Time Line

Ralph Towner (Artist), Harold Arlen (Artist), George Gershwin (Artist)

Product Details

• Audio CD (May 2, 2006)
• SPARS Code: DDD
• Number of Discs: 1
• Label: Ecm Records
• ASIN: B000E8NPRS
• In-Print Editions: MP3 Download
• Average Customer Review: 4.5 out of 5 stars  See all reviews (11 customer reviews)
• Amazon.com Sales Rank: #40,951 in Music (See Bestsellers in Music)

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Editorial Reviews

Amazon.com

Classical and 12-string guitarist Ralph Towner is one of the architects of the ECM sound, and he was a founding member of the 1970s group Oregon. For his 21st release on the label---his fifth in the solo format---Towner recorded in St. Gerold's Church, a monastery in the Austrian Alps, which accounts for the introspective character of this project. Save for his Bill Evans-influenced renditions of the standards "Come Rain or Come Shine" and "My Man's Gone Now," the compositions are all written by Towner, from the contrapuntal "Oleander Etude" to the free-form "Five Glimpses" and "Always by Your Side," a ballad written for a production of Shakespeare's The Tempest. He may not swing like Joe Pass, but the syncopated meditation that aurally illuminates this effort makes Towner a musical master to be listened to, and reckoned with. --Eugene Holley, Jr.

Customer Reviews

Most Helpful Customer Reviews

12 of 12 people found the following review helpful:

5.0 out of 5 stars Great music, but beware the reverb of doom, September 8, 2006

By	Bernard - See all my reviews

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This is the latest masterful work of colour and complexity from one of THE greatest guitarist/composers of our time, and probably any other time. Time Line is the third straight solo guitar album from Ralph Towner (the Oregon album, etc. notwithstanding), and his great talents have not diminished one iota. He is an outstanding composer, and an amazing guitarist. Both these gifts are on full display here in this highly creative and deeply accomplished work.

His compositions on this album are in turn sweet and lilting, reflective, melodic, dissonant, and sometimes spicy. They are always interesting, sometimes fantastic. There are some great tunes here, and some seriously great guitar craft; great enough to add interest even on those few less-appealing explorations.

What's new? Well, the now regular improvised short pieces are this time played on the nylon-strung guitar, unlike other recent recordings where they were done on the 12-string. Of course, the compositions on this album are new as well. (There are two standards also.) How does he write so much great music?! Mind you, some of these pieces may only be of interest to guitar aficionados, or those interested in angular, more abstract modern music - but then, there are a few of us aren't there!?

Despite such a big upside, there is a small downside. Also new are the setting and the engineer, and this turns out to be a disappointing factor for me. While some have enjoyed the sound and even praised the album's overall vibe, at times the recording to me feels quite distant and cold. Despite the guitar being the centre of attention, the anticipated warmth and intimacy of the instrument is missing. This is acoustic guitar we're talking about! Yet Ralph's guitar on this album seems to lack presence, and may in fact need CPR after nearly drowning in reverberation! I am a huge fan of several ECM artists and love the recordings they make, but on this occasion I find myself wishing I were in the tropics.

On some tracks, notably the first, the sound of the guitarist sucking in short breaths through his nose was a startling intrusion into my listening experience! Ralph is on record regarding the notoriously difficult instrument that is the guitar, and like other ECM recordings this is a live performance - no endless takes and overdubbing here. Yet even I find this noisy intrusion hard to get `round. Keith Jarrett's infamous whining doesn't bother me at all, and yet here we have Ralph's nostrils making unwelcome percussive additions to the recording! Intimate, yes, but not the sort we're after methinks!

Don't hate me, but I also feel the programming could have been better. At times there are pieces in the same key following each other, which doesn't do justice to either Ralph or the music. Then there's the fact that the two standards are at the very end, sandwiching an abstract piece. Not quite ideal for mine. Perhaps I'll hit the CD player's `shuffle' function for this one.

These things are, of course, highly subjective, and are just things I personally felt the need to mention. Ralph's masterful performances easily save the day; and more than that, show a great musician at the height of his powers. Highly recommended, but dress warmly.

13 of 15 people found the following review helpful:

5.0 out of 5 stars Mysterious evolution, July 2, 2006

By	Scott68 (Columbus, Ohio United States) - See all my reviews

I can hear sound his slowly changing, I also hear more atonality then before. I can hear him stretching for a new sound on this recording, I can tell he must have been searching for something new and he found it.

His use of augmented and suspended intervals continue to give that mysterious floating sound, a style I fell in love with (as did Debussy, Bill Evans and Paul Bley). I consider this the most modern of all music - classical mixed with jazz, counterpoint with improv.

I think of Mr Towner as the epitomy of the ecm sound the same way Paul Bley is on piano, they have perfected this wonderfully modern and impressionistic sound and refined it into a enigmatic mystery, an enigma wrapped inside of a riddle much the way the heart is when it finds love, undefinable but somehow undenliably beautiful and irresistably alluring with desire and passion.

This recording is equal to any he has ever done, I rank this among his finest along with Ana, Open Letter, Diary, and Solo Concert. I seem to prefer this to Anthem.

What we have here is a real full blown composer - artist who keeps on growing and never compromises in any way. Did you know he has a degree in composition? Hey Ralph keep on growing, and will continue to listen.

The only thing missing here is a band, in which case you want to start buying Oregon recordings instead of his solo work.

7 of 7 people found the following review helpful:

5.0 out of 5 stars Nothing is missing, June 17, 2006

By	D. J. Sapen - See all my reviews (REAL NAME)

To me, this is the best of the solo guitar sets by Towner since "Solo Concert". To my ears, he hits a cool balance of improvisational fluency, attention to form and flow and the one-man-trio feel he attributes to Bill Evans. Really beautiful, with a live, spacious sound accurately capturing the resonant hall in which it was recorded.

He doesn't seem to age, except in the best sense. The material is distinct, fresh and recognizably what I have come to love in Towner's music. Buy it.