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4 of 4 people found the following review helpful:
4.0 out of 5 stars
Within the Sanctity of the Confessional Murder can be Secret , February 13, 2006
Jonathan Myers makes an impressive film debut as writer/director of CONFESSION, a very well done film that unfortunately went direct to DVD. Though the script is at times a bit clumsy and the control over the arch of emotion from the actors could be tighter, the film succeeds as a thriller, beautifully capturing the mysteries of the Catholic traditions.
In a private, expensive Catholic Prep School Luther Scott (Chris Pine) is a business minded renegade, supplying the student body with booze, porn movies, and other off limits paraphernalia. His hesitant roommate Robbie (Lukas Behnken) assists him but on a turnkey night their partying dorm is visited by the headmaster Father Thomas Parker (Bruce Davison) with a potential rich Senator's student son: the party is over. The boys are all subjected to questioning as to the source of the contraband and one student informs on Luther and Robbie and in a fit of anger Luther pushes the student to his death while disguised/dressed as a priest. Luther makes Robbie promise to keep their secret and Luther 'absolves' himself in the confessional where he admits his murderous act to the kind Father Michael Kelly (Cameron Daddo). Obeying the rules that words said in confessional must remain secret, Father Kelly becomes suspect as the perpetrator and elects to remain silent. The manner in which Luther and Robbie cope with the arrest of an innocent man and the resolution of the crime provide the exciting if a bit predictable conclusion to the story.
The cast is variable but generally fine, especially Australian actor Cameron Daddo and young Chris Pine, allowing us to understand the rites of the Church without condescension. The cinematography is moodily atmospheric and the musical score by Ryan Shore admixes ecclesiastic tones with contemporary mood music. Given that this is a first film for Myers it is one worth examining for the potential it carries. Grady Harp, February 06
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4.0 out of 5 stars
Some Interesting Ethical Issues in a Psychological Drama, July 29, 2006
In a lot of ways, this movie is another 'bad kid in a private school movie.' But, I think it is a cut above the others for three reasons. First, it is quite realistic in its portrayal of the bad kid, Luther. (Being a highly Catholic movie, I wonder if the name Luther has any significance!) Second, it adds the element of utter secrecy of the Confessional for the priest. Excommunication awaits any priest who breaks that secrecy. Third, it brings up the element of the friend who witnessed the homicide, and his promise to not say anything.
Parents need to discuss with their kids just when it is appropriate to remain quiet, and when a promise of secrecy needs to be broken, and this is a good movie to show them to bring up the subject.. For Catholics, parents might wish to discuss with their kids what they should do if they need to confess something that will put the priest in such a quandary as this priest. The sin may not implicate the priest himself, as in this film, but should they burden him under the protection of the Confessional with knowledge that could save another person great harm? Also, one might ask if divine forgiveness can really be given by confession only, without rectifying the sin in reality. (For example, would Confession of a bank robbery really be forgiven if one still kept the money?) This movie brings up these issues in a compelling way that teens should be able to relate to and to discuss.
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4.0 out of 5 stars
The message in this movie is very important, March 8, 2006
The reviewers below are right. The actors are pretty good. But I must add that the message of this movie is pretty impressive: father Michael is concerned about Luther's salvation even when the boy tried to frame him and to kill him. THAT'S REAL LOVE! That's what priesthood is all about. Buy or rent this movie.
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