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All of a Sudden I Miss Everyone
 
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All of a Sudden I Miss Everyone

Explosions in the Sky
4.2 out of 5 stars See all reviews (37 customer reviews) More about this product

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All of a Sudden I Miss Everyone + The Earth Is Not a Cold Dead Place + Those Who Tell the Truth Shall Die, Those Who Tell the Truth Shall Live Forever
Price For All Three: $41.97

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Product Details

  • Audio CD (February 20, 2007)
  • Original Release Date: February 20, 2007
  • Number of Discs: 1
  • Label: Temporary Residence
  • ASIN: B000MCH54K
  • In-Print Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.2 out of 5 stars See all reviews (37 customer reviews)
  • Amazon.com Sales Rank: #3,472 in Music (See Bestsellers in Music)

    Popular in these categories: (What's this?)

    #24 in  Music > Miscellaneous > Experimental Music
    #40 in  Music > Alternative Rock > Alternative Styles > Rock > Experimental Rock

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Samples
Song Title Time Price
listen  1. The Birth And Death Of The Day 7:49$0.99 Buy Track
listen  2. Welcome, Ghosts 5:43$0.99 Buy Track
listen  3. It's Natural To Be Afraid13:27Album Only
listen  4. What Do You Go Home To? 4:59$0.99 Buy Track
listen  5. Catastrophe And The Cure 7:56$0.99 Buy Track
listen  6. So Long, Lonesome 3:40$0.99 Buy Track


Editorial Reviews

Amazon.com
Sometimes Explosions in the Sky start with a whisper and end with a scream, but on "Birth and Death of the Day", they begin with a scream and proceed into a symphonic odyssey that Aaron Copland might have composed if he'd played electric guitar. Like Copland, EITS are cinematic, but with more kinetic drive than any film--except maybe Koyaanisqatsi--could match. Compositions like "It's Natural to Be Afraid" take you on epic journeys that roar like a Harley Davidson one minute and slip into taut contemplation the next, using the slow-tension build that EITS have perfected. All of a Sudden I Miss Everyone was produced by John Congleton, who has worked with lo-fi groups like the Roots and the Mountain Goats. That might explain why the album lacks the atmosphere of EITS's monumental The Earth Is Not a Cold Dead Place and their Friday Night Lights soundtrack. Instead, they rely even more on the arc of their compositions and the integral twin lead guitar lines that never solo but always drive the songs. They can shift from power-chord aggression to the sound of plucked mandolins in an instant. This is progressive rock for people who weren't even born when prog reigned supreme. It's the sound of King Crimson, transmuted through punk and grunge aesthetics. --John Diliberto

Product Description
The long waited fourth studio album from the moody and intense Texas instrumental band Explosions In The Sky. Known for bringing an emotional heft and sense of hope to a usually placid genre, Explosions In The Sky have experienced the kind of meteoric rise in popularity that flies in the face of music industry convention. Their songs run well past a length suitable for radio play or commercial music videos; they avoid performing in LiveNation/Clear Channel venues; they didn't jump to a major label; and they don't sing. They're also the very rare band that fans of Sigur Ros, Sufjan Stevens and My Chemical Romance can all agree on. EITS are not just an anomaly, they're a gateway. Recorded by John Congleton (The Roots, The Mountain Goats) at Pachyderm Studios in rural Minnesota, the album is a massive leap forward, showcasing a broader instrumental range and their most focused, efficient songwriting. Bella Union. 2007. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

37 Reviews
5 star:
 (22)
4 star:
 (4)
3 star:
 (8)
2 star:
 (2)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (37 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
34 of 37 people found the following review helpful:
5.0 out of 5 stars A Gorgeous Epic, February 20, 2007
By Scott Louis (Houston, Texas) - See all my reviews
(REAL NAME)   
Explosions in the Sky will always have a special place in my heart. "The Earth is Not a Cold Dead Place" introduced me to instrumental post-rock, and remains a gem of the genre. This Austin-based group has the capacity to make truly emotionally stirring instrumentals, and they can move me with a guitar riff the way few can with lyrics.

Their latest studio release, "All of a Sudden I Miss Everyone" is simply the next step in the maturation of the relatively unique sound of this band. The elements that made "The Earth..." so great are still here, and in droves. The guitars remain the protagonisits, with Munaf Rayani, Mark Smith, and Michael James at the helm. The melody is rarely held by a single instrument, and rarely, if ever, reaches into the territory of a solo. Often, all three will play distinct parts, with varied rhythms, that somehow manage to coalesce into a cohesive whole. Reaching, dreamy riffs that bend and collapse into themselves, often dueling between the right and left channels, serve as a propellant into reflective, sparse arrangements that ache with the energy that served to reach that plateau. Much of the intense energy found in their music can be attributed to the phenomenal drum work of Chris Hrasky. He seems to have an innate gift for knowing how to fill the entire work with a sense of longing, and yet having. Also, new to the Explosions sound, is the addition of piano work on the latter half of the record. I was taken a bit aback at first, but on several listens, the work would be incomplete without it.

The production is sparse, yet highly adequate. The record was produced by John Congleton, who is know for his lo-fi work, yet the album still twitches with atmosphere not present in his other work. The sound is simple, almost unadulterated save for the effect pedals, with no apparent studio sheen. He does exactly what I would hope a man producing EITS would do, and that is get out of the way and let their music speak for itself. In that, his work in this record is a complete success.

