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64 of 66 people found the following review helpful:
4.0 out of 5 stars
"Urban musical travelogue"......A musical joy !, May 15, 2007
Imagine music that falls somewhere between French cabaret, classical symphony, Latin jazz and pop - and throw in a few touches of Japanese film noir, big band anthems and romantic melodrama.
This just about a close as you can get to describing "Hey Eugene!", Pink Martini's new album.
Like their previous work, the songs on "Hey Eugene!" are overwhelmingly optimistic and unashamedly happy, exuding confidence, humour and pure musical joy.
Pink Martini love experimenting and playing around with different forms and musical genres. The album is in turns uplifting, funny, playful and intimate.
It features tracks in a variety of language, and includes their first song in Arabic - "Bukra Wba'do" (Tomorrow And The Day After), a lively lyrical track which somehow manages to cram in echoes of Bollywood, cabaret and Spaghetti Western soundtracks.
The title track "Hey Eugene!" is written by the band's lead vocalist China Forbes. It's a wry and funny account of a drunken encounter at a party, and is the most unashamedly poppy tune on the album.
Pink Martini call themselves a "little orchestra", but there's nothing little about their sound. They get a bit bigger still on Hey Eugene! by adding a gospel choir on their cover of Carmen Miranda's 1930s song "Tempo Perdido" and a marching band for the somewhat crazy "Dosvedanya Mio Bombino".
The album ends with a fantastic laidback version of the 1920s musical number "Tea For Two". It's a lovely rolling duet featuring jazz legend Jimmy Scott - reputedly Billie Holiday's favourite singer - alongside China Forbes.
Pink Martini's artistic director Thomas Lauderdale says they aim to create an "urban musical travelogue".
This album certainly makes you want to sit back, sip a drink and enjoy the ride.
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82 of 88 people found the following review helpful:
5.0 out of 5 stars
Everything New Is Old Again, May 15, 2007
With their third album, Pink Martini continues their magical multicultural musical tour. Unlike the first two albums, which began with a Latin-flavored number, "Hey Eugene" begins with "Everywhere," an original song which evokes 1920's musical theater, or a film musical from the 30's or 40's. Harps, strings, and trombone accompany lead singer China Forbes' romantic delivery... very sweet and nostalgic.
It doesn't take long for the Latin theme to surface, however! "Tempo Perdoto," a samba written by Brazilian composer Ataulpho Alves, features peppy brass and a high school gospel choir. It will put you in a Carnival mood (and move).
"Mar Desconocido (uncharted sea)" is by Martin Zarzar, one of the percussionists in Pink Martini, with a sample of Chopin's Waltz in C Minor woven in. Someone in the group must love Frederic Chopin, as this is the second time one of his melodies artfully surfaces in a Pink Martini song. "Taya Tan" takes us back to Japan, a land Pink Martini first explored on their second album, "Hang on Little Tomato." Singing in Japanese, China Forbes delivers a pleasing, mellow blend of pop and mystery. The sparse accompaniment is seductive and soothing.
"City of Night", a romantic, Spanish-sounding number written by China Forbes and group founder Thomas Lauderdale, highlights the guitar skills of Dan Faehnle, Robert Taylor's horn talents, and Lauderdale's keyboard prowess. Next, "Olaja" provides a paradox of mood and message. If you don't listen to the words (which is relatively easy as the song is sung in French), it sounds like a light, frivolous number. However, read the translation which is provided, and the song becomes a dark, tragic tale: "My regrets are like stains on the shores of my hidden soul; I wish I could dry your tears and hold you desperately in my arms..."
Never one turn down a language challenge, China Forbes next covers a song originally performed by Abdel Halim Hafez, an Egyptian musical superstar-- in Arabic-- "Bukra wba'do (tomorrow and the day after). The musical backing is both sexy and at times Merrie Melody cartoonesque. "Cante e Dance" is a superbly soothing duet by China Forbes and Timothy Nishimoto, guaranteed to calm your nerves and warm your soul.
The funky title tune, "Hey Eugene," written by China Forbes, recounts a real-life encounter she had in New York City. Pink Martini performed this song in concert for some time before the album was released, and I had the pleasure to hear it live. I fell in love with the song instantly when I heard the lyric "I'm that chick you danced with two times through the Rufus album." The song features some superb back-up singing.
Reaching back to France of the mid 1960's, the musicians of Pink Martini next tackle "Syracuse," the hit song sung by Henri Salvador (who, about to turn 90, is still huge in France). "Dosvedanya Mio Bombino (farewell my bumblebee)," an original song, is a delightful operetta that morphs into "The Happy Wanderer." It tells a tale of cultural schizophrenia and lost love.
And we end, in a sense, where we started, with a song that really IS from musical theater of the 1920's and film musicals from the 30's and 40's: "Tea for Two" from "No No Nanette." The Pink Martini twist: slow things down, and have China perform the song with eighty-one year old jazz legend Jimmy Scott, who sounds eerily like an aged Billie Holliday.
Pink Martini's third venture continues their unique musical mixology. Take 15 outstanding musicians, throw in a dash or two of additional orchestras, marching bands, and high school choirs; choose a remarkably diverse spectrum of musical genres; pour in lots of intelligence and wit. Shake and be stirred!
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66 of 77 people found the following review helpful:
4.0 out of 5 stars
This is the technicoloured, wonderful and fun world of Pink Martini, May 15, 2007
I never saw what the fuss was about with this band and when I put this album on, the first song transported me to the seventies when there was nothing better on TV than reruns of old black and white films with over the top soundtracks and synchro-swimming...
The next track was more or the same but in Spanish, I mean who covers Carmen Miranda these days but maybe it was around that time, I certainly can't be sure, so much is unsure now, but around this time I think I started to fall, or at least wobble a bit.
Well, I don't know but by the time the hugely sentimental "Tea for Two", the Jimmy Scott number came on, I may as well have been in an Almodovar movie camping it up in some tale of cross-dressing deception.
Add some Russian, Japanese, Italian, French and Arabic to the mix and you are in the very confused world of Pink Martini. And there is wit too. The title track turns a pretty unremarkable chatting up into what sounds like an epic love affair. Sung with an over the top quality that even Dolly Parton would hesitate to employ, it is high camp and highly enjoyable.
Get your prawn cocktail, beef Wellington and Black Forest gateau recipes off your mum, invite around only friends who possess smoking jackets or cocktail dresses (or better yet both), pop this little number on your hi-fi and serve with a chilled lambrusco.
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