Decemberunderground

A.F.I.

Product Details

• Audio CD (June 6, 2006)
• Original Release Date: June 6, 2006
• Number of Discs: 1
• Label: Interscope Records
• ASIN: B000FFJ85I
• In-Print Editions: Audio CD  |  Vinyl  |  MP3 Download
• Average Customer Review: 3.9 out of 5 stars See all reviews (259 customer reviews)
• Amazon.com Sales Rank: #9,955 in Music (See Bestsellers in Music)

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  #40 in	Music > Alternative Rock > Goth & Industrial > Goth
  #42 in	Music > Alternative Rock > Hardcore & Punk > Hardcore
  #79 in	Music > Alternative Rock > Hardcore & Punk > Emo

Editorial Reviews

Amazon.com
As AFI rode onto mainstream radio playlists with their gleaming major label debut, Sing the Sorrow, the rumble of disenchanted fans nearly drowned out that of their dark-hued music. But the heavily-tattooed San Francisco band aren't looking back on Decemberunderground, a slickly-produced, MTV-friendly disc brimming with sinister pop charms. The opening "Prelude 12/21" sets the upbeat tone with handclaps, strings, and a cheeky glam-rock stomp. AFI might still operate in that distinct area where punk, goth, and frightening stadium rock come together, only now they seem intent on crashing the retro '80s party attended by the likes of Franz Ferdinand and the Killers, with flashy tracks such as "Miss Muder" and the synth-heavy "Love Like Winter." "The Interview," meanwhile, is the closest Davey Havok has ever come to crooning a lighter-waving epic. Despite the odd lapse into the Cookie Monster metal territory of their early days ("Kill Caustic," "Affliction"), Decemberunderground is even more ambitious than its predecessor. First comes the backlash, then comes the platinum. --Aidin Vaziri

Product Description
"DECEMBERUNDERGROUND is a time and a place. It is where the cold can huddle together in darkness and isolation. It is a community of those detached and disillusioned who flee to love, like winter, in the recesses below the rest of the world."-Davey Havok

DECEMBERUNDERGROUND is also the title of AFI's seventh album. And like much of the record's lyrical and visual imagery, it seems to stand in stark contrast to the name behind the band's world-renowned moniker: A Fire Inside. Then again, the brightest flames burn white-they just don't burn bright for long•

"There's a lot more attention to detail on this record," Jade recalls. "We spent a long time writing it. We refused to rush ourselves. We took our time not just on every song but on each guitar part, each vocal, each bass line. We definitely didn't rush into the studio."

The fruit of this labor is a record that Davey Havok is confident "should break us out of any preconceived genres." And even on a cursory listen, the wealth and diversity of material backs him up from the first note: "Prelude 12/21" is a rhythm/vocal-oriented curveball that differs radically from the customary calls to arms that have opened all AFI albums since Black Sails. From there, DECEMBERUNDERGROUND veers from AFI's first straight-up vintage glam style shuffle on first single "Miss Murder" (complete with backing chants from The Despair Faction) to the stark and stunning soundscape of "Love Like Winter" and the epic suite "The Interview." The longtime AFI faithful need not worry, as DECEMBERUNDERGROUND features more than a fair share of familiar AFI hallmarks, from the slash and burn of "Kill Caustic" and "Affliction" to the balladic finale' "Endlessly, She Said."

Of AFI fans' reaction to the new record, Davey says, "Our fans always come with us every step of the way. I think they recognize honesty in our music, that this is the only way we can express ourselves, to make music that we love. Nothing else. That's what allowed us to make the jump way back when and what continues to keep us going now."

"Some artists fear change and their fans' reaction to it," Jade says. "A big part of our relationship with our fans is that we do change with every record. It's expected and embraced."

