A Tribute To Joni Mitchell

Various Artists (Artist)

Product Details

• Audio CD (April 24, 2007)
• Original Release Date: April 24, 2007
• Number of Discs: 1
• Label: Nonesuch
• ASIN: B000NJXCG2
• In-Print Editions: MP3 Download
• Average Customer Review: 3.3 out of 5 stars  See all reviews (57 customer reviews)
• Amazon.com Sales Rank: #37,247 in Music (See Bestsellers in Music)

Editorial Reviews

Amazon.com

Tribute records live or die by the performers' ability to interpret the subject's work in new and inventive frameworks, or by how well they evoke the spirit of the original recordings. Joni Mitchell's poetic folk and jazz offers infinite possibilities for the former, which makes the notion of this collection by indie rockers, pop divas, and country and folk practitioners most appealing. Not surprisingly, for most of the men it turns out to be more of an intellectual exercise than an emotional foray (Elvis Costello's harder take on "Edith and the Kingpin," Sufjan Stevens's jumbled sonic landscape on "Free Man in Paris"). But there are some breathtaking performances from the women, starting with Björk's wide-eyed cover of "The Bojo Dance" and moving on to Cassandra Wilson's mahogany-voiced "For the Roses," Emmylou Harris's devastating reading of "The Magdalene Laundries," and Sarah McLachlan's goosebump-raising "Blue," where her vocals approximate Mitchell's so thoroughly some folks might be fooled. Hands down, the most peculiar track is Prince's doo-woppy "A Case of You," which nearly defies description. The project got started in the late '90s and was finished only recently, which probably accounts for a stilted unevenness and seeming lack of continuity. Think of this as an interesting companion to Mitchell's vast and vital body of work. But the revered Lady of the Canyon doubtless deserves a far more comprehensive and well-executed homage. --Alanna Nash

Product Description

A Tribute to Joni Mitchell features a strikingly eclectic roster of artists who share Mitchell's fierce intelligence, musical sophistication, and boundary-pushing experimentalism. The creative interpretations of some of her best-known songs illustrate Mitchell's breadth as a composer and lyricist while putting something of a unique flavor on the chosen songs.

Customer Reviews

Most Helpful Customer Reviews

37 of 46 people found the following review helpful:

2.0 out of 5 stars Disapointed. Where are the other cuts?, April 25, 2007

By	It's Me, "Really" (Houston) - See all my reviews

This tribute was announced almost ten years ago, and it seems to have undergone a transformation since then. To be fair, there are some interesting additions such as the Sufjan Stevens and Brad Mehldau tracks. And Emmylou Harris is brilliant. But Sarah McLachlan's "Blue" has been heard before as has Prince's "A Case of You." Earlier reports indicated contributions from heaviweights like Steely Dan and Lindsey Buckingham. I sure would like to have heard what they would have done. Even more disappointing is that Joni's Hejira-Mingus era albums are mostly ignored - and that was her best music, in my opinion. As a final indignity, it sounds to me that too much compression was added in the mastering phase, and hence the overall sound quality of the CD is lacking in dynamics.

69 of 89 people found the following review helpful:

2.0 out of 5 stars Sloppy Tribute, May 2, 2007

By	Avalon Don "Avalon Don" (Huntington Beach, California United States) - See all my reviews

This is no "Return Of The Grievous Angel". Sadly they use admirers of Joni Mitchell's music instead of artists who would really know how to make some decent renditions. This CD is good for about three listens before it ends up collecting dust in the music rack. James Taylor and Sarah McLachlan fit for Joni's style (Folk, Jazz & World) and that is about it. Who should be here? Pat Metheny, Shawn Colvin, C.S.N.& Y., Jackson Browne, Judy Collins, David Wilcox, Richard Thompson, Arlo Guthrie, O'2L, Steely Dan, John Gorka, Carly Simon, Laura Coyle, Robben Ford and Loreena McKennitt. Maybe even Rickie Lee Jones and Joni could kiss and make peace. Let's try a second tribute and get this right. The booklet by the way is a joke. A 2 Star only for Sarah McLachlan's "Blue". Avoid unless you're one of those collectors from A to Z on Joni Mitchell. She deserved way better than this. Save your $$$$ and read the other honest reviews which I didn't.

14 of 16 people found the following review helpful:

5.0 out of 5 stars Interupting the Sorrow..., August 3, 2007

By	H. Panzironi (Morgantown, WV) - See all my reviews (REAL NAME)

When I first saw this on Amazon, I considered not buying it because the reviews were so low. I know better, so I bought it anyway and I am so glad! I have to "interupt the sorrow" for all those of you who didn't get it or didn't like this album. Personally, I find it sounds more like Joni than anything I have heard in years, although she does not sing a song. Joni's brillance shows through, and is augmented by those artists who cover them, and particularly those who choose to make these songs their own. If you have a history with Joni's music and painting, you will be thrilled. A Free Man in Paris, is a post-modern interpretation of her original, and will stick in your head with its off-beat melody. The horn section is amazing, and worth the listen, just by itself. Princes interpretation of A Case of You is even better than the one that K.D. Laing did - and I loved her version. The Brad Mehldau's cover of Don't Interupt the Sorrow is reminiscent of Keith Jarrett's piano style and gives a historical context, that adds yet another layer of depth to the track. Bjork blew me away with her magical version of the Boho Dance. Just her vocalization of the term "boho" gives it form and depth. Her accent lends a sense of the international - and suggests that this is the nature of the boho dance; that it is a universal condition of humanity. This "undercover" marketing of Joni is fabulous critique on the music industry that scorns anyone over thirty, not making white bread music. And, like the complex compilation it is, the song For the Roses gives us the other side of the coin - "Just when you get a taste for worship, they start bringing in the boards and the nails..." says it all. This album's arrangement is a tribute to Joni's unique understanding of jazz. Anyone who embraces Don Juan's Reckless Daughter, will find it hard to stop listening. I guess it is possible to "paint a starry, starry night, again, man."