3) surround sound audio, reduce uncompressed PCM audio file size without compromising quality--and display the Dolby logo on your final DVD.
• VTS Allocation: Increase playback performance with VTS editing by allocating menus throughout VTS folders to overcome 1GB menu limitations.
• GPRM Partitioning: GPRM partitioning gives you advanced scripting control options for highly interactive DVDs. And improved script commands allow jumps to motion menu loops so you avoid repeating introduction transitions.
• Real-Time HD Preview: Preview color and surround sound on a second Digital Cinema Desktop while you work. Audition surround sound using S/PDIF (digital audio) out to an external DTS or Dolby Digital (AC-3) decoder.

Product Description
Final Cut Studio allows professional editors to elevate production values with powerful editing tools, revolutionary sound design, real-time motion graphics and next generation DVD authoring. Final Cut Pro 5 edits virtually any video format, even multicam, in real-time. Create, control and fix audio with the revolutionary Soundtrack Pro. Tap into the real-time design engine of Motion, now with GPU accelerated 32-bit float rendering, to make your motion graphics pop. DVD Studio Pro delivers sophisticated SD and HD DVD authoring, fast distributed encoding and more to create stunning DVDs. When it comes to producing professional video, Final Cut Studio completes the picture.

Customer Reviews

Most Helpful Customer Reviews

13 of 15 people found the following review helpful:

5.0 out of 5 stars Final Cut Pro Review, December 5, 2005

By	Simone Lange (Anchorage AK) - See all my reviews (REAL NAME)

This rather heavy box contains Final Cut Pro 5, Soundtrack Pro, Motion 2, DVD Studio Pro 4 & Shake 4 and lots and lots of books (my kind of packaging). My old Final Cut Pro 4 books have lots of places bookmarked with stickies. I know that you can use the help menu on the computer but for those of us who do like to curl up with a good manual I was in heaven. The box has a total of eight books. Five of them are for Final Cut Pro the others are for Motion 2, Soundtrack Pro and DVD Studio Pro 4.

You have to invest both time and hard drive space for this software. I didn't install all of the extras that came in the box, but I did install quite a bit. To install all of the bells and whistles you would need about 41GB. I installed partial which used only 21GB which is still a hard drive hog.

While there were many great programs that came in the box I will only focus on Final Cut Pro 5.

What comes new for Final Cut Pro:
- "Multicamera Editing Using Multiclips". This allows you to group together multiple clips as separate angles and switch back and forth between the clips in real time. You can have up to 128 angles but only the first 16 can be played back in real time. This worked great for my multi-camera projects.

- You can now capture, edit and output native MPEG-2 HDV video plus 720p30, 720p60, 1080i60 & 1080i50 formats. Using supported USB or FireWire you can import and export native DV, DVCPRO & DVCPRO 50 footage from Panasonic P2 cards all without any generation loss.

- Apple Professional Application Integration has a new "Send to Menu" which allows you to select one or more clips in your project and open them in other Apple Pro applications such as Shake 4, Soundtrack Pro and Motion 2.

- You can embed Motion and LiveType projects directly into your Final Cut projects and edit them like any other clip in your timeline.

- You can also process audio in your Final Cut project using Soudtrack Pro by editing nondestructively or destructively using the Waveform Editor. When you make changes to Soundtrack audio that is embedded in a Final Cut project the audio in your Final Cut project is updated immediately.

- Interface Enhancements, allow you to now change the text display size in the Browser and Timeline. A new customized keyboard layout for real-time multicamera editing is also included. Plus new button bars for common workflows like Multiclip, Media Logging & Audio Editing.

- Rendering of "Still Images" & "Generator Performance" are now rendered to a "Constant Frames" folder which is stored in the current "Render Files" on your scratch disk which helps playback performance significantly.

- RT Extreme & Real-Time Playback: allows you to manually adjust the video quality (high, medium or low) and playback frame rate (full, half, quarter) to reduce CPU load so you can increase the number of simultaneous real-time effects.

Dynamic Real-Time Playback: Where Final Cut can automatically adjust video quality, frame rate or both on a frame-by-frame basis during playback thus allowing you to get the best real-time performance.

