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The Story of American Classical Music
 
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The Story of American Classical Music [DUAL DISC]

John [composer] Adams (Composer), George Antheil (Composer), Samuel Barber (Composer), Amy Beach (Composer), Leonard Bernstein (Composer), Charles Wakefield Cadman (Composer), John Cage (Composer), Elliott Carter (Composer), George Whitefield Chadwick (Composer), Zez Confrey (Composer), Aaron Copland (Composer), Arthur Foote (Composer), William Henry Fry (Composer), George Gershwin (Composer), Philip Glass (Composer), Louis Moreau Gottschalk (Composer), Charles Tomlinson Griffes (Composer), Henry Hadley (Composer), Alan Hovhaness (Composer), Charles Ives (Composer)
5.0 out of 5 stars See all reviews (1 customer review) More about this product

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Product Details


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Disc: 1
1. Finale: 'Feste Criolla'
2. Finale: Largo - Molto allegro
3. Movement 1: Allegro comodo
4. Movement 3: South (Allegretto giocoso)
5. Movement 3: Largo
6. Prelude No. 2
7. Movement 4: Lento maestoso
Disc: 2
1. Movement 3: Presto
2. Spanish Waltz
3. Finale
4. Movement 3: Chester
5. Orchestral Introduction - 'It has become that time of evening'
6. Act 1: Tonight
7. Movement 3: With Swing
8. Movement 2: Angel of Light (Largo)
9. Movement 1
10. Introduction
See all 12 tracks on this disc

On this CD:
  1. Overture to Macbeth
    Composed by William Henry Fry
    Performed by Royal Scottish National Orchestra
    Conducted by Tony Rowe

  2. Symphony No. 1: "La nuit des tropiques" (Night in the Tropics), for orchestra, D. 104 (RO 255) Finale: 'Feste Criolla'
    Composed by Louis Moreau Gottschalk
    Performed by Hot Springs Music Festival
    Conducted by Richard Rosenberg

  3. Piano Concerto No. 2 in D minor, Op. 23 Finale: Largo - Molto allegro
    Composed by Edward MacDowell
    Performed by National Symphony Orchestra
    with Stephen Prutsman
    Conducted by Arthur Fagen

  4. Piano Quartet in C major, Op.23 Movement 1: Allegro comodo
    Composed by Arthur Foote
    with James Barbagallo, Da Vinci Quartet

  5. Angel of Death, symphonic poem for orchestra, L. 2/23
    Composed by George Whitefield Chadwick
    Performed by Nashville Symphony
    Conducted by Kenneth Schermerhorn

  6. Symphony No. 4 in D minor, Op. 64 Movement 3: South (Allegretto giocoso)
    Composed by Henry Hadley
    Performed by National Symphony Orchestra
    Conducted by John McLaughlin Williams

  7. Piano Concerto in C sharp minor, Op. 45 Movement 3: Largo
    Composed by Amy Marcy Cheney Beach
    Performed by Nashville Symphony
    with Alan Feinberg
    Conducted by Kenneth Schermerhorn

  8. Preludes (3), for piano, A. 86-88 Prelude No. 2
    Composed by Charles Tomlinson Griffes
    with Michael Lewin

  9. From the land of the sky blue water
    Composed by Charles Wakefield Cadman
    with Paul Posnak, Peter Zazofsky

  10. Symphony No. 2, for orchestra, S. 2 (K. 1A2) Movement 4: Lento maestoso
    Composed by Charles Ives
    Performed by Nashville Symphony
    Conducted by Kenneth Schermerhorn

  11. The Unanswered Question (I & II), for trumpet, winds & string orchestra, S. 50 (K. 1C25)
    Composed by Charles Ives
    Performed by Northern Sinfonia Chorus
    Conducted by James Sinclair

  12. Country Band March, for theater orchestra, S. 36 (K. 1C14)
    Composed by Charles Ives
    Performed by Northern Sinfonia Chorus
    Conducted by James Sinclair

  13. King Cotton, march for band
    Composed by John Philip Sousa
    Conducted by Keith Brion

  14. Maple Leaf Rag, for piano
    Composed by Scott Joplin
    with Alexander Peskanov

  15. Cuban Overture
    Composed by George Gershwin
    Performed by New Zealand Symphony Orchestra
    Conducted by James Judd

  16. Symphony for Five Instruments, for flute, bassoon, trumpet, trombone & viola (2nd Version, a.k.a. "Quintette"), W. 129b Movement 3: Presto
    Composed by George Antheil
    Performed by Philadelphia Virtuosi Chamber Orchestra
    Conducted by Daniel Spalding

  17. The Incredible Flutist, ballet Spanish Waltz
    Composed by Walter Piston
    Performed by Seattle Symphony Orchestra
    with Scott Goff
    Conducted by Gerard Schwarz

  18. Billy the Kid, orchestral suite from the ballet Finale
    Composed by Aaron Copland
    Performed by New Zealand Symphony Orchestra
    Conducted by James Judd

