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Devil in the Flesh

4 out of 5 stars 24 customer reviews

Additional DVD options Edition Discs
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DVD
(Aug 30, 2005)
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1
$3.19 $2.51

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Special Features

  • "Stolen Years, Hidden Lives" interviews with former real life Red Brigades Adriana Franda and Mara Nanni
  • "In Bellocchio's Flesh" interview with director Marco Bellocchio
  • Original Theatrical trailer
  • Poster & Still Gallery
  • Collectible  Booklet including liner notes, essay on Red Brigades history and Marco Bellocchio's bio
  • Including in the first 3500 a coupon for a FREE poster

Product Details

  • Actors: Maruschka Detmers, Federico Pitzalis, Anita Laurenzi, Alberto Di Stasio, Riccardo De Torrebruna
  • Directors: Marco Bellocchio
  • Writers: Marco Bellocchio, Ennio De Concini, Enrico Palandri, Raymond Radiguet
  • Producers: Leo Pescarolo, Stéphane Sorlat
  • Format: Color, Original recording remastered, Widescreen, NTSC
  • Language: Italian (Dolby Digital 2.0 Mono)
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: Unrated
  • Studio: NoShame Films
  • DVD Release Date: August 30, 2005
  • Run Time: 114 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (24 customer reviews)
  • ASIN: B000AA4F74
  • Amazon Best Sellers Rank: #158,293 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Devil in the Flesh" on IMDb

Customer Reviews

Top Customer Reviews

By Werner Goss on February 15, 2010
Format: DVD Verified Purchase
The story: A girl and a boy fall madly in love , even though the girl is promised to another guy. That's it. There is not much more of a story. So why did I rate this film with four stars? It is is absolutely worth your time. It lives, like many italian films of that era from the expectation, that something will happen. Nothing does, really. If it were not for the absolutely beautiful Maruschka Detmers. She alone makes the film worthwhile. The way she looks, the way she is dressed, her laugh and, yes, the sex-scenes. Very nice. And, yes, the explicit oral scene is included.

The picture of the DVD is perfect. Good remastering. The only language offered is italian, but that's fine with the english subtitles. Unfortunately I did not purchase the No Shame-version. This edition has no extras, except a trailer.

So, enjoy!
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Format: VHS Tape
It's a shame this is not available on video because this is actually one of the better rites of passage movies involving a young student and older woman. Usually the stuff of dreck, this movie has a terrific performance by Maruschka Detmers as a mercurial soon-to-be bride who falls in love(?) with a student. She is a real presence and raises this film to "gentle fable" status. Please come back to availability status soon.
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Format: DVD Verified Purchase
I give this movie four stars because Maruschka Detmers is so cute, otherwise it would only rate a three.

The story is plausible; Woman falls for a younger guy while her fiancee is in jail. The sex scenes are hot, and indeed, one is actually explicit.

However the end is lacking. It leaves you with the question: Is that all?

It is worth watching, at least once
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Format: DVD
Each scene is one shot, and that shot goes on and on and on, sometimes staying with the same act or lack of action. This film is pretension personified, but that's okay. Many people can't tell the difference between pretension and art. The music too is full of squeaks and squawks. In case you didn't know, that means that the music too is high art.

There is no story. Boy and girl see each other, and without preliminaries hit the sack. We see boy & girl here, there, in the sack, here, there, in the sack, etc. Occasionally we get a shot of some of the other characters.

Because of the lack of dynamics, the film is not effective, either as drama or as eroticism. Ironically, "The Summer of '42" was much more erotic even without any nudity (which would have helped).

The vaulted sex scenes are three in number, chest and shoulders, and they last about three minutes each. The much-touted fellatio scene is actually surprisingly good, more convincing than the "love" scenes.

There are also a few brief full-frontal scenes of the star, who has a gorgeous body (hence, the two star rating).

Bottom line: the only reason to see this movie is the nudity and the sex. But there are many better movies for that. So, only if you need the pretentiousness in order to permit yourself to see a sex movie should you see this.
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Format: DVD
This is a film about the power of erotic love. He's young and naive and doesn't care how hopeless and destructive his affair with this older woman might be. She's older and fully aware of the danger, but not totally at the helm of her own ship; given to bouts of melancholy and psychosis.

Check out the film's last scene: He's there being examined by his professors, and she's there watching him in a growing state of emotion. Watch the expressions on her face (God, what a performance!) and you'll see that she realizes just how much she'll lose by falling in love with this young man but, simulataneously, just how powerless she is to resist the passion, love, lust, self-destruction. I love this film.
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Format: DVD
Bellocchio refers to this as a mainly political movie, a description of the revolutionary movement in Italy, but that seems more metaphor than reality. Well, almost everything in the movie seems like metaphor. The revolutionaries, of whom we see and about whom we learn very little, might as well be mafiosi. Out with the old and in with the new.

Andrea's Papa, a psychoanalyst, seems to stand for the usual traditional bourgeois values -- morally upright, unperturbed, clean and tidy, thoroughly ritualized.

Giullia, the girlfriend of a revolutionary, seems to represent what can happen to someone who needs very badly a cause to support but is unable to muster up the kind of devotion such a commitment demands. (I'm guessing here.) Andrea, the adolescent boy, seems to be the only guy in the movie who is not in some unquiet way "upatz." He's respectful of his father but disobedient too. He loves Giullia, or so we assume, although he's not really old enough to have learned how to manage his reflexes optimally, but he leaves her in order to show up at school and complete his final exams. His course between these contradictory lifestyles could be described as "media." He's the man in between, who knows the meaning of gradualism, who can keep his cool while those about him are screaming.

Most of this is summed up during the oral part of his finals when he is asked to translate and comment on an excerpt from "Antigone," which contrasts the traditional authority of the gods with the notion of secularity and free will.

That brings us -- by no particular course that I'm aware of -- to Marushka Detmars. She brings to mind a New Yorker cartoon of a few years ago.
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