Canon EOS 5D 12.8 MP Digital SLR Camera with EF 24-105mm f/4 L IS USM Lens

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Product Details

• Product Dimensions: 11 x 9 x 8 inches ; 6.6 pounds
• Shipping Weight: 7 pounds (View shipping rates and policies)
• Shipping: Currently, item can be shipped only within the U.S.
• ASIN: B000NPIP1I
• Item model number: 5D Kit
• Average Customer Review: 4.6 out of 5 stars See all reviews (120 customer reviews)
• Amazon.com Sales Rank: #1,495 in Camera & Photo (See Bestsellers in Camera & Photo)
• Date first available at Amazon.com: October 2, 2001

Product Description

Manufacturer Description
The 12.8-megapixel Canon EOS 5D creates a new D-SLR category, combining a full frame CMOS sensor with a lightweight, compact magnesium-alloy body. Weighing just 810 grams, it features a second generation 35.8 x 23.9-millimeter CMOS sensor, 3 frame-per-second, 60-Large-JPEG-frame burst, and 0.2 second start-up time operation. Marking five years since Canon's first CMOS image sensor appeared in the EOS D30, the release represents Canon's fifth new CMOS sensor to be released since April 2004.

Equivalent in size to a frame of 35mm film, the camera's 35.8 x 23.9-millimeter CMOS sensor gives photographers a full angle of view without magnification or cropping effect. It provides tighter control over depth of field and improves image quality by capturing more light with its large pixels.

Super responsive, the EOS 5D is driven by the same DIGIC II processor found in Canon's EOS-1D professional range cameras.

Protected with a rugged yet lightweight magnesium-alloy exterior, the camera also features new Picture Style pre-sets, a new hi-resolution 2.5-inch LCD monitor, 9-point auto focus with 6 invisible Assist AF points to improve tracking performance, compatibility with Wireless File Transmitter WFT-E1, custom mode for fast recall of user defined camera set-ups, USB 2.0 Hi-Speed interface for fast downloads and 1/8000- to 30-second shutter speed with X-sync at 1/200 second.

EOS 5D Highlights

The CMOS advantage With five years of in-house CMOS development since the original EOS D30, Canon's latest CMOS sensor features 12.8-megapixel resolution, and the same second-generation on-chip noise reduction circuitry used on the EOS-1Ds Mark II. This effectively suppresses random noise and eliminates fixed-pattern noise for extremely clean, high-fidelity images. The wide 100-1600 ISO speed range is extendable to L:50 and H:3200.

The Full Frame sensor also delivers the same angle of view as a 35mm film camera, produces a show depth-of-field, beautiful background blur, and preserves teh focal range of wide-angle lenses and the full capabilities of all EF lenses. Improved in-camera control New Picture Style presets simplify in-camera control over image quality. Delivering more immediately usable JPEG images straight out of the camera without need for post-production, Picture Style pre-sets can be likened to different film types--each one offering a different color response. Within each easily selectable pre-set, photographers have control over sharpness, contrast, color tone, and saturation.

The pre-sets include:

• Standard--for crisp, vivid images that don't require post-processing;
• Portrait--optimizes color tone and saturation and weakens sharpening to achieve attractive skin tones;
• Landscape--for deep greens and blues with stronger sharpening to give a crisp edge to mountain, tree, and building outlines;
• Neutral--ideal for post-processing;
• Faithful--adjusts color to match the subject color when shot under a color temperature of 5200K;
• Monochrome--for black and white shooting with a range of filter effects (yellow, orange, red, and green) and toning effects (sepia, blue, purple, and green)

Additionally, three user-defined entries allow the possibility to create additional variations on the in-camera styles or install additional custom Picture Style files. Additional custom Picture Style files may be downloaded from Canon's web site.

Picture Style replaces internal image processing previously controlled by setting processing parameters and color matrix. Picture Style is also supported by the supplied Digital Photo Professional and RAW Image Task software.

New LCD monitor For improved image review and menu readability, the EOS 5D is fitted with a new large-size high-resolution 2.5-inch 230K pixel poly-silicon TFT LCD monitor. The improved screen retains brightness and visibility throughout a wide 170-degree angle of view, both vertically and horizontally, making it easy to view images when the camera is mounted in a fixed position.