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Customer Reviews

Most Helpful Customer Reviews

88 of 105 people found the following review helpful:

4.0 out of 5 stars Progression Doesn't Necessarily Mean Downfall, June 10, 2006

By	Shogun (TheCityThatNeverSleeps, FL) - See all my reviews

When it comes to AFI, I'm very touchy about my opinions. As someone who's been listening to this band for years now, I have to say that even I have had my skepticisms about their transitions through the years. I was one of the fans who initially dismissed "Sing The Sorrow" as the horrid "sellout" album, but with time it eventually grew on me and I realized the true beauty in its nature. And "Decemberunderground" is no different from that album in any respect. Is this the best record they've ever written? Absolutely not. Does that mean that it's not good? Absolutely not. Just how I learned to expand my tastes and take new ideas into account with "Sing The Sorrow", most fans will have to with "Decemberunderground". While it's not at all perfect, it's definitely a nice stepping stone in the ever-evolving AFI sound, and something that fans who want the band to continue to grow and mature should appreciate.

First of all I was not expecting another "Black Sails In The Sunset" (commonly agreed upon as their best record) or "Art Of Drowning" when I popped "Decemberunderground" into my cd player. If you do, you're just going to be turned off immediately. Instead I just decided to let AFI take me to where they wanted to. And while it's true that they've dabbled further into experimental forms of music (there's tons of 80's influence in here), the core of what makes AFI special is still in tact. It's not going to redeem them as the saviors of music or anything like that, but "Decemberunderground" definitely has some things going for it.

The lead single "Miss Murder" at first seemed just like a "Girl's Not Grey" pt 2, in that it had its melodic, catchy chorus, and easily identifiable music. As much as I didn't really care for it at first, it has really grown on me now. There's been cries that the band has gone "emo", because of experimental pieces in "37mm" (which sounds like straight new wave) and "Love Like Winter" (which is full of synths and dance beats). However just because the band is experimenting doesn't mean these songs are bad. Part of the thing I began to love about "Sing The Sorrow" was the way AFI could throw curveballs at us, and still make them work. "Decemberunderground" is no different. "Miss Murder" and "Summer Shudder" are upbeat, poppier pieces, which are destined to be the record's singles. For the older fans, "Kill Caustic" and "Affliction" are old-school tinged rockers that are sure to get the blood flowing. "The Interview" and "The Missing Frame" are two slower pieces that rely more on melody and atmosphere to attract the listener, rather than sheer force. And the album closer "Endlessly, She Said" (however cheesy the title may sound) is simply a great way to end the record.

Musically this is probably one of the most multi-talented bands in any musical genre. How many other bands do you know which can throw out hardcore pieces one second, then instantly transform into upbeat rockers and then to slow experimental works following that? I can probably count them on one hand. Davey's voice hasn't really gotten any better or worse, but it does sound a little different this time around. Maybe due to the production. However I love the screaming he experiments with on some of the songs. It brings back the memories of "Shut Your Mouth And Open Your Eyes". Jade's guitar playing once again takes the cake. He proves how influential he has been in shaping the band ever since he officially joined up on "Black Sails In The Sunset". Adam and Hunter continue to be a solid backing section, and Hunter's bass playing has never been so fully showcased as it is on this record.

"Decemberunderground" is probably going to take time for most listeners to appreciate. Like I said you can't go in expecting any of their previous records, because as it's been shown, AFI has never made the same record twice. While it's definitely different from anything the band has done in the past, and it's a little rough around the edges, this is a bold record that proves AFI will continue to grow and expand their sound. And in almost all cases they will do it successfully. If you're an AFI fan, at least give this a listen before writing it off. It's not for everyone, but it's definitely not as bad as most are making it out to be. As it's been already evidenced, AFI are no longer "in the shadows, growing wings"; Now they're out flying high.

18 of 19 people found the following review helpful:

5.0 out of 5 stars Just a rant, really, August 20, 2006

By	Theresa R. Cavey (Forest Hill, MD United States) - See all my reviews (REAL NAME)

I'm beginning to wonder about all the people who say that they're "hardcore AFI fans" before trashing this album.

I've been a fan since 2002; I was introduced via Black Sails in the Sunset and Art of Drowning. I love Very Proud of Ya, Shut Your Mouth, and Answer That for the punky aspects, I love Black Sails for the raw energy it has, I love Art of Drowning for the exceptional lyrics, I love Sing the Sorrow for the beauty of the music, and I love Decemberunderground because someone finally got the 'modernizing the 80s' sound right.

