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39 of 45 people found the following review helpful:
4.0 out of 5 stars
Cool like Cracker, September 13, 2005
I don't buy the whole pre- and post-Dig argument, that the Dandy Warhols are a different band after the documentary just because of the exposure they received. I still hear them making generally the same kind of groovy, loose music they were making in the late '90s. Sure they continue to try out new ideas, but we wouldn't want or expect them to put out the same exact CD ten times, would we? I particularly enjoyed the new songs "Everyone Is Totally Insane" and "Down Like Disco." This may not be their best work ever, but the Odditorium is still worth a visit. (However, it is not a 5-star album... For those who rate every CD they like as 5 stars, how do you distinguish between the good, the excellent, and the truly awesome? If all are 5 stars, what's the difference between them? Five stars should be reserved for enduring classics.)
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18 of 19 people found the following review helpful:
5.0 out of 5 stars
Those Looking For A Pop Album Need Not Apply, October 2, 2005
A great, classic neo-psychedelic Dandy Warhol's album. This is music that take somewhere and asks for something in return. Do you really think Courtney Taylor thinks that your average casual pop music listener is into 7-9 minute long space-out/jazz/noise jams? Or the semi-retarded, affected/effected vocal style of A Loan Tonight? No? Obviously this album is not meant for you unless you're willing to pull out of your comfort zone, shut your pie-hole and listen.
This albums sounds fresh and loose..like it was recorded in the band's practice space when they weren't paying attention...oh yeah, it kind of was.
Its too bad that this type of music will not be popular...they're going to lose a lot of fans on this one...but you know what? They never really got it anyway.
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18 of 19 people found the following review helpful:
5.0 out of 5 stars
Knock, knock... who's there?... Best album you could ever listen to..., September 21, 2005
Let's face it, the state of the music is pretty bad, the last best selling bands were crap (Creed, Bizkit so on). Since R.E.M. got popular (and then unpopular at least in the US) and since alternative got to the radio through Nirvana (in the way creating some crappy "alternative bands" that undertook "serious" subjects with a stupid approach) the mainstream has been full of formulistic, unimaginative and unchallenging songs. As bands got better taste and more creative (such as Pearl Jam, Radiohead) they lost popularity. The only recent relieve we've had is the incursions into mainstream of "vintage" sound bands (Strokes, Interpol, Hives, White Stripes, Black Rebel Motorcycle Club) and of some indie bands (Modest Mouse, Flaming Lips and to some extent the Dandy Warhols themselves and their friends/rivals Brian Jonestown Massacre) (And these are already generating some crappy copycats lacking original message).
If you expect to judge this album (or any good one) by this standards you'll think it is too long, too derivative, too hard to listen, too unfocused. Hell, by those standards only Creed or Puddle of Mud would be acceptable... And that dear sirs would be the end of Rock & Roll. Rock & Roll is not supposed to be safe and monotonous, it is supposed to be challenging and different... Its not supposed to tell you the same thing all the time, it is supposed to show you new things, take different perspectives, help you realize the world is bigger than you thought. And at the same time it is supposed to be fun, it is ridiculous to take yourself too seriously you won't be able to change if you do. Hey this record lives up to these other standards and is awesome.
Enjoy it!
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