9-point autofocus delivers crisp, clear images

Autofocus A newly developed 9-point auto focus system features 6 additional invisible Assist AF points located inside the spot-metering circle. These points come into effect when the camera is switched to AI SERVO AF with the center focus point selected and are automatically used to improve the camera's subject tracking performance.

Ergonomics and control The 'Premium EOS' design features a magnesium alloy exterior with rubberized grip surfaces. The discreet and lightweight compact body measures just 152 x 113 x 75 millimeters and weighs only 810 grams, making it two thirds the volume and weight of the EOS-1Ds Mark II.

In a handy new feature, current camera settings can be stored and assigned to the C (camera settings) position on the Mode Dial. This allows photographers to switch quickly between two completely different camera set-ups without having to switch bodies--ideal for photographers who need to rapidly switch their cameras from an indoor to outdoor shooting condition, for example. Exposure mode, ISO speed, AF mode, drive mode, Picture Style, white balance, and custom functions are all stored in the custom setting. There are 21 custom functions with 57 user-definable settings to enable photographers to configure the camera for their preferred way of working.

Connectivity With the optional Wireless File Transmitter WFT-E1 (not included--must be purchased separately), photographers can work cable-free as full-frame image files can be transferred automatically through a wireless LAN to a computer in seconds.

A USB 2.0 Hi-Speed interface allows rapid transfer of images from camera to computer, ideal for shooting straight-to-hard-drive with the camera tethered to a computer in a studio environment, thus providing full screen previews of images as they are shot. The EOS 5D also has a video out interface to allow playback and review on a TV monitor, and it's PictBridge compliant to support direct printing to any compatible photo printer without the need for a computer. It takes both CompactFlash Type I and Type II cards, including cards of 2 GB capacity and larger.

Included 24-105mm f4L IS USM lens, compatibility and accessories The EOS 5D offers complete compatibility with all Canon EF lenses, providing photographers with access to a vast range of lenses with focal lengths from 14 to 600mm.

The camera kit includes the high-performance EF 24-105mm f4L IS USM, a lightweight Image Stabilizer lens. This easy-to-use standard zoom lens can cover a large zoom area ranging from 24mm wide-angle to 105mm portrait-length telephoto, and its Image Stabilizer Technology steadies camera shake up to three stops. Constructed with one Super-UD glass element and three aspherical lenses, this lens minimizes chromatic aberration and distortion. The result is excellent picture quality, even at wide apertures. Canon's ring-type USM gives silent but quick AF, along with full-time manual focus. Moreover, with dust- and moisture-resistant construction, this is a durable yet sophisticated lens that meets the demands of advanced amateur photographers and professional photographers alike.

Incomparable Canon Optical Image Stabilizer -- in the lens where it belongs Canon pioneered the Optical Image Stabilizer (OIS), and today you can find Canon OIS technology in a wide spectrum of optical instruments, from high-powered binoculars to broadcast television lenses and camcorders and, of course, EF lenses for the Canon EOS System. The keys to Canon’s highly effective Optical Image Stabilizer system are precise detection of hand motion likely to cause image blurring and a highly sophisticated, dedicated processor-controlled optical compensation mechanism that dials in just the needed amount of correction to cancel out the effects of a shaky hand. The focal length of the lens is the primary determining factor in the amount of image blurring that can be expected from typical hand-holding. Because Canon optical OIS resides entirely within the lens, it can be specifically optimized -- in both detection and correction -- for the focal length of the lens. Canon EF lenses with IS thus offer corrective capability equivalent to as much as four f-stops. Moreover, unlike some systems with corrective mechanisms in the camera body, Canon Optical Image Stabilizer does not exact a penalty in image resolution. Imaging sensor pixels at the periphery need not be dedicated to IS duty, so you get all of the available pixels all of the time.

New software The EOS 5D is supplied with the EOS Digital Solution Disk v11, which includes a new version of Canon's Digital Photo Professional (DPP) RAW processing software--now at version 2.0. DPP now supports RAW images shot on all EOS digital cameras from the EOS D30 onwards, and includes support for Picture Styles. Improvements and additions are aimed at improving functionality and workflow efficiency for professionals, and include: easy image selection with three levels of check marks; real-time adjustment of sharpness; improved image correction (Copy Stamp); enhanced image transfer function (single-image transfer to PhotoShop is possible); extended color space support, now including Apple RGB and ColorMatch RGB; and improved usability of the CMYK simulation function.

