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Family Portraits: A Trilogy of America

3.7 out of 5 stars 19 customer reviews

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Special Features

None.

Product Details

  • Actors: Gary Betsworth, Ray Bland, Sally Conway, Jayne Deely, Larry Fessenden
  • Directors: Douglas Buck
  • Writers: Douglas Buck
  • Producers: Douglas Buck, Rita Romagnino
  • Format: Multiple Formats, Color, Dolby, NTSC, Widescreen
  • Language: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.78:1
  • Number of discs: 1
  • Rated:
    Unrated
    Not Rated
  • Studio: Homevision
  • DVD Release Date: February 21, 2006
  • Run Time: 103 minutes
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (19 customer reviews)
  • ASIN: B000C20VNW
  • Amazon Best Sellers Rank: #138,788 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Family Portraits: A Trilogy of America" on IMDb

Customer Reviews

Top Customer Reviews

Format: DVD
Before I could begin my review for "Family Portraits: A Trilogy of America," I had to do some online research to get an idea of what other film critics thought of it. Naturally, I found almost nothing in terms of professional reviews; the best I had to work with was the reaction of John Q. Public on DVD websites (this one included). They were interesting reviews to say the least; it seemed that the most unanimous opinion was that it's a disturbing yet powerful film, something that had to be watched for the sake of originality and style. That's why I had to see what other people thought of it before I said anything: even though I liked it, I had absolutely no idea why. Maybe getting a general idea of why other people liked it would help me find the reason.

A compilation of three previously made short films from writer/director Douglas Buck, "Family Portraits" is in a lot of ways like an adult oriented, much less campy, and much darker version of "A Series of Unfortunate Events" by Lemony Snicket. Every character is moody, troubled, and depressed, and their circumstances go from bad to worse in a relatively short period of time. It pretty much destroys the possibility of hope, happiness, and redemption, which, I suppose, can be seen as realistic and thus effective (if you think like an incurable pessimist, that is). But that's where the similarities to Snicket's book ends; even he wouldn't think up something that delves into the aftermath of a severe mental breakdown, depicted in "Family Portraits" with some of the sickest, most perverted acts of violence ever captured on film.

The plot is actually a combination of three distinctly separate stories, all of which focus on one character and their decent into heartbreak, madness, and in some cases, murder.
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The primary film of this collection, Cutting Moments, is considered brutal, shocking, and unwatchable by some. Anita Gates, of New York Times, wrote regarding Buck's work (and specifically towards Cutting Moments), "There is a sober intelligence behind his low-budget gore, but its shrill excess drowns out the ring of truth". However I found Buck's work to have quite the opposite effect. Truly, it is an upsetting film to say the least, but the sheer savagery of the scenes, both mental and physical, help to narrow the focus of the film down to its core aspects. The combination of the faint, if not at times entirely absent, ambient sounds/ music, and the short duration of the film, allowed it to leave a far more intense impression on the viewer. Furthermore, it forces the viewer to re-roll the film in their minds in order to fully understand the actions of the characters. The use of still images inter-cut with the credits also helps the film utilize its unsettling message, ending it essentially mid-climax.
Cutting Moments provides two essential messages for the viewers. Firstly, the parody (if such a word is usable for this film) of the idealized American family, and how sustaining what is essentially a dream, often results in its collapse. The other is the insight into the true definition of depression, were the afflicted feels there is truly no resolve for the situation other than the extreme, often ending in dangerous results. Cutting Moments treats these ideas like a dream that has been lost, and in its stead a nightmare arises.
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Omg where to start with this the first part was really really messed up but out of the three stories it was the best I don't want to say much to give any parts away but cleaning lipstick off your mouth with one of those metal like Brillo pads ummmmm that's it just watch it
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Format: DVD
These three shorts are fun, disturbing, and above all -- well made.

I recently graduated from a screenwriting program, so I've seen quite a few student short films. Many students just dove in and made shorts that suffered from the usual handicaps: bad writing, unnatural acting, poor use of setting & props, etc.. As a noob to the art myself, I fully get those troublesome aspects in my own work, but I'm constantly thinking of ways to avoid falling into those holes during the entire process. Anyhoo, these shorts seem to have been consciously made to avoid as many chances at low budget flukes as possible, and it always makes me happy when I can see that!

While the acting reflects the low budget nature of the work, the writing and directing puts more weight on emotions expressed non-verbally -- Sign of a smart artist at work. Setting is given it's due as being equally as important as action, and it reflects the the tone of each short perfectly, while also functioning as spacers between shots to allow the viewer time to think.

My only complaint other than the acting at parts is the score, but that's one of the most difficult pieces of the puzzle when you're stuck in low budget territory. The guitar music in the 2nd (I believe?) short was decent though.

To sum it up -- This trilogy is a disturbing, extreme take on the underlying sickness that exists below the surface of small town American 'perfection'. Fans of the Lynchian, Gaspar Noe, Cronenberg, or Atom Ergoyan (sp?) would likely find these interesting.
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