Limiting the Data Rate of Real-Time Playback: Is useful when you have more video streams that your hard disk is capable of playing back. This would be helpful to those who media is stored on a (SAN) storage area network or if your scratch disk has a low data rate, such as 4200 rpm which is the case with some PowerBooks and portable FireWire drives.

Unlimited Real-Time Playback Enhanced: If you choose the "Unlimited RT" option from the RT pop-menu in the Timeline you can preview more effects than previously available. The engine has been enhanced to support playback for effects that were previously unplayable, such as Motion & LiveType clips.

- Audio: MIDI Control Surface Support allows you to precisely control fader levels and pan settings simultaneously, instead of adjusting faders one at a time. You can control whether or not audio beeps are heard when unrendered audio tracks are played back.

- Log and Capture: You can now capture up to 24 audio channels at the same time. The Log & Capture window allows you to choose which audio channels you capture and whether audio channels are captured as mono channels or stereo pairs.

- Scratch Disks, Xsan & Network Support: The Directory & File Permission supports scratch disks on storage area networks such as Xsan. All UNIX file permissions are obeyed, allowing you to carefully control read & write access for multiple Final Cut Pro editing systems connected to the SAN.

Each time Final Cut is opened it searches any computers on your LAN for easy setups, plug-ins, window & keyboard layouts, button bars, etc... Which allows you to install settings and preset files in only one location and share them with all other editing systems on the network.

Capture Now no longer preallocates disk space so now media files grow as they are written and there is no longer a waiting period before Capture Now operation begins.

- Media Management: There is a faster reconnect feature to your media files. You can also reveal a clip's media file directly in the "Finder". The Media Manager can process the latest supported video formats, including DVCPRO, HD, HDV & IMX.

- Film Editing and Cinema Tools: Clips in Final Cut can be linked directly to a Cinema Tools database. So whenever you make changes to your Cinema Tools database you can update the associated clip in Final Cut.

You can import "Telecine Logs" directly into Final Cut and associate the clips with a Cinema Tools database that is created automatically. Final Cut Pro supports feet + frame units in the Timeline ruler and timecode fields throughout the application.

As with most programs today there are many ways of getting help. With Final Cut you can use the onscreen help menu or one of the 5 manuals that ships with the program. Personally I like to use the manuals.

The program itself has a bit of a learning curve. If you have used other editing programs before you will pick it up fairly quickly. I was a heavy PhotoShop user before I started using Final Cut and I noticed that many of the concepts are the same in how things are laid out and how there are many ways to get to the same point according to your work style.

The first book "Getting Started" is a great book for someone that has not used the program before. It gives great insight on the Post Production process and how to best keep your work flow efficient:
- Planning is the first thing you should do before you start shooting or at least before you start editing.

- Setting up your editing system should only have to happen once when you first start working on your project. For most systems today you just have to attach your video camera to your computer and you are ready. I have my system setup with my digital camera, connected to a dedicated TV which is attached to a stereo VCR/DVD combo.

- Logging, capturing & importing: This step is mostly style driven. Some people prefer to dump all of the material off their tapes onto their hard drive instead of going through the tape before hand and just "logging" in what you would like to have in your project. I usually go through my tapes in front of my TV with my laptop and get the time codes and make a description of the scene. Next "Capture" your footage. I just go to the in and out points and capture just the images I want. By just capturing what I want I save on hard drive space. You can also "Import" QuickTime movies, audio and graphics files, such as a music track from a CD, a still image, or a layered Photoshop file.

- Editing your project this also can vary according to your style. You can drag all of the clips into the Timeline then start cleaning them up and adding transitions or you can clean them up as you pull them in. Me I drag what I need into the Timeline, fine tune, add my music then add my transitions.

- Mixing & sweeting audio this is where you can clean up your dialogue (you know when the annoying plate clatter at that important point in a presentation), add sound effects, music or voiceover and make adjustments to the mixing levels to make a more harmonious sound to your audio. You can set Final Cut to default to Sound Track Pro for additional audio editing. I love working in Soundtrack Pro because I can view my project in a mini-screen as I add the music to the sections I want.

