Preliminary Exercises in Counterpoint (Paperback)

by Arnold Schoenberg (Author), Leonard Stein (Editor)

Product Details

• Paperback: 246 pages
• Publisher: St. Martin's Press; 1st edition (1970)
• Language: English
• ASIN: B000J33PPA
• Average Customer Review: 4.7 out of 5 stars See all reviews (3 customer reviews)
• Amazon.com Sales Rank: #715,699 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

5 of 6 people found the following review helpful:

5.0 out of 5 stars A must have for serious study in species counterpoint, October 9, 2004

By	K. Jean "k313" (usa) - See all my reviews (REAL NAME)

This review is from: Preliminary Exercises in Counterpoint (Paperback)

In this book Schoenberg has u write out all the possibilities for each cantus firmus and then analyze them, which i feel is a very good approach so u can learn whats good,bad or acceptable when new problems are encountered . Also its in the major and minor format as opposed to the modal approach of Fux, Jeppensen etc. and, includes his concept of "monotonality" like in structural functions and theory of harmony. I found the modulations and neutralization very relevant because i also use that approach for harmonic progressions, modulations etc. which are in his harmony books. This book is a must have for any serious species counterpoint student as well as those who have strucural functions or theory of harmony and are interested in a new approach to species counterpoint.

4 of 5 people found the following review helpful:

4.0 out of 5 stars A serious pedagogical use of counterpoint to teach music through the late romantic period, November 15, 2005

By	Craig Matteson (Ann Arbor, MI) - See all my reviews (TOP 50 REVIEWER)

This review is from: Preliminary Exercises in Counterpoint (Paperback)

I have always believed that studying counterpoint is an important aspect of a musical education and leads to a greater understanding of how serious music works than will the study of harmony. While harmonic awareness is quite useful and effective, it is counterpoint that provides the bedrock of great music for the past eight hundred years. Great musical works need the kind of horizontal structure that great voice leading provides.

That being said, species counterpoint is not a compositional process any more than slapping Roman numerals under vertical structures is. It is a pedagogical tool to provide the beginner with important insights about the materials they use in the works. And don't mistake Schoenberg for Fux or Zarlino or even Jeppesen. He uses the structure of species counterpoint to present his method, but has his own adaptations and extensions. Schoenberg is a teacher of modern students learning to compose music in the twentieth century. This is a contemporary method rather than a look back to, say, Palestrina as Jeppesen's book does (as great as that book is).

I like Schoenberg's use of all the C-cleffs to encourage students to develop the ability to read musical scores and transposing instruments. His demonstrations of counterpoint in composition and counterpoint without a cantus firmus are also very interesting and useful for students integrating the idea of counterpoint into real compositions.

Why this book isn't in print is beyond me. Here is a major work by one of the twentieth century's most important composers. Get it back in print and keep it available for serious students.

3 of 5 people found the following review helpful:

5.0 out of 5 stars Traditional counterpoint theory, January 20, 1998

By A Customer

This review is from: Preliminary Exercises in Counterpoint (Paperback)

This book is for practice traditional counterpiont. It contains "neuralization" concept that are not appear in other text. Sheonberg suggest systemic practice method that is efficient.