  19. Kitten on the Keys, for piano
    Composed by Zez Confrey
    with Eteri Andjaparidze

  20. New England Triptych, 3 pieces for orchestra or band Movement 3: Chester
    Composed by William Schuman
    Performed by Bournemouth Symphony Orchestra
    Conducted by Jose Serebrier

  21. Knoxville: Summer of 1915, for high voice & orchestra (rev. for voice & chamber orchestra), Op. 24 Orchestral Introduction - 'It has become that time of evening'
    Composed by Samuel Barber
    Performed by Royal Scottish National Orchestra
    with Karina Gauvin
    Conducted by Marin Alsop

  22. Totem Ancestor, for prepared piano
    Composed by John Cage
    with Boris Berman

  23. West Side Story, musical Act 1: Tonight
    Composed by Leonard Bernstein
    Performed by Nashville Symphony
    with Betsi Morrison, Mike Eldred
    Conducted by Kenneth Schermerhorn

  24. Trio for piano, violin, & cello Movement 3: With Swing
    Composed by Gunther Schuller
    with Eaken Piano Trio

  25. Symphony No.22 ("City of Light"), Op. 236 Movement 2: Angel of Light (Largo)
    Composed by Alan Hovhaness
    Performed by Seattle Symphony Orchestra
    Conducted by Alan Hovhaness

  26. Piano Concerto Movement 1
    Composed by Elliott Carter
    Performed by Nashville Symphony
    with Mark Wait
    Conducted by Kenneth Schermerhorn

  27. Violin Concerto (rev. 2001 by Lyndon-Gee with composer) Introduction
    Composed by George Rochberg
    Performed by Saarbrucken Radio Symphony Orchestra
    with Petter Sheppard Skaerved
    Conducted by Christopher Lyndon-Gee

  28. Violin Concerto Movement 3
    Composed by Philip Glass
    Performed by Ulster Orchestra
    with Adele Anthony
    Conducted by Takuo Yuasa

  29. Short Ride in a Fast Machine, fanfare for orchestra
    Composed by John Adams
    Performed by Bournemouth Symphony Orchestra
    Conducted by Marin Alsop

  30. Rapture, concerto for percussion & orchestra Movement 3: Metals (extract)
    Composed by Michael Torke
    Performed by Royal Scottish National Orchestra
    with Colin Currie
    Conducted by Marin Alsop


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Customer Reviews

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10 of 10 people found the following review helpful:
5.0 out of 5 stars A Great Intro to American Classical Music - Almost a Short Course!, July 11, 2005
By J Scott Morrison (Middlebury VT, USA) - See all my reviews
(TOP 10 REVIEWER)    (REAL NAME)      
Many reasonably sophisticated American and European musiclovers still think there are really no American classical music composers of note other than perhaps Gershwin and Copland. It is to the credit of the Naxos label, via their 'American Classics' series, that the lie is put to that notion. Each month there are new issues from Naxos containing music by American composers. And it was a brilliant idea for them to take selections from their dozens of releases of this music to put together this sampler of such music to illustrate a 100+ page essay on the subject by an eminent writer on music, Barrymore Laurence Scherer. The combination of 2 CDs of music tracks, Scherer's essay, a chronological outline, suggestions for further listening, even a map showing where various composers were born helps the 'student' learn much about our nation's musical heritage.

There are selections by twenty-eight composers stretching from the amazing Wagnerian 'Macbeth' Overture by William Henry Fry (1813-1864) to the very recent 'Rapture,' a percussion concerto by Michael Torke (b. 1961). Some selections are complete movements, others are shorter passages from larger works. Included are such gems as the first movement of Arthur Foote's Piano Quartet, the third movement of Henry Hadley's Fourth Symphony, Charles Ives's 'The Unanswered Question,' 'King Cotton' by John Philip Sousa, 'Maple Leaf Rag' by Scott Joplin, a passage (the exciting Spanish Waltz) from Walter Piston's 'The Incredible Flutist,' the finale of Copland's 'Billy the Kid,' the opening of Samuel Barber's luminous 'Knoxville - Summer of 1915,' 'Tonight' from Bernstein's 'West Side Story,' the opening of George Rochberg's masterful Violin Concerto, and John Adams's incredibly popular 'Short Ride in a Fast Machine.' Plus selections by Louis Moreau Gottschalk, Edward MacDowell, George Whitefield Chadwick, Amy Beach, Charles Tomlinson Griffes, Charles Wakefield Cadman, George Gershwin, George Antheil, Zez Confrey, William Schuman, John Cage, Gunther Schuller, Alan Hovhaness, Elliott Carter and Philip Glass. The performances are more than acceptable and in some instances ('Knoxville,' Rochberg's Violin Concerto) definitive.

I would heartily recommend this set (especially at its superbudget price) to anyone wanting to know more about the history of American classical music -- Scherer is a master of cogent, clear prose -- and wishing to hear examples of the broad range it has taken over the past couple of centuries. I can easily imagine this set being used in a music appreciation course. And I am sure it will spark interest in the newcomer to this branch of classical music.

2 CDs TT=ca. 160 mins.

Scott Morrison
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