- Adding effects and titles can be very time consuming which is why it's a good idea to have most of your project laid out and almost done before you start adding the effects. You can change the speed of a clip, create a motion clip, adjust your colors and many other touches to give your project that polished feel of a professional.

- Outputting and distributing your project is your last step. Final Cut Pro provides you with a variety of output options. You can create a video tape or export it to a DVD authoring program such as DVD Studio Pro or another DVD program or you can make a mini movie and place it on the web.

When you open Final Cut for the first time you will be prompted to choose and "Easy Setup" which will determine how Final Cut works with your editing system. Go to "User Preferences" where there are six folder tabs to chose from.The first tab is "General" this is where you can setup the number of "Undo's" you would like (we all LOVE undo) how many "Recent Clips" you would like to be displayed, setup your "Real-time Audio mixes, how often you would like to have a copy "Auto Save" and many other things that affect the general feel of your workspace.

Editing is the next tab: This tab handles the "Still/Freeze Duration", "Dupe Detection" and other audio warnings.

Labels is the next tab: It has five different color blocks which show Orange-Good Take, Red-Best Take, Aqua Blue-Alternate Shots, Lilac-Interviews and Lime Green-B Roll.

Timeline Options: is the next tab which has your starting Timecode, Track Size, which gives you the choices of "Reduced, Small, Medium & Large", You can set the Default # of Video & Audio tracks, Change your Thumbnail Display from "Name, Name Plus Thumbnail or Filmstrip and how you want your Audio Track Labels to Appear "Paired or Sequential". You can also control "Your Track Display" by having different things shown and what appears in your "Clip Keyframes".

Next is Render & Playback tab: where you set the Filters, Frame Blending for Speed, Motion Blur and how you want the Frame Rate or Resolution Rendered @ 100% or less.

Last tab is the Audio Outputs tab which is set at the Default Stereo Preset. You can "Duplicate, Edit or Delete" presets according to the project you are working on.

Next setup your "System Settings" This is where you setup your "Scratch Disks," for your Video & Audio Capture to include Video & Audio Render. Setup your "Waveform & Thumbnail Cache" plus your "Autosave Vault. Setup your "Minimum Allowable Free Space on Scratch Disks, Limit Capture/Export File Segment and the length of time for your "Limit Capture Now." (A note about scratch disks if you do a lot of editing on different projects and you would like to keep your files separate from your other projects you will have to reset this for every new project.) When I first started using Final Cut 4 I didn't and my files were everywhere. I like to have all of my files from a particular project in the same folder so I make sure that my render files and other cache files all get saved in the same folder. Some have said that this may slow down a project I haven't seen that in any of my edits. Again this is a personal choice.

Audio/Video Settings is the next thing to setup:
There are five tabs under this section the "Summary" where you setup your Sequence Preset which determines the "Editing Timebase for a sequence. (A sequence is a container for editing clips together in a chronological order. This process involves deciding which video and audio clip items to put in your sequence and what order the clips should go in.) Once a sequence is created, its editing Timebase can only be changed if in it contains no clips.

Capture Presets tells you what preset you are working in like DV NTSC 48 kHz it gives you warnings if your device is missing, what quality you have it set to like Best Quality, the Bits Per Pixel, what type of Input if its coming off the first two channels, if the speaker is On or Off and what's the volume set at and if there is any gain.

Device Control Preset tells you what Protocol you are using such as Apple Firewire, the Time Source such as DV Time, the Frame Rate, the Pre and Post Roll which is about 3 seconds, the Capture Offset, the Handle Size and Playback Offset.

Video and Audio Devices tells you your Playback Output what your audio is set to and gives you different Output for Edit to Tape/Print to Video. You can also check or uncheck for Final Cut to alert you if your External A/V device is not connected when it launches.

You can change these settings at anytime as you get more familiar with the program and according to your work habits. Also bear in mind any changes you make while you are working in an opened project will affect only future sequences to make changes to the current project you will need to use the "Sequence Settings Command".

There are four main windows in Final Cut that you use to edit your project:
- You have the "Browser" where you organize your clips, import music and graphics. You can view items in the "Browser" in list view or icon view. List view provides detail clip information in columns while icon view gives the first frame of your clip or the "In" point of the clip. You can either make the icon display small, medium or large, large tends to work best with 20 inch or greater monitors.

