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158 of 168 people found the following review helpful:
5.0 out of 5 stars
Very well done, educated snapshot of a country at war., August 12, 2005
This is a generally great film, and a nice escape to reality from all the superhero, fantastical, and over-hyped movie star fare we've gotten this summer.
The biggest accolade I can offer this flick is that it sticks to history in ways rarely seen in Hollywood films, and even then it's not dry or boring, not inaccessible to those not particularly versed in history. It shows beautifully how exciting and thrilling real history can be. The liberties it takes aren't too offensive (I can't say much without spoiling the story, but although the "romance" in this film didn't exist, it's not particularly gratuitous or hard to believe, and there were many wartime romances between people who met in the occupied Philippines), but on a whole they valiantly stuck to the stories. It doesn't revel in cliches or surrender to the cheap thrill of pyrotechnics, which so many war films do. Since it looks to true events for inspiration, there's a happy lack of predictibility and "been there, done that". Not to say that there are any talk-of-the-summer plot twists, but it keeps you on your toes because you're dealing with life, and is often surprising. The film brings you down to the level of its characters, and it doesn't treat you like an outsider.
As a Filipino American and history buff, I was thrilled and proud to see so many Filipino actors in the film (particularly the wonderful -- and gorgeous -- Cesar Montano) and to finally see this little known but mammoth part of WWII recalled on such a public scale. The film takes place over 5 days in January, as the Rangers prepare to take the camp. Its three interconnected story lines -- the prisoners in Cabanatuan, the Rangers, and the underground movement in Manila (including a nurse played by Nielsen who smuggles in Quinine to prisoners) -- give a fairly accurate and well rounded portrait of the landscape of war in the Philippines, although by the end of the film you do feel as if you've only seen the tip of the iceberg.
The acting is lovely. There aren't any "Oscar" scenes or the like, just solid ensemble acting, and the leads, Benjamin Bratt, James Franco, Cesar Montano, and Connie Nielsen, are excellent for what they're given. The writing doesn't try to over-dramatise or "soapify" anything, it stays level headed and just plays. It felt a lot like a less ridiculous "Gettysburg" or a much tamer "Black Hawk Down" or a much MUCH shorter "The Longest Day". Surprisingly, for a war film, there are relatively few "what I'm here for" speeches, which is refreshing. The ones it does have aren't particularly irksome or obnoxious. It's not particularly violent (except for the unnerving opening scene -- a recreation of the Palawan massacre -- and one scene in the camp, I'd have given it a PG-13 rating), but it IS disturbing. And although they hardly began to show the full extent of the atrocities committed, the point is made clear, heartrendingly I might add. Two scenes, involving Filipino underground workers and another at the camp, had me in tears.
Honestly, this is NOT for people looking for a testosterone fueled action flick. The action is strictly historical (except for a hand to hand fight at the end which I doubt happened). At times it feels like a documentary, and other times it's like watching a memoir. Neither is this film the "rah rah" flag waving fest the advertising makes it out to be (thank goodness). In fact it pays great homage to the work of the Philippine people, underground resistance (a portion of the film which seemed a bit out of place in the film but which had me enamored and on edge), and guerilla fighters, all of which touched me deeply. As a Hollywood studio film goes, it's an academic, nearly blow by blow accounting of the events surrounding the raid on the Cabanatuan prison camp, but because of the nature of the story and not because of empty manipulation, it is intense, inspiring, and exciting. Don't expect the next "Paths of Glory" or "Bridge on the River Kwai" or that calibre of filmmaking, but I hope that this does well because in its own way it's different from so much of the mindnumbing junk that is out there, it attempts to portray a war story smartly, chose to tell a story that doesn't spell out big money, and without being overbearingly in-your-face patriotic, it pays homage to and shares the experiences of the American and Filipino men and women who endured the hell that was World War II in the Philippines.
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122 of 140 people found the following review helpful:
5.0 out of 5 stars
The Japanese were cruel monsters during WWII, August 14, 2005
The Great Raid is a fantastic World War II film. The fast paced action is based on the real life rescue of the American POWs at Capanatuan in the Philippines. Director John Dahl pulls no punches. He correctly depicts the allied forces as the good guys and the Japanese as generally nothing less than war criminals. This is indeed historically accurate and Dahl refuses to shy away from the truth merely to satisfy the politically correct leftist crowd. Lt. Colonel Mucci (Benjamin Bratt) and Captain Prince (James Franco) were ordered to devise a plan that could quickly free as many of the sickly and malnourished prisoners like Major Gibson (Joseph Fiennes) as possible. Time is short. The war is almost over and Emperor Hirohito's followers of Bushido prefer death to surrender. If they are going to die, so too will the POWs. The pitiless Japanese particularly enjoy burning prisoners alive. They were, during that time period, racists to the core and perceived non-Japanese as inferior and unworthy of humane consideration.
