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Esteem (1975)
 
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Esteem (1975) [LIVE]

Steve, Quintet Lacy (Artist)
4.0 out of 5 stars  See all reviews (1 customer review) More about this product

Price: $16.95 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Samples
Song Title Time Price
listen  1. The Crust20:28Album Only
listen  2. The Uh Uh Uh12:38Album Only
listen  3. The Rush 3:59$0.99 Buy Track
listen  4. Esteem14:49Album Only
listen  5. Flakes 8:54$0.99 Buy Track
listen  6. The Duck18:59Album Only


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Product Details

  • Audio CD (March 31, 2009)
  • Original Release Date: September 12, 2006
  • Number of Discs: 1
  • Format: Live
  • Label: ATAVISTIC
  • ASIN: B000H8RV84
  • In-Print Editions: MP3 Download
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.com Sales Rank: #408,742 in Music (See Bestsellers in Music)

Editorial Reviews

Product Description

Here are prime, way desirable, unreleased '70s recordings from Lacy's tape archive. Includes uber-graphic multi-panel cover art and great liner notes by Jason Stein, author of

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6 of 6 people found the following review helpful:
4.0 out of 5 stars Very good archival release., November 27, 2006
By Timothy G. Niland (New Jersey, USA) - See all my reviews
(REAL NAME)      
During his lifetime, soprano saxophonist Steve Lacy was one of the most prolific of all jazz musicians, releasing many records and CDs on a variety of labels. Upon his passing a few years ago, his wife and collaborator Irene Aebi planned to release a series of archival recordings culled from Lacy's own collection of cassette recordings. This inaugural release was recorded during a live performance in Paris in 1975 with the group featuring Lacy on soprano saxophone, Aebi on cello and violin, Steve Potts on alto and soprano saxophones, Kent Carter on bass, and Kenneth Tyler on drums. The music comes from one of Lacy's most productive and creative periods, and it's interesting to hear the compositions, which are quite spacious in their studio versions, transformed into raucous freewheeling improvisations. Lacy and Potts make for a potent saxophone combo, battling for space and collaborating on themes. Aebi and Carter support the reed players admirably while making solid contributions of their own to the freer sections. Tyler keeps the music moving at a brisk pace throughout sounding particularly good on Lacy's Jimi Hendrix tribute "The Uh Uh Uh." The only caveat with this very good release is the sound quality. While not bad, it does lack the quality of a professional live recording. It is easy to look past this however, for music of this high quality. For fans of adventurous improvisation, this release is definitely worth hearing.
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