Product Details

• Actors: Judd Hirsch, Jeff Conaway, Danny DeVito, Marilu Henner, Tony Danza
• Directors: James Burrows, Jeff Chambers, Will Mackenzie
• Writers: Barry Kemp, David Davis, David Lloyd, Dennis Danzinger, Earl Pomerantz
• Format: Box set, Closed-captioned, Color, DVD, Full Screen, NTSC
• Language: English (Dolby Digital 2.0 Mono)
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.33:1
• Number of discs: 4
• Rating: Unrated
• Studio: Paramount
• DVD Release Date: September 13, 2005
• Run Time: 491 minutes
• Average Customer Review: 4.5 out of 5 stars See all reviews (35 customer reviews)
• ASIN: B000A0GOP0
• Amazon.com Sales Rank: #12,090 in Movies & TV (See Bestsellers in Movies & TV)

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  Movies & TV > Comedy > Series & Sequels > Taxi

• For more information about "Taxi - The Complete Third Season" visit the Internet Movie Database (IMDb)

• This is item 3 in The Taxi Series.

Editorial Reviews

Amazon.com
From the melancholy opening notes of the theme song, Taxi promised to be a different kind of sitcom, epitomized by the show's central character, Alex Reiger (Judd Hirsch, Ordinary People): down to earth and compassionate, with neuroses that smacked of real life and not the forced zaniness of too many television shows. Alex was the conscience and emotional caretaker of a makeshift family of cab drivers working out of a grungy garage in New York City, run by the domineering Louis De Palma (Danny DeVito, who would go on to be a bigger star than the rest of the cast in movies like Get Shorty and Batman Returns). Taxi didn't always maintain a degree of realism--if you haven't seen it in a long time, you may be surprised by some of the cornier jokes and bits of slapstick--but at its best, the show managed to merge sadness and humor into rich and satisfying stories.

The third season has many standout episodes. Alex learns that his daughter is getting married but hasn't invited him to the wedding, which leads to a surprisingly sparky confrontation with his ex-wife (guest start Louise Lasser, Mary Hartman, Mary Hartman). When single mom Elaine (Marilu Henner) is embarrassed by meeting a more successful high-school friend in her cab, she lies to save face and Alex steps in to back her up. Aspiring boxer Tony (Tony Danza, Who's the Boss?) can't decide how to tell Elaine that her new boyfriend made a pass at him. Tony's sister (guest star Julie Kavner, the voice of Marge on The Simpsons) falls in love with the addled but affable Jim (Christopher Lloyd, Back to the Future, Who Framed Roger Rabbit), much to Tony's dismay. Also crucial to the show's success was the oddball presence of Andy Kaufman, whose quirky, unspecifically-Eastern-European mechanic Latka Gravas sometimes made an awkward fit with the rest of the ensemble. But even at his most eccentric, Kaufman was always weirdly watchable, especially in his bizarre, season-closing transformation into the loungy Vic Ferrari. All in all, the third season is an excellent sampling of this sterling sitcom. Sadly, there are no commentaries or other extras. --Bret Fetzer

Product Description
Set in New York City, TAXI follows a group of cab drivers of the Sunshine Cab Company through the daily but far from ordinary routine as cabbies. The sitcom features a multitude of extroverted persons such as a frustrated actor, strained boxer, ex-hippie and cynical dispatcher.

Customer Reviews

Most Helpful Customer Reviews

57 of 62 people found the following review helpful:

5.0 out of 5 stars The best season of Taxi, July 4, 2005

By	smoothsoul (New Zealand) - See all my reviews

I think there are four great sitcoms: The Mary Tyler Mooore Show, Taxi, Cheers, and Seinfeld (note, many of the same writers actually worked on the first three). Seasons of a show vary a lot. Most get worse over time: Seinfeld was embarassing after Larry David left; Cheers was at its best in the first five years; Taxi really wasn't very good in its first or last years. Oddly, MTM was excellent even in its seventh (perhaps one reason why it often ranks as the greatest sitcom of all time).

Taxi was not a consistently brilliant show. It was generally good, often very good, and on occasion superb. I can't think of another sitcom episode as brilliant as either "Latka the Playboy" or "Mr Personalities." For both daring and execution, they are the most intelligent - and I think funniest - episodes of TV comedy I've seen. (Seinfeld's "The Contest" is easily as funny, but conceptually it's not as original as the two Taxi eps.)

As I've said, the first season of Taxi was nothing special. Randall Carver wasn't very good. And Jim hadn't yet arrived. Season 2 showed how good the show could be: "Reverand Jim, A Space Odyssey" was one of the show's best episodes (it was Jim's first as a regular). "Elaine's Secret Admirer" was touching and poignant in a way few situation comedies are. But many of the other episodes were so-so.

With Season 3 the show achieved its true height. "Tony's Sister and Jim" is quirky and delicate, and it humanizes the nornally caricatured Jim (Tony's Sister is played by Julie Kavner, who would later "play" Marge Simpson). "The Call of the Mild" sees most of the gang roughing it in a cabin in the mountains. It's an unforgettable episode (partly because of a turkey called "Ernie"). "Latka's Cookies" is on most people's list of favourite episodes. "Zen and the Art of Cab Driving" is a clever episode which celebrates television itself. The season ends with the great episode "Latka the Playboy."

If you buy only one season of Taxi, it has to be this one. It was the kind of literate show that you just don't see today (the only one that comes close in intelligence is Curb Your Enthusiasm, but that's a different kind of show, exploring the nature of comedy, and involving improv, etc.). It's worth pointing out that many of the best episodes of the show were written by Glen and Les Charles, and keep an eye out for their eps in earlier and later seasons. (Some of their best work was done for Cheers - the pilot being a prime example). Celebrate the art of TV and get this DVD.

