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From the mid-nineteenth century until the onset of the First World War, the steep hill called Montmartre was a magnet that attracted the full spectrum of Parisian society. Known for its windmills (moulins), the neighborhood had a reputation as a home to the artistic, the bohemian, and the risqué. The dancer La Goulue drew crowds to the open-air dance floor at Moulin de la Galette; the singer Aristide Bruant scandalized the more polite visitors to the Moulin Rouge with his scabrous social satire. Roughnecks preyed on the affluent and inobservant.
From the mid-nineteenth century until the onset of the First World War, the steep hill called Montmartre was a magnet that attracted the full spectrum of Parisian society. Known for its windmills (moulins), the neighborhood had a reputation as a home to the artistic, the bohemian, and the risqué. The dancer La Goulue drew crowds to the open-air dance floor at Moulin de la Galette; the singer Aristide Bruant scandalized the more polite visitors to the Moulin Rouge with his scabrous social satire. Roughnecks preyed on the affluent and inobservant.
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