Personal File

Johnny Cash

Product Details

• Audio CD (May 23, 2006)
• Original Release Date: May 23, 2006
• Number of Discs: 2
• Label: Sony
• ASIN: B000F6YW08
• Average Customer Review: 4.6 out of 5 stars  See all reviews (51 customer reviews)
• Amazon.com Sales Rank: #33,689 in Music (See Bestsellers in Music)

Track Listings

Disc: 1

1. The Letter Edged In Black

2. There's A Mother Always Waiting At Home

3. The Engineer's Dying Child

4. My Mother Was A Lady

5. The Winding Stream

6. Far Away Places

7. Galway Bay

8. When I Stop Dreaming

9. Drink To Me Only With Thine Eyes

10. I'll Take You Home Again Kathleen

See all 25 tracks on this disc

Disc: 2

1. Seal It In My Heart And Mind

2. Wildwood In The Pines

3. Who At My Door Is Standing

4. Have Thine Own Way Lord

5. Lights Of Magdala

6. If Jesus Ever Loved A Woman

7. The Lily Of The Valley

8. Have A Drink Of Water

9. The Way Worn Traveler

10. Look Unto The East

See all 24 tracks on this disc

Editorial Reviews

Amazon.com

The recordings Johnny Cash started making for Rick Rubin's American label in 1993 launched a journey through the Great American Songbook--from traditional tunes to alt-rock--that continued until, literally, the end of his life. What wasn't known at the time was that Cash had anticipated the American Recordings concept 20 years earlier. A series of informal private sessions he recorded in 1973 featuring just voice and guitar--with a few numbers added between then and 1982--were left untouched at his House of Cash studio, unearthed only after his death in 2003. These 49 songs, labeled "Personal File," show him exploring 19th-century parlor tunes, Tin Pan Alley pop, gospel, little-known Cash originals, classic and contemporary country, and even a recitation of Robert Service's poem "The Cremation of Sam McGee." On many, his spoken introductions reveal personal ties to a given number. Cash reprises early country fare like Jimmie Rodgers's "My Mother Was a Lady" and "The Letter Edged in Black." He also revisits later country classics like the Louvin Brothers' "When I Stop Dreaming," close friend Johnny Horton's hit "When It's Springtime in Alaska (It's Forty Below)," John Prine's "Paradise," and stepdaughter Carlene Carter's "It Takes One to Know Me." The second disc is a virtual hymnbook, blending traditional gospel and A.P. Carter tunes with a sacred composition by Rodney Crowell and Cash gospel originals. For those enchanted by the illness-ravaged soulfulness of Cash's later American recordings, hearing him in his prime is not only breathtaking--it underscores the depth of his still-remarkable musical vision. --Rich Kienzle

Product Description

Deep within the House of Cash, Johnny Cash’s recording studio, office suite, and museum in Hendersonville, Tennessee, behind the studio’s control room, was a small vault-like space in which many of his most prized possessions were stored. A collection of rare firearms dating back to the 18th Century, some personal effects of Jimmie Rodgers, artwork and letters from fans all over the world and much more was carefully arranged and locked away for safekeeping. Then there were the tapes. Hundreds of them. Demos from songwriters, album masters, multi-tracks of the ABC television series, and some boxes marked simply "Personal File." These are Johnny’s most intimate sessions, recorded mostly in 1973 and then subsequently at his leisure. Just a lone voice and an acoustic guitar, singing songs and telling stories about them. A concept that has since come to be thought of as revelatory but, as is evident in this stunning new set, is something Johnny Cash had been doing all along—if only for his personal file. This 2-CD collection features 49 previously unreleased recordings.

Customer Reviews

Most Helpful Customer Reviews

95 of 99 people found the following review helpful:

5.0 out of 5 stars Whip The Devil, May 25, 2006

By	K. H. Orton (New York, NY USA) - See all my reviews (REAL NAME)

First off, if you're merely superficially curious after the hype surrounding, "Walk The Line" this isn't for you. Many songs feature spoken word introductions that may wear on the listener in time. So this isn't something you'd throw on at a party, or are likely to bop around to while plugged into your i-pod. These recordings are best appreciated while sitting down and listening to as an entire album. The end effect is like having The Man In Black in your living room, giving you your own private concert. Much like the magic wrought on the 1st American Recordings album.