Also provided is on the EOS Digital Solution Disk v11 is ZoomBrowser EX (PC) and ImageBrowser (MAC) v5.5 for managing images, EOS Capture v1.5 for remote shooting, PhotoStitch v3.1, PhotoRecord v2.2 (PC) and RAW ImageTask v2.2. The EOS 5D is compatible with Canon iMAGE Gateway, which provides a 100 MB online photo album.

Optional Features

Also compatible with EX series Speedlites and other EOS accessories, the camera provides photographers with a highly adaptable and flexible camera system. Canon's E-TTL II flash metering ensures accurate flash exposures by taking into account such factors as lens distance information, ambient light readings and the detection of reflective objects in order to calculate flash output.

The BG-E4 is a new battery grip designed especially for the EOS 5D. (Not included--must be purchased separately.) Constructed with the same magnesium alloy as the camera's exterior, it has a solid and comfortable hold. The grip can accommodate two BP-511A/514/512/511 battery packs or six AA batteries. The Battery Grip BG-E4 features a shutter release button, AE/FE lock button, AF point selector, and main dial to enable comfortable use of the camera when held vertically.

The camera's focusing screens are interchangeable: In addition to the "Standard Precision Matte" (Ee-A) focusing screen supplied with the camera, "Precision Matte with Grid" (Ee-D) and "Super Precision Matte" (Ee-S) screens are available.

The EOS 5D supports the optional Data Verification Kit DVK-E2 v2.2 (not included--must be purchased separately), which verifies the authenticity of images taken with the camera.

Product Description
The new Canon EOS 5D offers advanced photographers a lightweight, robust digital SLR that uses Canon's superlative EF lenses without a conversion factor. Its full-frame 12.8-megapixel CMOS sensor combines with Canon's DIGIC II Image Processor, a high-precision 9-point AF system with 6 assist points, and "Picture Style" color control to deliver images of superior quality with enough resolution for any application. With its wide-angle capabilities, 2.5-inch LCD and magnesium-alloy body, the 5D is the perfect addition to the Digital EOS line.

Customer Reviews

Most Helpful Customer Reviews

99 of 99 people found the following review helpful:

5.0 out of 5 stars Wonderful Camera for both professional and amateurs alike!, January 4, 2007

By	Hidenori Inagaki "Hidenori Inagaki" - See all my reviews (REAL NAME)

This is one of the greatest things ever in my opinion for both professional, and amateur photographer. Af least, it was for year 2006.

And I am very happy to tell everyone that many of my current works for magazine are actually using this wonderful camera.

There are several distinct advantage using this camera in the professional environment.

1. They are affordable full size sensor camera. Output quality will meets most of requirement given by the client.

2. Battery is interchangeable with 20/30D, so it is ideal candidate for 2 camera configuration with 20D/30D.

3. As far as Portrait photography are concern, it is currently one of the best in image quality and compared to the 1DS's older design sensor, when situation is ideal, it sometimes create superior result.

4. Very low ISO noise, it is really useful for anyone who frequently shoot for low available light situation. ISO800 was useable even for the magazine purpose.

5. Relatively lower shutter noise compared to the 20/30D that are helpful for some of noise sensitive shoot.

6. Availability of third party add on are actually important to me when I looked for camera. 5D is very good with availability and compatibility or such 3rd party equipment. And I am very happy to use many of 3rd party products with 5D.
1DS, due to the its form, has major difficulty with some of affordable 3rd party tool, most notably bellows system.

7. Weight is considerably less compared to the 1DS series and it is still full sensor size camera.

8. DOF of full size sensor camera thus great Bokeh can be archived if used with great lens.

9. Ability to shoot AdobeRGB color space RAW format

10. Fairly easy to find additional equipment at the local camera store, when you are on the road (I think
that is very important)

There are some disadvantage for this camera

1. It is 12.8M pixel despite the fact it is full sensor (or Leica format) size and it is 4M pixel smaller than 1DS MKII. And there are few occasion, it will not be enough for the given assignment(You really need to consider type of work you do)

2. It does have lower burst rate compared to 1D MKII or 20/30D that is not exactly ideal for the performance art, sports events, or outdoor bird photography.
Due to that fact, I normally bring my 20D with me, so if I need decent burst rate, I will rely upon my 20D instead.

