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Rediscovering Lost Scores, Vol. 2
 
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Rediscovering Lost Scores, Vol. 2

Wendy Carlos (Composer), Wendy / Elkind, Rachel Carlos (Composer), Richard [Classical] Wagner (Composer), Wendy Carlos (Performer), Clare Cooper (Performer), Manya Zuba (Performer), Matthew Davidson (Performer)
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Rediscovering Lost Scores, Vol. 2 + Rediscovering Lost Scores, Vol. 1 + Tron
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Product Details


 
1. Shining Title Music [From the Shining]
2. Paraphrase for Cello [From the Shining]
3. Where's Jack? [From the Shining]
4. Overlook [From the Shining]
5. Psychic Scream [From the Shining]
6. Day of Wrath [From the Shining]
7. Paraphrase for Brass [From the Shining]
8. Title Music "Dies" [From the Shining]
9. Clockworks "Dies" [From the Shining]
10. Creation of Tron V. 1 [From Tron]
11. Creation of Tron V. 2 [From Tron]
12. Lightcycle Games [From Tron]
13. Anthem [From Tron][Version]
14. Little Interludes [From Tron]
15. Trinitron [From Tron]
16. Visit to a Morgue [From Split Second]
17. Return to the Morgue [From Split Second]
18. Woundings Title Music [From Woundings]
19. Angela's Walk [From Woundings]
20. Jimmy [From Woundings]
See all 29 tracks on this disc

On this CD:
  1. The Shining, film score (1980) Shining Title Music
    Composed by Wendy Carlos, Rachel Elkind
    with Wendy Carlos, Jimmy Owens

  2. The Shining, film score (1980) Paraphrase for 'Cello
    Composed by Wendy Carlos, Rachel Elkind
    with Wendy Carlos, Jimmy Owens

  3. The Shining, film score (1980) Where's Jack?
    Composed by Wendy Carlos, Rachel Elkind
    with Wendy Carlos, Jimmy Owens

  4. The Shining, film score (1980) The Overlook
    Composed by Wendy Carlos, Rachel Elkind
    with Wendy Carlos, Jimmy Owens

  5. The Shining, film score (1980) Psychic Scream
    Composed by Wendy Carlos, Rachel Elkind
    with Wendy Carlos, Jimmy Owens

  6. The Shining, film score (1980) Day of Wrath
    Composed by Wendy Carlos, Rachel Elkind
    with Wendy Carlos, Jimmy Owens

  7. The Shining, film score (1980) Paraphrase for Brass
    Composed by Wendy Carlos, Rachel Elkind
    with Wendy Carlos, Jimmy Owens

  8. The Shining, film score (1980) Title Music "Dies"
    Composed by Wendy Carlos, Rachel Elkind
    with Wendy Carlos, Jimmy Owens

  9. The Shining, film score (1980) Clockworks "Dies"
    Composed by Wendy Carlos, Rachel Elkind
    with Wendy Carlos, Jimmy Owens

  10. TRON, film score Creation of Tron v. I
    Composed by Wendy Carlos
    with Wendy Carlos

  11. TRON, film score Creation of Tron v. II
    Composed by Wendy Carlos
    with Wendy Carlos

  12. TRON, film score Lightcycle games
    Composed by Wendy Carlos
    with Wendy Carlos

  13. TRON, film score Anthem (studio version)
    Composed by Wendy Carlos
    with Wendy Carlos

  14. TRON, film score Little Interludes
    Composed by Wendy Carlos
    with Wendy Carlos

  15. TRON, film score Trinitron
    Composed by Wendy Carlos
    with Wendy Carlos

  16. Split Second, film score (un-used) Visit to a Morgue
    Composed by Wendy Carlos
    with Wendy Carlos

  17. Split Second, film score (un-used) Return to the Morgue
    Composed by Wendy Carlos
    with Wendy Carlos

  18. Woundings, film score (aka Brand New World) Woundings Title Music
    Composed by Wendy Carlos
    with Matthew Davidson, Wendy Carlos, Manya Zuba

  19. Woundings, film score (aka Brand New World) Angela's Walk
    Composed by Wendy Carlos
    with Wendy Carlos, Manya Zuba