To those who write this off as being stagnant, and having a lack of innovation, I say so what? If Explosions had re-invented themselves and made anything else, I for one would have been inconsolably disappointed. This stands as a work on its own, not to be judged in relationships to the band's previous work. Explosions newcomers and long-time fans alike will both appreciate this record; the band following a similar formula as they have in the past does not make this music any less beautiful, heartbreaking, and uplifting.

I imagine it must be difficult for the band to come up with titles for their tracks and records, but they always somehow manage to be meaningful without sounding trite. The titles fit the mood superlatively, yet are deceptively melancholy. One might read the album and track titles and mistake this as a sad-core record, which couldn't be further from the truth. This is an album filled with hope, longing and beauty. True, it may be born out of melancholy, but that only serves as the foundation for a tower of hope. This could almost be a novella, beginning with the crashing first moments of "The Birth and Death of the Day," meandering through various heights and depths, and emerging triumphant with "So Long, Lonesome." Even the album title mixes joy with loneliness, assuming that there is an event that, in an instant, transfigures the mind, and makes one long for things familiar. At its best moments, this music has the capability to do exactly that.
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13 of 14 people found the following review helpful:
4.0 out of 5 stars Another fine album., March 6, 2007
You know, if there's one thing you can say about Explosions in the Sky, it's that they're consistent. While many may (and often do) lament the fact that they never deviate from making long, mellow, atmospheric compositions, I just really can't get enough of this stuff. What these guys do just really takes me to a better place, and I love em for it.

Now, praise aside, I will admit that this is not their best work. Compared to their previous material, especially the beyond-stunning "The Earth Is Not a Cold Dead Place", this is just a good album, not a mind-blowing masterpiece, and I don't think I'd have had quite the same initial reaction to the band, had I heard this first. The songs are a bit shorter, which I suppose could potentially make it more accessible to some, but at the same time, the melodies just don't quite draw me in quite like they have before. On "The Earth...", the songs are all in the 8-10 minute range, but they're so riveting and enveloping, I don't even notice. Here, they're more in the 4-6 minute range, and they don't quite feel like they have as much time to unfold, and really do their thing. But make no mistake, the mesmerizing guitar melodies are still very much there. Plus, there are a few surprises, such as some slightly louder moments of distortion here and there, as well as some very nice piano, which fits in perfectly.

Overall, I'd recommend this album to fans, but not to newcomers. It's very good, but they've done better. Check out their early albums first, and then you'll decide if you want this. But chances are, you probably will.

(Oh, and great cover art, as well. I'm a sucker for cool packaging.)
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4 of 4 people found the following review helpful:
5.0 out of 5 stars Artist who's paintbrush is sound, March 13, 2007
I'm listening to this Album for the first time after reading raving reviews about the band in both Spin and Rolling Stone magazine and wondering just what an instrumental rock band would sound like. A lot of people say good music isn't coming out anymore but I think this album is proof that if you're willing to look, good music is still being made.

I've often wondered what the great composers of the past would think of our music today and I can safely say I think they would easily understand and enjoy this group of musicians.

There are no lyrics but that doesn't mean there is no melody. This is people creating music in its purist form. If the music is this good I can only imagine that if there were words, they would be the answers to the meaning of life itself. As it is, don't be surprised if listening to this album puts you into another level of consciousness that you rarely enter.

Thank you Explosions In The Sky for not being afraid to break the mold and make your own way. With this album, you have inspired me to do the same.
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Most Recent Customer Reviews

5.0 out of 5 stars Thank you for saving me..
I am a musician, first of all. I've felt like the music I once knew, and loved dearly, the feeling I always tried to hold on to, was beginning to slip through my fingers these... Read more
Published 8 months ago by D. R. Neely

3.0 out of 5 stars Explosions In The Sky - All of a Sudden I Miss Everyone 7/10
When one thinks of places that would foster bands who specialize in seven-minute-plus suites of guitars, bass, and drums and no singing, probably one of the last locales that... Read more
Published 11 months ago by Rudy Klapper

5.0 out of 5 stars Takes you on an epic journey of Odysseyian proportions
Without words Explosions in The Sky manage to take you on incredibly lyrical and emotive journeys. This loud band from Austin Texas have always done this, have been smothered in... Read more
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5.0 out of 5 stars Bliss
Ambient instrumental post-rock at it finest, I do believe... It has melody, groove, atmosphere... it can't dissapoint in my mind. Read more
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3.0 out of 5 stars Decent, But Not Their Best
Explosions in the Sky have made a well known presence on experimental/progressive music listeners; problem is new comers might think this is their standard musically speaking... Read more
Published 16 months ago by Corey Turner

5.0 out of 5 stars It's great
This album was rated less stars than their other albums. I didn't like that, so I decided to write a review. This album is nothing but Explosions in the Sky at their best. Read more
Published 20 months ago by Brooks Twain

1.0 out of 5 stars Disapointing
A huge let down. Completely lacks the graceful dynamics and seamless transitions that The Earth Is Not A Cold Dead Place and Those Who Tell The Truth... do. Read more
Published 21 months ago by Cheers!

3.0 out of 5 stars M83 is better.
Experimental Rock is so varied and even more experimental now than when this kind of Post-Shoegazing type of music started to slide to the mainstream and be accepted. Read more
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4.0 out of 5 stars All of a sudden I miss you
Explosions in the Sky specializes in sweeping, atmospheric prog/postrock/whatever. Call it constellation pop. Read more
Published on July 8, 2007 by E. A Solinas

4.0 out of 5 stars EITS don't disappoint
Instrumental post-rock has often been accused of being too lightweight and unobtrusive to function as anything but aural wallpaper, and a great deal of what the genre has produced... Read more
Published on July 3, 2007 by Wheelchair Assassin

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