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Martin Short's 2006 Broadway show
Fame Becomes Me is a love letter to old-school showbiz doubling as a send-up of self-serving celebrity memoirs. This "comedy musical" is obviously the work of someone who adores not only the golden age of Broadway but also that of a certain style of entertainment you may call vaudeville variety. The idea is that Short is looking back at his own life (with some libertiesif a celeb out there is
not known for outrageous behavior, it's gotta be him) through songs and skits, and with the help of his own TV personae, such as Jiminy Glick and Ed Grimley. It helps that said songs were written by Marc Shaiman and Scott Wittman: The cocreators of
Hairspray can zippily pastiche everything from
The Wizard of Oz to
Wicked. For this supposed ego trip, Short has also surrounded himself with a crackerjack cast that includes
MAD TV's chameleonic Nicole Parker, versatile funsters Brooks Ashmanskas and Mary Birdsong, and Carpathia Jenkins, who blows the roof off the joint with the self-explanatory "A Big Black Lady Stops the Show"-a number that mocks the Broadway habit of hiring African-American belters for to deliver one song. In an ironic twist, Jenkins herself is woefully underutilized in
Fame Becomes Me but at least she gets one of the two bonus tracks, "Frieda May's Lament," to herself.
--Elisabeth Vincentelli
Product Description
In the grand American traditions of musical theater, sketch comedy and shameless self-promotion comes
Fame Becomes Me, Martin Short's uproarious new comedy musical that has critics in hysterics! In
Fame Becomes Me, the "phenomenally gifted" Martin Short (New York Post) and his "superb" cast (USA Today) sing, dance and mercilessly mock others as they race through a whirlwind revue that's part variety show, part celebrity send-up and "the best time on Broadway!" (WNBC-TV). Featuring original music from the composer and lyricist of Hairspray and South Park,
Fame Becomes Me is Broadway's most riotous party and you're invited!
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