Though his later recordings with Rick Rubin were compelling, the ravages of illness were apparent. In addition, some song choices ("Personal Jesus", anyone?) seemed a little "calculated". Not so here. This is sound of Cash in his prime, singing songs that deeply left their mark on him. This is a mix of now obscure covers & sepia toned traditionals. Not to mention, some unheard & truely inspired originals. In terms of sound quality, this is far from some bootleg Cash's former label dusted off in order to capitolize on a posthumous surge in popularity. Even if it were, the passion here will leave you breathless.

The 1st disc consists of so many unheard gems it's hard where to begin. If the morbid sentimentality of "Engineer's Dying Child" doesn't choke you up, there's something wrong with you. Same goes for his take on the Louvin Brothers', "When I Stop Dreaming" & C. Walker's, "Jim, I Wore A Tie Today". In less committed hands, alot of the material here would've come off as mawkish. But not here. Among the orginals, "I Wanted So" is as starkly personal as it gets. The opening line, " I wanted so to tell that old man, oh so many things" is delivered with such dignified regret it can't help but hit home. Same goes for the disc's closer, "It Takes One To Know One". A song written by his step-daughter, Carlene that he masterfully makes his own.

Where disc I is more secular in nature, disc II is dedicated to Cash's oft overlooked Gospel side. But don't let that scare you off. If anything, things get even more powerful. The weariness of "Way Worn Traveller" & "Look Unto The East" are undeniable regardless of belief. Themes of Faith & Doubt wrestle throughout but it all comes to a fore with the Cash original, "Sanctified". The way he belts out, " I'm trying to whip the devil, I'm trying to get sactified" you can just hear the demons barely kept at bay.

Along with the Unearthed boxed set, this is an all too generous & unexpected offering. But where Unearthed was released with an air of eulogy & epitaph, Personal File is the unadorned sound of Cash at his most vital & inspired. In short, essential listening for fans & detractors alike.

46 of 48 people found the following review helpful:

5.0 out of 5 stars Hypnotizing, May 23, 2006

By	Soulboogiealex (Netherlands) - See all my reviews

Johnny Cash is without a doubt one of the most distinct voices in music history. Although his medium is country music, the man transcends it. Cash has throughout the years appealed to a wide audience. In the sixties he appealed to the protest nation, in the seventies he was a darling to the Punk scene; by the start of the nineties the alternative audiences embraced him when he started working with Rick Rubin for the American Recordings. On these sessions Cash was recorded naked, just the man and his guitar. Cash hadn't sound so fresh since the late sixties. Creatively his career seemed to have gone down hill during the second half of the seventies and the eighties. The release of the Personal Files show us that Cash's muse was never missing during that period of time.

The music on Personal Files are all culled from the period his career seemed slacking. Sonically they resemble the first release of his American Recordings; yet as the title promises these recordings have a far more intimate feel. Throughout these two discs you get the idea you're privy to a living room concert for your ears only. The fact that some songs have a spoken intro heighten this experience. Some of the material here is very familiar and found its way to the studio eventually, other songs are brand new to our ears, others still have been a part of the American songbook for generations.

Here we get just Cash and his guitar, though bare, never boring. Cash has a hypnotizing quality that leaves you hanging on his lips, not missing a word. Like no other artist his material covers al aspects of life yet the most dominant themes are always guilt and redemption with Cash. His main strength is he capability to remind of our own humanity. We all falter, we all fail from time to time, yet most of us manage to pick ourselves up every time round and atone for out faults (or sins) in our own way. Cash confronts us with this constant duality in our lives, our desire to better ourselves despite the fact we're destined to fall at times. If you don't get Cash, you've got a hole in your soul.

10 of 10 people found the following review helpful:

5.0 out of 5 stars just Johnny and you......, June 12, 2006

By	Richard G. Jerskey "Rich G Jerskey" (Main Camp) - See all my reviews (REAL NAME)

an intimate venue to be sure. It sounds like a private, informal but very polished recital. The songs give a peek into the man's soul and tender side as well as into his greatness as a songwriter and performer. Most of these weren't written by Cash but are his personal interpretations of songs very meaningful to him over the course of his life. His reading of Robert Service's Sam McGee herein is classic! Although it's just Cash and guitar, it is very listenable and enjoyable. I give this 5 stars as it is a true work of Americana music folk-art if I were to label it, that is. If you like Johnny Cash at all then I can easily recommend this. It's a gem, it's a keeper.