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36 of 37 people found the following review helpful:
5.0 out of 5 stars
Another essential Blackmore's Night album, April 4, 2006
Blackmore's Night return with a brand new album titled The Village Lanterne, in some ways their most realized effort. After several releases and years of touring together, Ritchie Blackmore and Candice Night seem to have a more clear idea of what they want to do with their music, and where to take it. Especially Candice Night has grown and improved immensely both as a lyricist and singer. Her voice is more mature now, with a distinct sense of confidence and passion. She sings with sheer emotion and conviction through the whole album, proving she's a key element in the unique sound of Blackmore's Night. As for Ritchie Blackmore, no words would do justice to describe his talents and songwriting skills, let alone his distinctive tone and phrasing he puts behind his compositions.
For those of you not familiar with Blackmore's Night (however unlikely that may be), they play an impressive style of Renaissance era music, combining it with elements of new age, folk, rock, and blues, among others. Though heavily acoustic guitar driven, their songs blend a rich array of mandolins, violins, cellos, tambourines, drums, trumpets, bagpipes, and keyboards. Still retaining the classic Blackmore's Night sound, The Village Lanterne is arguably their most modern-sounding release to date. This seems to be because of the recording techniques they employed in the studio, rendering some of the pieces noticeably more contemporary than their earlier work. They are not omnipresent, however. It's more like the band and producer Pat Regan decided to incorporate some new textures and a heavier focus on atmospherics on some tracks. Songs like "Olde Village Lanterne" and "I Guess It Doesn't Matter Anymore" are both marked with effective rhythmic patterns, particularly in the way the drums and percussion are played. Aside from that though, the songs are your typical Blackmore's Night numbers, highlighted by Night's convincing voice and Blackmore's crystal-clean acoustic guitar, both worth dying for. The symphonic backdrop on "The Olde Village Lanterne" lends it an ethereal new age vibe (thanks to its creative arrangement) while Blackmore fuses wonderful blues licks with 16th century folk melodies on its successor.
As with previous albums, there are mini instrumentals present on The Village Lanterne as well. "The Messenger" merges Blackmore's love for new age and acoustic guitars, utilising subtle keys and orchestral motifs; while "Village Dance" is a more laidback yet more direct acoustic number. Much like these two tracks, "Mond Tanz" (Moon Dance) is the first instrumental part of the band's "Child in Time" rework on track nine. The instrumental piece starts out as a happy, upbeat cut, secretly slipping into the classic Deep Purple anthem, where Candice Night's harmony vocals are so beautiful you may want to freeze. Blackmore throws out full-on blues-inflected riffs before the band goes back to the playfulness of "Mond Tanz" to wrap the piece up. Another "cover" song on the album is the special bonus track "Street of Dreams", found only on the Japanese import of the album. This one features Blackmore's counterpart Joe Lynn Turner, who exchanges verses with Candice Night. The two singers duet, harmonise, and swap choruses, while Blackmore plays an enchanting lead solo with a medieval touch.
Candice Night's vocals on the emotional "Once In A Garden" recall her pure yet powerful performance on the debut album Shadow of the Moon, still a personal favourite of mine. The chanting-like male back vocals and Celtic bagpipe melodies on "World of Stone" and the almost-live performed "Olde Mill Inn", or the hard-rocking "St. Teresa" all help diversify the album, with impressive results.
The Japanese version of the CD contains the aforementioned essential bonus track with Joe Lynn Turner, two booklets (the black and white one being in Japanese) and a neat packaging with a nice sticker. Though Shadow of the Moon and Fires At Midnight will remain on top of many fans's lists, I believe The Village Lanterne will make a great addition to the Blackmore's Night discography.
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19 of 21 people found the following review helpful:
5.0 out of 5 stars
Ritchie and Candice Weave the Magic Yet Again, April 5, 2006
I have been a fan of Blackmore's Night for awhile now, and I own all the group's albums and the DVD released last year. I really enjoyed Village Lanterne for the same reasons I liked everything else they have done. If you already like the band, you will not be disappointed in the least with the songs found on this disc. The music is beautiful, melodic, and will sweep your mind off to enchanted worlds.
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11 of 13 people found the following review helpful:
5.0 out of 5 stars
Sublime Serenade!, May 11, 2006
I've loved this duo ever since I first learned of them. Ritchie Blackmore is a virtuosos with the guitar. He can play rock but he plays this stuff even better. "This Stuff" has a definite renaissance flair to it but it sometimes turns to rock as well. It is all excellent, unexpected and well done. I would buy just for the instrumentals...but there is more.
Candice Night is the other half of this duo. She is a delight to the eyes but that is not the reason for any man over 18 to buy an album. She is also a gifted singer with skill and a method of delivery that fits this style to a tee. She has some instrumental skills as well on period wind instruments. For her voice alone, also, this would be great recording.
Fortunately, they work together and the result is sublime. It is beauty. It is among my favorites.
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