Coles Corner

Richard Hawley

Product Details

• Audio CD (September 6, 2005)
• Original Release Date: September 6, 2005
• Number of Discs: 1
• Label: Mute U.S.
• ASIN: B000AA4LN2
• In-Print Editions: Audio CD  |  MP3 Download
• Average Customer Review: 4.5 out of 5 stars  See all reviews (18 customer reviews)
• Amazon.com Sales Rank: #32,248 in Music (See Bestsellers in Music)

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Track Listings

1. Coles Corner

2. Just Like The Rain

3. Hotel Room

4. Wait For Me

5. The Ocean

6. Born Under A Bad Sign

7. I Sleep Alone

8. Tonight

9. Wading Through The Water

10. Who's Going To Shoe Your Pretty Little Feet

11. Last Orders

Editorial Reviews

Amazon.com

Richard Hawley spent the ‘90s primarily as a guitarist with Pulp and Longpigs, and contributing in-studio for the likes of Beth Orton and Robbie Williams. The 21st century, however, has seen Hawley make his way as a stellar solo artist. A loose tone poem/ode about a specific, well-traveled locale in his native Sheffield, Coles Corner is dense with songs that manage to be both weighty in tone, yet airy in execution. Sung in a thrilling baritone that falls somewhere between Leonard Cohen and Johnny Cash, his lyrics scrutinize that ghostly intersection of places and people, and how little pieces of ourselves we leave behind accumulate to form a kind of psychic footprint. The record bleeds with heart-on-the-sleeve sincerity that has nothing at all to do with indie music's recurring fondness for bitter irony. "The Ocean" is a prime example, filled with slow, sweeping motifs and unabashed grace. Hawley doesn't forget his guitar, breaking in with thick, messy riffs on songs like "Born Under a Bad Side" and slide atmospherics on "I Sleep Alone" and "Hotel Room." It's a satisfying piece of work, and while it cements Hawley's reputation as a skilled songwriter and musician it also exposes him as a world-class hopeless romantic. –Matthew Cooke

Product Description

Coles Corner, the follow up to previous albums on Setanta, Late Night Final (2001) and Lowedges (2003), was recorded at Yellowarch Studio in Sheffield, singer/songwriter Hawley's hometown and is a beautiful album, filled with nostalgia, emotion and romance. The album's orchestral splendour sits alongside earthy rock and roll with songs that are by turns intimate and soaring. Richard Hawley insists his mind is full only with 'confused thoughts and Guinness'. But when he sings, he does so in a voice that's deep and low, and does not lie. His merciful, wise songs tell of the heart's truths as seen in the dark, revealed by moonlight. Thom Yorke (Radiohead) says... 'Richard Hawley is all I'm listening to at the moment' and Scott Walker says... 'Richards voice is up there with the all time greats'...Mute. 2005. --This text refers to an alternate Audio CD edition.

Customer Reviews

Most Helpful Customer Reviews

18 of 18 people found the following review helpful:

5.0 out of 5 stars A True Romantic Corner, September 15, 2005

By	Juan Mobili (Valley Cottage, NY USA) - See all my reviews (REAL NAME)