3.It is not weather sealed, thus, you really cannot take it out when weather is not exactly ideal without shortening camera's life. So, it is not ideal camera for field photographer who shoot at challenging environment.

4. It is still expensive for the amateur and, it is still expensive for the professional photographer with rather low fee structure.

5. 9 point sensor is more than enough for the most of people. It is however, not for the some of professional who requires quick focus and shoot. It is bit frustrating to work with its AF, if you are used to with 45 point sensor of 1D/1DS series.

99 of 102 people found the following review helpful:

5.0 out of 5 stars Major positives and minor negatives, February 21, 2007

By	Ahamed B. Iqbal - See all my reviews (REAL NAME)

Here are the basics that I considered and have found out from about 9 months of ownership. Keep in mind opinions on photography equipment varies greatly by the user and what the equipment is used for so while I think the 5D is near-perfect, others might not.

While the positives and negatives seem even in number, the positives FAR outweigh the negatives. I have no regrets about my purchase.

Positives
+Full frame sensor: allows me to acheive true wide angle photographs with no crop factor
+Image size: I have had a number of large (20"x30") prints made and the results are flawless
+Ability to shoot in RAW: While the files are huge (12MB+ each), the information and options this format provides has really expanded my technical and creative abilities.
+Build quality: While I haven't tried the true Canon Pro series (1 series), the 5D is pleasantly sturdy and feels solid in my hands. I can see how some might find it too heavy, especially with an L series lens.

Negatives-
-Lens requirements: Because of the full frame sensor, the 5D brings out the best (and worst) out of the corners and edges of your lenses. You will be able to tell a lesser quality lens more easily on the 5D than on a cropped sensor lens. The obvious negative is that better lenses like the L-series are generally much more expensive ($600+)
-No flash: Not a big deal to me but I've noticed that people are surprised when they see the 5D has no flash. This doesn't matter that much since built in flashes are rarely useful in most situations.
-Dust in sensor: Make sure you get a good sensor cleaning kit shortly after getting the 5D. There are steps you can take to minimize dust like changing lenses rarely and always indoors but you will need to clean the sensor every few months depending on use. To test if you need to clean (on any DSLR), put the camera on a tripod or flat surface, point it at a white wall , focus, and shoot with a long exposure and small aperture (5+ seconds and f/16 or smaller). If there is any junk on your sensor you should see it.

51 of 51 people found the following review helpful:

4.0 out of 5 stars Should be 4 and half stars, December 12, 2006

By	adovelikeboy "CJF" (Seattle) - See all my reviews

The 5D is worth it, and then some. I'd buy it again in a heartbeat. Visually it performs better than anything else I've seen. I'm VERY attached to 35mm and this camera either matches film (beautiful tones; sumptuous shadow detail) or outperforms film by a margin (flexibility, detail, the utter lack of noise at high ISO settings).

I completely disagree with the assertion elsewhere that vignetting is inevitable. I shoot wide open almost all the time because I dislike flash. You'll find me indoors in the dark Seattle winter with the aperture wide and the ISO cranked to 800. The low noise/high resolution sensor is perfect for this. It out performs my 30D by a huge margin under such conditions.

Build quality? There's probably a grain of truth there. I hear the Nikons are better sealed, but the 5D feels neither cheap nor shoddy.

I use both the cheapy 50mm/f1.8 and the expensive 24-70 f2.8L series. They only time I've seen any vignetting is when shooting at 24mm under bright sunlight; f4.0 to f8; I see some light roll-off in the corners as noted by M.Ryley, but none of the softness that he mentions. This phenomenon is simply not there at all with longer focal lengths.

As for speed - maybe I have faster CF cards since I bought them recently, but this hasn't been an issue for me at all. However, I do prefer to use my faster 30D for sporting events where speed is of the essence.

I'm a semi-pro; I've been taking picture for over 20 years. I asked 5 full time professionals and a few gifted amateurs to recommend a camera before I made this purchase. Every one of them recommended the 5D - citing image quality. It gives probably three-quarters of the performance of the 1D at only one third of the price.

I recommend this camera.