Lt. Colonel Mucci partners with the fearless Philippine guerillas. They in turn rely on Margaret Utinsky (Connie Nielsen) and other members of the resistance to supply them with support and intelligence. The violence is brutal and not for the squeamish. There will be moments when you might even be inclined to turn your eyes away from the screen. Are the Japanese today as evil as their predecessors of some sixty years ago? Of course not, and we must not forget that all races, ethnic groups, and nationalities are comprised of moral and immoral individuals. There are few remaining WWII veterans. They fought to save our freedoms and constitutional rights. The least we can do, is to make an effort to more fully understand their struggles and heroism. The Great Raid is one of the best pictures of this year. Anyone who is a teenager or older should see it.
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12 of 12 people found the following review helpful:
5.0 out of 5 stars
One of the best war movies of recent years, May 19, 2006
The Great Raid is one of the best war movies I've seen in several years, and it makes me downright mad to learn of this film's long-neglected, still overlooked history. It was filmed in 2002, then delayed for three full years thanks to a bunch of bureaucratic jabberwocky. When it finally saw the light of day in 2005, I didn't hear the first thing about it, which says a lot about the marketing behind it. Then, a number of professional critics cast aspersions upon it - all the usual suspects who prefer their own make-believe world where the worst sadists are merely misunderstood victims of a bad childhood and real history is just something to be distorted in pursuit of your own political agenda. The Great Raid is just far too true for these elitists, and - even worse - it shows that war, as horrible as it is, is sometimes a necessity in the face of outright evil. These guys can blanch and puff up all they like, but anyone who knows anything about World War II knows that the Japanese were some of the most merciless, brutal, downright sadistic soldiers the world has ever seen. That very concept is incorporated into this movie because it's true. The Great Raid adds a few unnecessary romantic elements to the story, but that story itself is an honorably realistic presentation of the most audacious, successful rescue mission in American military history. It's a story every American should know - but more than likely doesn't.
There was a good reason why General MacArthur vowed to return after FDR ordered him to withdraw from the Philippines - he was leaving a lot of good men behind, brave soldiers who suffered and died horribly after their Commander in Chief abandoned them. As FDR concentrated on the European theater, thousands of GI's died on the unspeakable Bataan Death March, while those who did survive the 60-mile trek were subjected to brutal, inhumane treatment in Japanese POW camps for three years. In January 1945, the military tide had turned, MacArthur had indeed returned to the Philippines, and the Japanese knew the end was in sight. War criminals to the end, they chose to slaughter all of their prisoners before they could be liberated. That set the stage for The Great Raid. The Allies knew the 500+ prisoners of war at Cabanatuan would be killed as their forces closed in on the camp. The only hope of saving these brave, long-suffering Americans was to execute a surprise rescue mission and take the Japanese completely by surprise.
This movie shows us pretty much what actually happened, and it is that commitment to historical reality that makes it such an important film. We watch Lt. Col. Henry Mucci (Benjamin Bratt) and Capt. Bob Prince (James Franco) draw up the plans, lead their soldiers forward, adapt and react to unexpected Japanese troop movements, and basically refuse to let anything stop them from leaving any American POW behind. These particular troops, from the 6th Army Ranger Battalion, had yet to see any real action for the most part, but they managed to cross 30 miles of enemy territory and sneak up on the camp across open fields in broad daylight without being detected. Meanwhile, brave Filipino soldiers provided invaluable assistance by preventing Japanese reinforcements from reaching the camp in time to disrupt the mission. The big firefight, when it does come, is quite intense and realistic, leading up to an emotionally stirring ending.
Alongside the viewpoint of the Rangers and their Filipino brethren in arms, the film also takes us inside the Japanese POW camp and acquaints us with the Filipino underground sneaking much-needed medicines into the camp. All of these heroes of different stripes aren't enough to satisfy the critics, though. They say the movie drags on too long, yet they complain that the POW camp conditions aren't covered in enough detail. They decry the scenes of Japanese barbarity, preferring their own little world of politically correct grey to the black and white reality of history. Folks, it doesn't get much more black and white than this: risking your life -against great odds - to rescue your brother soldiers is good; burning POWs alive rather than allowing them to be liberated is evil. Some things really are black and white. If you insist on pretending that everyone on earth really just wants to chase butterflies in the sun all day, you may not like this movie. If, on the other hand, you like a good war movie, especially one that is based on fact and presented in a realistic fashion, The Great Raid more than deserves a place in your personal DVD collection.
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