|
12 of 13 people found the following review helpful:
4.0 out of 5 stars
Solid Genesis Pop with a Few Gems, March 26, 2003
I admit that I came to Genesis after the departure of Peter Gabriel, which means that I was listening to top 40 Genesis versus the more challenging music attempted by Peter Gabriel. Despite the lack of experimentation and depth, Genesis did turn out one serviceable song after another, and a few of these songs are excellent.This CD focuses on the Phil Collins years, which makes sense from the title, "The Hits". As I noted above, Peter Gabriel was trying for a more cutting edge and artistic sound that some consider to be progressive rock. Typically that type of rock doesn't make for commercial hits, though the music is often artistically better than released singles. The CD also includes one song from the post-Phil Collins years, "Congo". Thus there is at least an attempt to represent Genesis throughout the group's existence. I was surprised to hear more keyboards in these songs than I remembered hearing. One of the characteristics of many popular 80s groups was their heavy reliance on synthesizers and other keyboards, and Genesis was no exception. As an example, "Abacab" from 1981 was strongly keyboard oriented. From the title, this CD must focus on Genesis' hits, and it certainly does. "Invisible Touch", "I Can't Dance", "No Son of Mine", and "Tonight, Tonight, Tonight" are among the numerous top 40 hits that Genesis seemed to churn out regularly throughout the 80s into the early 90s. There is much to listen to from these songs, and it's the inclusion of these songs that make this CD perfect for the casual fan. However, there is more on this CD. "I Know What I Like (In Your Wardrobe)" is a reggae-influenced song featuring the original five-member lineup from 1973s "Selling England by the Pound". This song seems a little out of place in comparison to the predominantly middle-of-the-road pop selections featured on this CD. The intro has a very progressive sound that becomes a flavor as the song evolves. The full-bodied sound is more alternative and challenging than much of Genesis' pop music years. Another song that seems a bit out of place is "Congo". This song from the post-Phil Collins CD "Calling All Stations" still retains a pop flavor, but with four members in the lineup and a styling that could recall Duran Duran at the peak of their popularity. I enjoy this song and am tempted to either borrow or buy the CD from which it comes to see whether the other music on that CD is consistent with this song. The last out of place song is a 1999 remake of "The Carpet Crawlers" from 1974s "The Lamb Lies Down on Broadway", hailed by some as a great progressive album. Several other reviewers have stated that this song is a great improvement over the original, and wish the rest of the album would be re-recorded. This song does sound good, but it is not a pop song. In some ways I would consider this particular song the best from this entire CD. I have considered buying "The Lamb Lies Down on Broadway" since it has been compared to other progressive albums I have enjoyed. You know what you are going to get with a Genesis "hits" CD. The pop was solid, generally very listenable and good; little in the way of breakthrough music. However, at least three of the songs give you a flavor of the breadth of which Genesis was capable. For the casual fan that enjoys Genesis' top 40 music, I highly recommend this CD. For those that preferred Genesis before Phil Collins became the lead vocalist, you may want to stick to buying the albums from the Peter Gabriel era.
Help other customers find the most helpful reviews
Was this review helpful to you?
 
|
|
|
|
is one of Genesis' 
