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Hooray, Casanegra, for the re-release of
El Vampiro, and its sequel,
El Araud del Vampiro, two beautiful, early vampire films. Dramatically lit close-ups of
El Vampiro's eyes and neck biting, as well as special effects illustrating his morphing into a bat or vanishing through walls and fog compete with American versions of
Dracula starring Bela Lugosi. Originally from ABSA Horror Productions, these two movies directed by Fernando Méndez and imported into the U.S. by K. Gordon Murray, most clearly influenced the Hammer films starring Christopher Lee, who borrows in look and manner from
El Vampiro's Count Duval (German Robles). In
El Vampiro, the Count has come from Hungary to Los Sicomoros, a luxuriant Mexican hacienda, to revive his dead vampire brother who is buried there and to reinstate what was once the House of Luvad (Duval backwards). As the current residing family is torn apart by vampirism, visiting niece, Marta (Ariadna Welter), is forced to fight the Count's decision that she is his chosen one. Another houseguest, Dr. Enrique (Abel Salazar), plays the scientist/sleuth protecting Marta's safety. In the sequel, Dr. Enrique and his partner unearth the Count's corpse to scientifically study it, with disastrous results. Vampire clichés are cinematically rendered with great results, such as the repeated use of mirrors to show vampires' reflections as either disappeared or as skeletons. In one scene, Marta's vampire aunt and Count Duval communicate telepathically. The shadows cast by these vampires recall early monster classics like
The Cabinet of Dr. Caligari or
Nosferatu, in their black-and-white, chiaroscuro effect. The complete lack of blood in these films makes them conservative compared to later films in the genre. Audio commentary by Robert Cotter and a photo essay on Mexican Horror Cinema (1953-1965) add purchasing impetus for collectors. With less psychedelic tendency than the Brazilian
Coffin Joe trilogy, but the same amount of latent sexual innuendo,
El Vampiro and
El Araud del Vampiro have stood the test of time for the sheer sexiness of their subject matter.
--Trinie Dalton
Product Description
The Greatest Mexican Vampire Film Classics, Together in a Special 2-Disc Set The Vampireaka:El Vampiro
Described as "Dracula on a hacienda," The Vampire chronicles the journey of young Marta (
Ariadna Welter) who learns that her family is under the demonic control of Count Luvad (
Germán Robles). As he feeds on the blood of the locals and aims to raise his brother from the dead, Marta and the mysterious Dr. Enrique (
Abel Salazar) threaten the Count. The wrath of The Vampire then reigns down upon them, and an all-time horror classic plays out with unforgettable eeriness and excitement.
The Vampire's Coffinaka:El Ataúd del Vampiro
You cant keep a wicked bloodsucker down, as proven in The Vampire's Coffin, the follow-up to The Vampire. Marta (
Ariadna Welter) and Dr. Enrique (
Abel Salazar) battle Count Luvad (
Germán Robles) anew, after he has turned the grave-robbers who accidentally resurrected him into zombie servants. Bent on vengeance and clamoring for the blood of beautiful women, Count Luvad proves to be one of horrors most indelible villains, and The Vampires Coffin is a spooky, thrilling classic every bit on par with its renowned predecessor.
Special Features/
Original Uncut Versions
Both Films Completely Re-Mastered Picture & Sound from Newly Restored Vault Elements
Bilingual Menus in English & Spanish
Audio Commentary by Robert Cotter, Author of The Mexican Masked Wrestler & Monster Filmography
Photo Essay: Fear a la Mexicana! Mexican Horror Cinema, 1953 to 1965
DVD ROM: Complete 1976 French Photo Novel of The Vampires Coffin
The Original U.S. Theatrical Release Radio Spots
Exclusive CasaNegra Loteria Game Card
Abel Salazars 1995 Obituary from The Boston Globe
Cast Biographies
Extensive Poster and Stills Gallery