I'm not just an AFI fan, I'm a music fan. If you box yourself into one category (punk, goth, whatever; most of you think labels are stupid anyway), you're going to miss out on a lot of stuff this band has to offer. If you're really that one-dimsenional, where you only like one certain type of music, then you're not going to like AFI. Period. They change as people as life progresses, so their music changes to reflect that. You like their old stuff better? That's great, but don't say you want another Black Sails, or another Very Proud of Ya, or whatever. Bands that can't evolve don't make it. If Davey and the rest of the guys were still singing about not being able to get mohawks or how people don't understand them, you'd hate it, and I'd hate it. That's like Blink 182 still bitching about high school on their last album when they should be going to their high school reunions and taking care of their kids.

Miss Murder is definitely catchy, and gets me pumped up like only Days of the Phoenix could do. Prelude 12/21 is beautiful, and really shows that Davey knows how to control his voice to get the sound he wants. The Missing Frame is definitely full of that 80s pop sound I love (you know you like it, too, don't deny it), and Affliction is fun to (try to) scream along to, not to mention the last minute or so of it really shows a different side of AFI. 37mm, musically, reminds me that Davey is into NIN, but is still obviously AFI. Love Like Winter is possibly my favorite song on the album, and I can't wait to see the video for it. The only song I don't love is Kill Caustic, and that's only because I can't scream to sing along with it.

So yes. Five stars for Decemberunderground. All you "hardcore punks" or whatever need to get over yourselves and grow up, because AFI isn't going to slow down and stagnate for your sake.

15 of 18 people found the following review helpful:

2.0 out of 5 stars apparently so far this album has only been reviewed by 13 year old girls, June 6, 2006

By	blackdahliarmurder420 (Canonsburg, PA) - See all my reviews

I was very happy to see thatAFI was going to finally have a new record out. They were pretty dormant in 2005 and left one to wonder if they were still around. Then, there was talk of this new record coming out. The first time I heard "Miss Murder" I was like you have got to be kidding me. But after awhile, it kinda grew on me. At least enough to wanna check the album out. MY brother and I finally found it online about two weeks ago, and after Sing the Sorrow this is one of the biggest disappointments to ever be heard. When everyone gave up on them after STS came out, I was still a strong loyal fan because when seen for what it was, it was a work of greatness. Every song had something to add to the album, they were all solidly placed, and the lyrics, vocals and musicianship were all top notch, even if they did go a little "emo". This album is the exact opposite. Instead of just being a little emo, or even really emo, they just went completely pop on us, more than half of these songs are generic and boring (especially the terrible filler track "Kill Caustic"), the vocals are the worst they have ever been, and it's too short to feel solid. Whenever we got the record, we were like "Miss Murder better be the worst song on this CD" but it ended up being the best one. That song, track 4, and track 11 are really the only songs on here that have any staying power. Oh, and I might add, the intro no this album is the worst intro theyve ever had. It sounds like a girl singing over rap music. Yes, they put a rap beat in there. The whole thing is stupid. Oh, and if you've seen the video for their new single, it is also extremely stupid. On STS, they wore all kinds of makeup and stuff but it was just like a look to go with the feel of the album. On this album, they jsut look stupid. Especially becuase Davey and Jade look like scene clowns, and then Hunter and Carson just look like average people who arent wearing any makeup or weird clothes. Oh, and all the techno stuff they dabble into in this album, none of it fits it just sounds forced in there. After hearing them do Black Sails and The Art of Drowning (IMO, the best album), and then the direction they went in on Sing The Sorrow, I thought this record was going to be truly great. But instead, it is nothin more than average, generic, and just a run for the pop market. Other than the 3 tracks I mnetioned, there isn't really anything worth hearing on this. Track 5 made me want to kill myself it was so depressing and slooooow. I hope their next record is somewhat of a return to form of the previous 3 albums in their career with some new ideas that are actually GOOD. After this though, I won't be holding my breath. If you're gonna change, change for the better.