- The "Viewer" is where you preview and prepare your clips for editing. You can define "In" and "Out" edit points for clips, adjust the audio levels and panning, add filters and adjust filters applied to the clip. Adjust the motion parameters in your clip to modify or animate such parameters as scale, rotation, cropping and opacity. You can also adjust transitions such as a dissolve or a wipe or page turn from an edited sequence.

- The "Canvas" is where you view your edited sequence as well as perform a variety of editing functions like straightening out that slightly off kilter clip, or slow panning and zooming in on your clip, the Canvas works in parallel to the Timeline it displays the current position in an open sequence.

- Next you have the "Timeline" which displays the clips in your sequence. The "Timeline" shows the chronological arrangement of clips and layered video and audio items, while the Canvas provides a single view that allows you to watch your sequence just as it will appear on a movie or TV screen.

The last two small windows are the "Audio Meters" which allow you to monitor the audio levels and the "Tool palette" which contains the tools for selecting, navigating, performing edits and manipulating items.

You can of course setup this workspace the way you work best and save it for future projects.

A quick glance at how hard volumes are broken down:
Volume 1-Covers the Interface, Setup & Input for Final Cut: It explains the basics of the Final Cut interface and the elements of a project, it also provides instructions on setting up your editing system, capturing footage to your computer and importing files.

Volume 2-Editing: Discusses each part of the video process, including organizing your footage, creating a rough edit, fine-tuning your edit using advance trimming techniques. It also includes the instructions for multicamera editing using the new multicamera editing tools.

Volume 3-Audio Mixing and Effects: Provides instructions for mixing audio and enhancing your video using the effects of Final Cut Pro such as adding transitions, filters, creating motion effects, composting & layering, creating titles and color correcting your footage. It also covers real-time playback and rendering.

Volume 4-Media Management and Output: Gives information about managing projects and media files, exchanging projects between editing systems and outputting completed projects. It also contains detailed explanations of settings and preferences and information on video formats, frame rate and timecode. Vol. 4 also contains the index for all of the other volumes. It directs you to what volume contains the information that you are seeking.

There is an interactive DVD tutorial include in the package. It gives an excellent overview of Final Cut Pro 5, Motion 2, Soundtrack Pro and DVD Studio Pro 4. The tutorials take you through the applications interfaces and primary features. There are lesson files and media included on the DVD so you can learn as you go. The DVD's are equivalent to eight hours of training in PDF format. There are tutorials for both beginners and more advanced users.

One very important note when using this program and any other program is to Save, Save, Save and did I mention Save. While the program does do an "Auto Save" I like to save about every 15 minutes or so, or if I just made some major changes. There have been times when the program will not like something and suddenly just quit. After having to rebuild two rather large projects I now save religiously.

Every time I use this program I learn something new. With the new changes in the program my work is becoming more streamlined and creative. My projects are maturing the more I use Final Cut. I am also noticing that I am able to put together a project faster each time and that each project comes out with something new.

8 of 9 people found the following review helpful:

5.0 out of 5 stars User-friendly, efficient editing software, October 19, 2005

By	Bat Jelly (denver) - See all my reviews

After working in Adobe Premiere for a couple of years, I switched to Sony Vegas Video for a while and worked with Avid for a few years also. I liked Vegas and Avid much better than Premiere, but once I learned Final Cut Pro, I haven't gone back. It's easily my favorite of the non-linear editing software I've used.

Of the 2 negative comments I've seen so far, one had to do with the fact that he had mistakenly been sent only the handbooks and no software. I'm sure that's quite frustrating, but I don't see how he can rate the software 1-star when he DOESN'T EVEN HAVE IT! And the other guy apparently doesn't know too much about Final Cut Pro either. For example, he says that when you place a clip in the timeline it WRITES OVER other clips automatically. In actuality, there is a horizontal line passing through each track in the timeline - if you drag the clip into the timeline and release the mouse when the pointer is UNDER the line (and looks like a DOWN arrow), then the clip will be edited to the timeline as an OVERWRITE edit; if you release the mouse when the pointer is ABOVE the line (and looks like a RIGHT arrow), then the clip will be edited as an INSERT edit, and the clips after it remain intact. It's as simple as that.