  20. Woundings, film score (aka Brand New World) Jimmy
    Composed by Wendy Carlos
    with Wendy Carlos

  21. Woundings, film score (aka Brand New World) Louise
    Composed by Wendy Carlos
    with Wendy Carlos

  22. Woundings, film score (aka Brand New World) Doug Does Angela
    Composed by Wendy Carlos
    with Wendy Carlos

  23. Woundings, film score (aka Brand New World) Scattering Ashes
    Composed by Wendy Carlos
    with Matthew Davidson, Wendy Carlos

  24. Woundings, film score (aka Brand New World) Angela's Aftermath
    Composed by Wendy Carlos
    with Clare Cooper, Matthew Davidson, Wendy Carlos, Manya Zuba

  25. Woundings, film score (aka Brand New World) Jimmy Kills Louise
    Composed by Wendy Carlos
    with Clare Cooper, Wendy Carlos

  26. Woundings, film score (aka Brand New World) In a Cemetery
    Composed by Wendy Carlos
    with Wendy Carlos

  27. Woundings, film score (aka Brand New World) Fly Away and End
    Composed by Wendy Carlos
    with Wendy Carlos

  28. Bee Dee Bei Mir
    Composed by Wendy Carlos
    with Wendy Carlos

  29. Tannhäuser, opera, WWV 70 Overture
    Composed by Richard Wagner
    with Wendy Carlos


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3 Reviews
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5.0 out of 5 stars (3 customer reviews)
 
 
 
 
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7 of 7 people found the following review helpful:
5.0 out of 5 stars Finally and Fulfilling!, October 28, 2005
By PEZ (CO, USA) - See all my reviews
Believe the hype, _Shining_ fans. These bits and pieces of music - volume 1 focuses more on "studio music and textures" of the themes devised for the film while volume 2 spends its allotted tracks on the more fully developed orchestra tracks - hold just about everything. I'll encourage you to follow that impulse/interest and add this work to your collection.

What do you get? Well, for me, the treat was volume 2's first track - the film's title track - Ms Carlos explains why Kubrick nixed it - but it is as haunting as the final draft that follows Jack Torrance's lil yellow bug to The Overlook climbing the Rockies. The other tracks are renderings and attempts to put the novel into music forms. The liner notes are great - like a listening session over coffee with the composer.

Both volumes are must haves for those of us all agog over the film's score (and scoring possibilities) but if you just want to hold a haunting, get volume 2 and put track one on repeat until you, that hag hottie in the tub, or your six year old's index finger hollers, "redrum!"
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Settling Old Scores, October 9, 2005
Amazon Verified Purchase(What's this?)
This second volume of Wendy's lost film soundtracks concentrates more on her full orchestral scores. Although she achieved fame as a synthesist, one reason she succeeded so well is her knowledge of and attention to timbral colors and the placement of different voices -- in short, orchestration. It should come as little surprise therefore that when writing for a full orchestra she's fully accomplished and impressively skilled.

Synthesizer cues are also included, from early (1981) novelty demonstrations for Dolby Labs to later (1998) soundtrack work utilizing her state-of-the-art digital synthesizers.

As usual for her, voluminous liner notes detail not only the working methods behind each of the pieces, but also glimpses into the politics and disappointments that delayed the release of these tracks. How many composers could survive having a significant portion of their career locked away in a vault for 25 years?
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5.0 out of 5 stars Music for the Donner Party, June 22, 2009
You've probably already lost your mind trying to hunt down that Shining soundtrack for years on LP, bootleg disc, or MP3. Then these volumes came along, and while not a Holy Grail by any means, they're very, very welcome.

There is still madness, don't worry. First of all, if you want all of the Shining tracks that Carlos produced, you need to buy Volume 1, too. Also, this is not all of the music in the film...but there is new music composed for the film that was never used...scrapped by Kubrick and left to collect dust in the archives.

Highly recommended for the obsessed Shining fan, you also get tracks from Tron. Simple as that...both discs are well worth it.
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Rediscovering Lost Scores, Vol. 2
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Rediscovering Lost Scores, Vol. 1
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Rediscovering Lost Scores, Vol. 1 3.0 out of 5 stars (5)
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