18 of 18 people found the following review helpful:

5.0 out of 5 stars OK, this third season came out over a year ago. Where's the next season DVD release?, October 15, 2006

By	Rykre "The Rogue Scholar" (Sacramento, California) - See all my reviews

"Taxi" still has a great many more fabulous episodes. Episodes like Ladka's and Simka's wedding, divorce, re-marrying, etc etc. and other great episodes that are essential prime time television entertainment.

C'mon Paramount, seasons four and five please. Then you're done.

Shows like "Taxi", "M*A*S*H", and "WKRP in Cincinati" were when television was at it's funniest, while it still remained innocent enough for the whole family to sit down and watch together. Today's television is way too adult oriented and offensive for the whole family to enjoy together. These shows represented television during it's finest hour.

So, for now, I feel stuck. I'm a completist so I really hate being stuck with an incomplete concept like, for instance, the entire 5 seasons of "Taxi".

Although I find it hard to believe, but if this show wasn't selling well on DVD, perhaps they could release a "limited edition" double box of Seasons Four and Five at a price they'd believe could be reasonable, so that us true "Taxi" fans can complete our collection. Even maybe through a purchase directly through Paramount (if Paramount has the rights to those final seasons. I'm hearing that that might actually be the problem. "Taxi" changed networks about that time.)

Anyway....

I'm beginning to become afraid to start buying any TV shows on DVD for fear that they may decide not to finish what they started.

I don't even see the first three seasons of "Taxi" at the store anymore so I'm beginning to wonder if it's truly over for "Taxi" on DVD.

C'mon Paramount. We are all starting to lose confidence in you, waiting for you to finish releasing these DVD's. At least, let us know what the problem is. What can you do for us "Taxi" fans? Are you going to release the last two seasons, or should I just give up and just sell these first three season boxes and just forget about it? I don't want to be stuck with just a half of a collection.

17 of 18 people found the following review helpful:

5.0 out of 5 stars ......THE SERIES GOT R E A L L Y GOOD DURING THIS PERIOD, July 21, 2005

By	N. N Wahlert "nnwahler" (seattle, wa United States) - See all my reviews (REAL NAME)

Despite keeping agonized fans waiting due to the '80-'81 season actors' strike, "Taxi" more than made up for the wait by gradually entering the greatest half of its history. It had gone out of the slump weighing it down during the previous season, mainly with New Blood among the writers: rookies Ken Estin & the team of Ian Praiser/Howard Gewirtz (who'd all be promoted to producer for the even-better fourth season); veteran David Lloyd (who copped the writing Emmy 5 years before with his "Chuckles Bites The Dust" episode of Mary Tyler Moore); future "Married With Children" producer Katherine Green; and future "Simpsons" creator Sam Simon.

It was THEIR variety that provided the spice for the latter part of this season.......and the magnificent fourth & fifth seasons, when the series was able to be all it could be. The inspiration, too, must've rubbed off on The Old Guard: writers/producers Glen & Les Charles, and Barry Kemp & Earl Pomerantz.

Among the ALL-TIME CHAMPS among the classics this season are the Charles brothers' "Zen & The Art Of Cab-Driving," in which a couple of Reverend Jim's fares discuss positive thinking enabling one to reach any goal, so Jim decides to become Sunshine's prizewinning cabbie, raking in the loot......all so he can get "ultimate TV," which he proudly displays to his colleagues.

Another GREAT great episode is the series' all-time howler, "Louie Bumps Into An Old Lady." Penned by David Lloyd, it's lethally funny: while driving a pretty new cabbie around, Louie hits an elderly gal, who sues him for a cool million. Alex informs Louie that the lady in question is an notorious scam artist, making Louie scheme his revenge......the only twist (to what otherwise would've been a "cliche-comedy" plot) is that the poor gal REALLY WASN'T FOOLING! A scream.

Also, there's Katherine Green's debut script, "Call Of The Mild," taking its cue from Estin's breakthrough "Alex Jumps Out Of An Airplane" episode of the previous season: it takes place almost ENTIRELY outside the garage. Tony, Bobby, Alex & Jim decide to rough it at an isolated mountain cabin--getting more (less?) than they bargained on: being snowbound & without food during a horrendous blizzard (someone stole all their food which they stupidly left outdoors for lack of a fridge)......they're finally forced to make do with a wandering turkey whom Jim calls "Ernie" ("He LOOKS like an Ernie!"); a reluctant Alex is the designated assassin. The series' unsurpassed expertise at combining comedy with pathos is seen to best advantage during Jim's somber (but still unintentionally humorous) table-prayer.

In "Elaine's Strange Triangle," Tony finds out that the handsome gent whom he thought had winked at Elaine, is really interested in HIM. When Alex is asked to intervene at the young man's favorite hang-out, the hilarity REALLY begins! (This episode copped Emmys for directing & editing; writer Lloyd got nominated but didn't win.)

Ranking just below these all-time greats are those episodes which, in many ways, were what actually made the series so special: episodes with creative story-slants of some sort that were quite engaging, and more than justifying the purchase of any of the "Taxi" complete-season sets. Here, we have "Fathers Of The Bride" where Alex becomes furious when he finds his ex-wife (Louise Lasser) didn't invite him to their daughter's wedding; "Latka's Cookies," written by the Charles brothers, in which Latka dreams of being cookie-king with his grandmother's strange recipe (watch for the cameo from Wally "Famous" Amos himself); and the two-parter "On The Job" (written by Praiser & Gewirtz) in which the cabbies pound the pavement for other jobs when the cab company goes under.