If that is what is meant by "THINKing HARD" to use this software... either I'm good at "thinking hard" (doubtful), or someone's in for a long and difficult life, full of "puzzles". I honestly think that Final Cut Pro has the lowest learning curve of any of the editing programs that I've used, and nearly everyone I know that's learned it identifies with my experience.

Plus, the additional software in this Studio package is worth the money many times over - Motion, with its real-time previews of effects and incredibly simple interface, beats After Effects hands-down; LiveType is incredibly easy to work with and produces quality titles, Soundtrack is pretty good at reducing noise and touching up audio, and DVD Studio Pro is great as well. Plus, the ability to communicate between the programs (without re-rendering or re-exporting) better than, say, the Adobe programs is what is the best selling-point of this package.

Again, that's what this listing is for - a "package" of SEVERAL incredible software applications and extras, for a reasonable price. You're definitely free to be swayed by the one valid (meaning the gentleman definitely has every right to dissent) negative review that, incidentally, was for Final Cut Pro - NOT Final Cut Studio... notice the lack of a review of any of the other programs. While Amazon also sells Final Cut Pro separately, I guess writing a review for the proper product may also fall under the category "thinking hard".

Overall, this is an INCREDIBLE package, and well worth the money!

8 of 11 people found the following review helpful:

5.0 out of 5 stars A Pro-Quality Package that You'll Wonder How You Ever Lived Without, June 22, 2005

By	A. M. Rowley (NY, USA) - See all my reviews (REAL NAME)

I'm currently studying to be a professional film editor. I've worked extensively with Final Cut Pro, and I can say from personal experience with a variety of editing programs that FCP is the ultimate platform in terms of intuitive features, relevant range of capabilities and, most importantly, the quality of the final product.

This is what professionals use. From Napoleon Dynamite, to Cold Mountain, to countless independent pictures, this is the digital editing platform that pros use when they're putting their reputation on the line. What does that mean to people who aren't pros (yet)?

If you're a cinephile or avid hobbyist, then this is the software that will best help you put your money where your mouth is in the editing room.

Final Cut Pro is not for amateurs. Then again, what professional software is? It's true that there is a little more to think about when you're using software that gives the user so much manual control. If it's a problem that one clip writes over another when you place one clip over the other, then there are several other programs, such as iMovie or Windows Movie Maker, that will better suit sloppy clip placement or other easily avoided mistakes.

When Joe Amateur uses Final Cut Pro,whether he realizes it or not, he has an unprecedented level of professional power available at his fingertips.

Re: Concerns about the program being destructive: Anything can be done with a keystroke. Clips, when deleted from the timeline, remain very much alive and well in the clip bin until the user intentionally deletes them.

It does take a significant investment of time to get an idea of everything that this powerhouse of a program is capable of. Once you are acclimated to it, however, you really will wonder how you ever used anything else.

Transitions, Titles, Layering, Keying, Scaling, Motion, and basic audio editing all jump to life while you continue your project with real-time rendering inside FCP.

When one considers the other programs included in the package, I challenge anybody to find a better bundle of professional-quality software.

DVD Studio Pro gives a user to create a professional quality DVD from scratch. Titles and Subtitles, Interactive Menus and Easter Eggs, Video and Audio Loops, and anything else you'd ever need a DVD to do, this program is capable of helping you achieve.

Soundtrack Pro picks up where FCP leaves off as an audio editing program. It's not a program that I'd use to produce a professional LP, but that's not to say that it isn't possible. If Audio editing is your sole purpose, then you might be better off buying Logic Pro. I can say, at the very least, that this program has been able to do anything that I've ever wanted it to do with sound.

I shouldn't comment extensively on Motion because I haven't used it personally. I can at least say that I have strong faith in it if Apple believes that it can carry its weight as a headliner in this package.

There'll never be any excuse for putting effort into getting good footage on location, but it's been my experience that you have a better chance of "fixing it in post" with this software than with anything else currently available.

The bottom line: Final Cut Studio is a worthwhile buy for any pro or serious hobbyist.