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97 of 107 people found the following review helpful:
5.0 out of 5 stars
A personal epic, March 20, 2003
Warren Beatty pulls off a difficult task in "Reds." He's got to juggle several epic stories, including the rise of the American left in the early 20th century, the Russian Revolution, and a personal story of two romantics in a relationship charged by passion both emotional and political.Any of these story threads presents a difficult task for a filmmaker and Beatty weaves his multilayered tale together with skill. He pays close attention to detail, gives us a multitude of historical characters and events, and mixes his story telling with the words of real people. Beatty buttresses his scenes with deceptively simple "talking heads." These "witnesses" provide a real background to the John Reed/Louise Bryant story of "Reds," giving viewers a good grounding in the passions of the era. The attention to little details (Reed bringing Bryant lilies, the constant phrase "There's a taxi waiting," etc.) provide a rich portrait of two volatile human beings. Beyond the personal, Beatty knows how to handle epic screen drama. The rousing montage that leads up to the overthrow of Russian government is sumptuous and envigorating. Don't be deceived thought; this is not a "pro-Bolshevik" film by any great stretch of the imagination. Reed's dissillusionment with the Soviet system is portrayed in agonizing detail. Emma Goldman's story, a really great history in and of itself, gives another point of view to the difficulty passionate people have when taking on governing authorities and social mores. The performances are uniformally excellent. Beatty and Keaton are well matched and there's plenty of gems in the supporting roles. Standouts include Jack Nicholson as Eugene O'Neil, Maureen Stapelton as Emma Goldman, Edward Herrmann as Max Eastman, writer Jerzy Kosinski as Soviet bureaucrat Grigory Zinoviev and Paul Sorvino as Louis Fraina. I love "Reds." It's one of my favorite films. Be forewarned, however, you could be lost and confused by the myrad of events in this film if you don't know much about political history of the radical left in early 20th Century America or the Bolshevik Revolution and its aftermath. On the other hand, if you're intrigued by the film you'll find yourself up to your eyeballs at the library reading about the true events and real people who inspired this film.
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