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29 of 31 people found the following review helpful:
4.0 out of 5 stars
"Be smart, be cool", July 12, 2005
There's something irresistibly endearing about seeing children perform publicly, given how vulnerable they seem (and are); and there is also something incredibly funny about seeing them exhibit overconfidence when they're in such vulnerable circumstances. This is the combination the creators of THE 25th ANNUAL PUTNAM COUNTY SPELLING BEE hit upon that has made the show such a success: the show's situation is almost a guaranteed winner, and given the comic talents of the ensemble (particularly Dan Fogler as the bizarre William Barfee and Sarah Strasman as the indomitable Schwartzy), the show is really a deserved hit. William Finn's music and lyrics are strong, but they are not the very strongest part of this show, unfortunately. It would have been great had this been a double-disc so we might have heard more of the comic interplay between the children and among them and the faculty members running the contest (I would have especially loved to have heard more of the wickedly funny sentences the spelling words are used in, whicvh is one of the comic highlights of the show). But, that being said, this CD does give you Fogler's showstopping "Magic Foot" shuffle number, Deborah S. Craig giving vent to Marcy Park's fearsome hypercompetence in "I Speak Six languages," and the beautiful repeated "Goodbye, goodbye, goodbye" motif running throughout the show.
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21 of 24 people found the following review helpful:
4.0 out of 5 stars
Small scale with a big influence, June 6, 2005
The 25th...Spelling Bee is one of the most creative shows since Avenue Q. The music isn't huge or in your face like your normal blockbuster.
Spelling Bee, though in the same boat as everything else by Bill Finn, is very different. His show is off-beat, pokes fun, fufills Finn's seeming requirement to have at least a single gay couple and a song that would be improper to sing in front of your conservative mother (My Unfortunate Erection).
But, it is different in many ways. First, this show gets its roots in improvisationsal theater, something never before on Broadway as far as I know (at least in musical format). Also, unlike Finn's other work, this musical is more lyrical. the songs are very singable, and will stick in your head.
The cast is unbelievably talented, with virtual unknowns in every part. Of course, now that Dan Fogler won the Tony for best featured actor, that no longer holds true. The individual voices are well placed-enough character voice to get the point across, without going overboard to ugly (like John tartaglia as Rod in Avenue Q). And the blend of the cast is also amazing. In the rucurring song, Goodbye, every note is clear, but you get the mix of the notes, not individual parts, also not accomplished by Avenue Q (which is the main show this score is compared to).
Songs that are particularly strong vocally are:
"I Speak Six Languages", which is a wonderful melody that is playful with the slightest hint of frustration in a twelve year old. It is a beautiful song meant to sound like a little girl whining. It hits the mark.
"My Unfortunate Erection (Chip's Lament)", so funny, and powerful melodically. Easy to oversing, but Jose Llana does it perfectly, properly maoning his problem with peuberty.
And finally, "The I Love you Song" is one of THE most beautiful trios I have heard in...well, ever. the chords are simple, and the progression is nothing special, but the three voices match so perfectly that I literally was blown away.
Well, hope this helps in you decision. The show is funny, delightfully distasteful, but not quite so far as Avenue Q. Fin doesn't resort to foul language and questionable subject matter purely for a laugh. Every song has a purpose.
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10 of 10 people found the following review helpful:
5.0 out of 5 stars
Tuneful and Funny, July 5, 2005
The 25th Annual Putnam County Spelling Bee sounds really good both in lyrics and in music--I look forward to seeing the show soon, but until then I have enjoyed this recording. Will Finn's score is slightly unbalanced, in that I wish there was a little more melodic quality--nonetheless the sound is fresh, playful, and, despite some drawbacks, very well grounded. The songs indeed are funny, though I imagine from what reviews have said that the material from the book is much better.
The sound coming from the singers is even better than the material they work with. It really is an ensemble work--no star really outshining the next, unless, in fact, their song is better.
The best selections are: the title song (1), Pandemonium (5), Why We Like Spelling (10), Prayer of the Comfort Counselor (11), Woe is Me (13), I Speak Six Languages (15), the I Love You Song (16)
Finally, the clips on this page don't represent this recording well--if I had based my choice to buy this only on the clips, I wouldn't have bought it. Now, however, I'm very glad I have.
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