Richard Hawley -a favorite of Nancy Sinatra and Ryan Adams- may just have earned a place in the lineage of singers and songwriters who have a legitimate gift for genuine romanticism, in a tradition wide enough to include Bacharach, Scott Walker, Dion and Roy Orbison.
I know that's quite a strong statement to make, yet Hawley belongs there by his capacity to evoke a certain nostalgia and joy of true romance that is authentic and exquisitely crafted, without ever indulging in trite sentimentality.
Whether you are already familiar with Hawley or not, Coles Corner, his most accomplished album thus far, is a perfect place to take delight on this man's work. Hawley has a distinct voice tone and sense of phrasing that can conjure up the many moods of love that many of us have felt, and that those people mentioned before have so memorably expressed.
I would add that the fact that these songs are written by him may clearly contribute to the confidence and credibility of his delivery. Whether it is the longing in his voice in "Coles Corner" or "Wait For Me," which reminded me of Orbison, or the romantic pleas of "The Ocean" or "Born Under A Bad Sign," he hits the mark.
Another remarkable fact is that Hawley is not even a singer first, his guitar work -a fixture in Pulp's sound in recent years- is what he's been originally recognized for, and in this album he confirm that too. This is one of those rare cases of virtuosity without showing off, confessional without self-consciousness, gorgeous chords and subtle solos weaving seamless stories between words and melodies.
Coles Corner, it's conveyed in the liner notes, was a place where everyone in Sheffield met -specially those looking for romance- and although, many of us were never there, it would feel like a familiar place. Whatever "your corner" was called, or my memory takes me, this music could probably be how those places sounded when we looked for love.

12 of 12 people found the following review helpful:

5.0 out of 5 stars Still up to his same tricks., September 11, 2005

By	MEWZIK - See all my reviews

Richard Hawley is one of the few artists that can release albums with limited variations and still hold the continuing listener fascinated by his take on "pop standards." Hawley is a pop standard and there is almost no way of getting around his passion for his contemporaries including Roy Orbison, Johnny Cash, Leonard Cohen, etc. The man has definitely nailed melody.

Cole's Corner might be his best record. Owning it a week, I can defintely say it is his most uplifting record musically - all beautiful love songs that make anyone with a soul melt like an ice cream cone in the Sahara. The Ocean is one that stands out, symphonic towards the middle on, the build up makes this one of Hawley's greatest tracks to date. Other favorite tracks offhand are "I Sleep Alone" and "Darlin Wait For Me"

As of now, Amazon does not have a sample to play from this record. As far as I am concerned, this record is a GO. If you enjoyed any of the previous records, this one will own you on impact. I hear he is touring in the US for this one as well. Keep your eyes open for dates.

7 of 7 people found the following review helpful:

5.0 out of 5 stars Classic Late Night Songcraft, March 28, 2006

By	[e-mail] "aka B. D. Love" (Los Angeles, California) - See all my reviews

This is a lovely record, one worth listening to every time it rains, as I'm doing now, here in old LA. The vocals are warm, the songs classically structured, and despite other reviews, this is NOT over produced. Yes: There are understated, very understated, strings on a few cuts--a FEW. Some reverb touches appear here and there. But that constitutes over production? In what parallel universe, what Bizzaro World? And the nonsense about this being a Country record is laughable. Which country, exactly, are we talking about? There's exactly one song that might fit that genre. And it is classic and beautiful. Sure, there are some songs that derive from the precursors to country, the old folk song styles, which were themselves derived from Celtic ballads. But "Country?" Not to offend anyone, but that just isn''t accurate.

I would say the vocal and songwriting analogy would be closer to Nick Lowe's latest work, rather than Cohen or Cash. Cash had more of an edge to his tone; Cohen doesn't have Hawley's sense of pitch, though he has a whole lot of lyrics. This is more Spartan, like Nick's "Dig My Mood," though melodically it also closes in at times on Orbison, and there is an echo of Roy in the phrasing. I might offer the caveat that the lyrics are not the kind of wordplay that makes Nick Lowe a genius, nor the vocal passion that trademarks Roy Orbison, but Nick and Roy belongs to a different pantheon entirely. What Hawley is doing here is turning cliches around and upside down, perfectly respectable in my book, and singing them with the kind of integrity that honors the emotions behind the otherwise stock imagery.

I grow weary of cricics who have never played music, never taken a music course, critics whose sole credential is that they passed Freshman English with a B, damning great records like this one just to see their own prose in print. If you like classic popular song forms, delivered with grace, skill, dignity and a sincerity that cannot be faked, then this is for you. I, for one, would love to shake the hand of the man who could make a record like this in these times of abject vapidity.