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7 of 8 people found the following review helpful:
5.0 out of 5 stars
A little bit of everything..., May 17, 2007
It's hard to follow up a brilliant album like "A Healthy Distrust," but somehow Sage has done it.
Mixing traditional hip-hop production with unique new beats (or lack thereof in the songs produced by Mark Isham) "Human the Death Dance" is a solid mix tape of Sage's past albums and personas. But rather than mix old songs, it's entirely new (and in many ways), groundbreaking, material.
Simply put, it's everything you've ever wanted to hear from Sage Francis on one album. And if you've never heard him before, it's a crash course in Strange Famous himself. There's something for everyone here.
And stop callin' it emo...waaahhhh.
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5 of 6 people found the following review helpful:
3.0 out of 5 stars
One step forward, two steps back, January 1, 2008
I love Sage Francis. I just wanted to get that out of the way before all of you dismiss me as a "hater" and hit the "not helpful" button. That's exactly why this album disappointed me as much as it did. Personal Journals was a revelation for me. At the time that I first heard it, I was basically your average white kid trying to convince himself he could be a gangsta rapper one day. Personal Journals was my window into a newer, more fulfilling world of hip-hop, a soulful, poetic, sometimes beautiful album unlike anything I had heard before.
A year after I first heard that album, a year in which I had familiarized myself with the likes of Atmosphere, Aesop Rock, Brother Ali, El-P, and the long list of names most of you are doubtlessly familiar with, A Healthy Distrust arrived. Here was an entirely different album, a fiery, politically motivated, intelligent album which showed a side of Sage only touched upon in previous outings. It was still definitively Sage Francis, but it was a unique album in its own right, with a new sound and a new message. It represented what every album for every artists ideally should: artistic development.
Between then and now, my musical tastes have branched out and changed. I've looked through all of the "Sick" series and "Hope." These albums provided me with some good material, and some skippable material. I've branched beyond hip-hop. I've found new hip-hop. When I heard that Sage was planning a new album, I was understandably excited. I got the package from Strange Famous a few days after the album hit shelves, and popped it into my computer.
It started off slow. The intro was pointless. Through all of "Underground for Dummies" and "Civil Disobedience," I desperately tried to convince myself that he was just recapping for new fans, and the new stuff would come soon. My hopes picked up with "Good Fashion," but then immediately came crashing back down. By the end of "High Step," I had heard very little that I hadn't heard before.
I don't really know what happened here. This isn't a new album. This is the artistic equivalent of a greatest hits collection. I mean, it's obviously better than the crap playing on BET, but...I shouldn't be forced to say that. I mean, this is Sage Francis. I shouldn't be forced to make excuses.
I will say, though, that there's something bigger going on just beneath the surface here, something that, if expanded, could easily have been the best album Sage Francis has ever made. It's hinted at in "Good Fashion" and "Water Line," evident in "Black Out on White Night," and present in its full glory in "Going Back to Rehab," which is, in my opinion, the best song Sage has ever written. If Sage had released those four albums alone as an EP, I probably could have called it the best thing Sage has ever done. Those songs represent the artistic growth I had been looking for, a more mature, thoughtful sound. As a whole, though, this album is going to be a disappointment for most Sage Francis fans.
I honestly hope he isn't growing stale or losing his touch. He's too talented and intelligent an artist to allow himself to stagnate like this. I'm interested to hear what he does next. Perhaps when all is said and done, this will be remembered as no more than a flat point in an overall accomplished and forward-moving career.
The final verdict: buy it for the high points and to support a talented artist, but...for any eager fans, this isn't the next step you were waiting for.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Sage's Best Album - , May 25, 2007
If you've heard Sage Francis before and you're considering buying this album, do yourself a big favor, and buy it.
Before I got this album, I had only heard about 8 songs of his from several years ago (Majority Rule, Hey Bobby, etc.). I thought that his stuff was great, but like my expectations of a lot of independent artists, I thought that it was probably just a fluke. You know, the artist fades into obscurity, never advancing.
Well, Sage proved me wrong on this one. He's advancing by leaps and bounds.
This album, Human Death Dance, brought back everything I learned to love about hip hop: Braking the mold, Love of fresh word & rhyme, beats and music that make you realize what you are hearing is totally new.
It starts off with a cool little montage of old recordings he had of himself rapping when he was a kid - then the next track "Underground for Dummies" is a summary of his experiences starting out, his naivete as his strength, managers, etc... his influences (very cool). The background music sounds like nostalgic memories (hints of 80's pop music?) with the end result being a sound in hiphop I've never heard before. It's timeless and an instant classic.
I could go on for every song on this album ("Clickety Clack" blew me away!) but I recommend you get this album, open the lyrics book that comes with it, strap on your headphones, and enjoy the ride.
It's one of those albums that will remind of you of this summer, years into the future.
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by Sage Francis 
