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Editorial Reviews
From Publishers Weekly
The title of Stephenson's vast, splendid and absorbing sequel to Quicksilver (2003) suggests the state of mind that even devoted fans may face on occasion as they follow the glorious and exceedingly complex parallel stories of Jack Shaftoe, amiable criminal mastermind, and Eliza, Countess de la Zeur, courageous secret agent and former prisoner in a Turkish harem. In 1689, Jack recovers his memory in Algiers, evades galley slavery and joins a quest for the lost treasure of a Spanish pirate named Carlos Olancho Macho y Macho. This leads to adventures at sea worthy of Patrick O'Brian, and hairbreadth escapes from the jaws of the Inquisition. Meanwhile, Eliza is captured by the historical (and distinguished) French privateer Jean Bart while trying to escape to England with her baby. She must then navigate the intrigues of the court of Louis XIV, which are less lethal than those of the Inquisition by a small margin, but still make for uneasy sleep for a friendless female spy. Her correspondence with such scientific minds as Wilhelm Leibniz helps propel the saga's chronicling of the roots of modern science at a respectable clip. Of course, one can't call anything about the Baroque Cycle "brisk," but the richness of detail and language lending verisimilitude t? the setting and depth to the characters should be reward enough for most readers.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
From Bookmarks Magazine
This “con-fusion” of two distinct novels (Juncto and Bonanza), alternating between Jack and Eliza’s stories, is a must-read for Stephenson fans. Though neither entry in the Baroque Cycle has impressed the critics as much as some of Stephenson’s previous work, The Confusion proves his narrative skills are still in fine shape. Casual readers beware: many critics feel the lengthy scientific and historical digressions, however well researched and explicated, tend to hold up the story. If the book suffers from an information glut or stylistic terseness, then it is the cracking plot and rich milieu of the Baroque world that set the ship right.
The title of Stephenson's vast, splendid and absorbing sequel to Quicksilver (2003) suggests the state of mind that even devoted fans may face on occasion as they follow the glorious and exceedingly complex parallel stories of Jack Shaftoe, amiable criminal mastermind, and Eliza, Countess de la Zeur, courageous secret agent and former prisoner in a Turkish harem. In 1689, Jack recovers his memory in Algiers, evades galley slavery and joins a quest for the lost treasure of a Spanish pirate named Carlos Olancho Macho y Macho. This leads to adventures at sea worthy of Patrick O'Brian, and hairbreadth escapes from the jaws of the Inquisition. Meanwhile, Eliza is captured by the historical (and distinguished) French privateer Jean Bart while trying to escape to England with her baby. She must then navigate the intrigues of the court of Louis XIV, which are less lethal than those of the Inquisition by a small margin, but still make for uneasy sleep for a friendless female spy. Her correspondence with such scientific minds as Wilhelm Leibniz helps propel the saga's chronicling of the roots of modern science at a respectable clip. Of course, one can't call anything about the Baroque Cycle "brisk," but the richness of detail and language lending verisimilitude t? the setting and depth to the characters should be reward enough for most readers.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
From Bookmarks Magazine
This “con-fusion” of two distinct novels (Juncto and Bonanza), alternating between Jack and Eliza’s stories, is a must-read for Stephenson fans. Though neither entry in the Baroque Cycle has impressed the critics as much as some of Stephenson’s previous work, The Confusion proves his narrative skills are still in fine shape. Casual readers beware: many critics feel the lengthy scientific and historical digressions, however well researched and explicated, tend to hold up the story. If the book suffers from an information glut or stylistic terseness, then it is the cracking plot and rich milieu of the Baroque world that set the ship right.
Copyright © 2004 Phillips & Nelson Media, Inc.
--This text refers to the
Hardcover
edition.
See all Editorial Reviews
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