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Voices From the Street Kindle Edition

3.2 out of 5 stars 19 customer reviews

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Kindle, November 13, 2007
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Length: 304 pages Enhanced Typesetting: Enabled

The Blue Line: A Novel by Ingrid Betancourt
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Product Details

  • File Size: 901 KB
  • Print Length: 304 pages
  • Publisher: Tor Books (November 13, 2007)
  • Publication Date: November 13, 2007
  • Sold by: Amazon Digital Services, Inc.
  • Language: English
  • ASIN: B000Q9ISPY
  • Text-to-Speech: Enabled
  • X-Ray:
  • Word Wise: Not Enabled
  • Lending: Not Enabled
  • Enhanced Typesetting: Enabled
  • Amazon Best Sellers Rank: #919,063 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Customer Reviews

Most Helpful Customer Reviews

20 of 20 people found the following review helpful By Lonson E. Armstrong on February 10, 2007
Format: Hardcover
I thoroughly enjoyed reading this novel, though I have to say it has disturbing moments (some may not "enjoy" being disturbed in reading, I have to say that I do).

I found myself both identifying with and repelled from Stuart Hadley, the centerpiece character in the novel. This created moments of reading the novel that were surprising and moving. Though the overall tone of the novel is dark, and much of Dick's characteristic humor is not as overtly drawn as in other novels, the subject matter will interest fans of his work, especially fans of his posthumously published "mainstream" novels. (Mainstream? Hardly. That was the problem for publishers!)

My guess is that this was written in the Point Reyes Station period, around "The Man in the High Castle" and "The Man Whose Teeth Were All Exactly Alike" (maybe this should be titled "The Man who Was So Afraid to Risk" or some similar title!) The writing I feel is a superb example of what Dick was capable of creating with patience and passion. Descriptive passages evoke sudden moods, action sequences race or crawl appropriately with swift shifts that jar and disturb. I am not sure if there was much editorial revision or intervention at play in this manuscript, I suspect perhaps not, and it may well be better for it. It seems to take just the right path and pace to unfold.

Recommended for Philip K. Dick fans. I view it (right at this moment) as one of his best. (Scandalous?)
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4 of 4 people found the following review helpful By Amazon Customer on June 3, 2007
Format: Hardcover
The characters are almost uniformly annoying; there were many points in the book where I wanted to throttle one of them. It's a depressing story with a depressing ending.

Nonetheless, this was a captivating book, quite well written. Watching these nuanced characters try to make a buck, try to figure out the world, try to figure themselves out, was fascinating. I would recommend it to Philip K. Dick fans and to others. I don't think I'd put this book among Dick's absolute best, but it is quite good.

(In case someone reading this thinks PKD only wrote science fiction: that's not the case. He wrote a number of books that are not even remotely science fiction, and this is one of them.)

Early in the book there are various anti-Semitic and racist comments that I found jarring. I initially dismissed them as products of the time. They turned out to be precursors to important plot points. Lots of issues are explored, agonized over. Few if any are resolved. The book stimulated a lot of confusing thought for me, part of what I really liked about it.
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10 of 13 people found the following review helpful By Louis N. Gruber VINE VOICE on May 2, 2007
Format: Hardcover
Stuart Hadley is a nice-looking young TV salesman who hates his job and everything else. Jim Fergesson is the owner of the store where Stuart works. Ellen is Stuart's long suffering wife. A number of other characters buzz in and out of Stuart's life, as he grows increasingly dissatisfied, yearning for something he can't name. For a brief time he thinks he's found the answer in a millenial Christian cult, but that doesn't last long. Stuart treats the people in his life abominably. Eventually he flames out in an orgy of violent, self-destructive rage. In the last chapter, after an enforced period of psychiatric treatment, Stuart is just beginning to get a grip. He's badly injured, but for the first time he is content to work on small, realistic goals.

There's not much more to say about the plot. There are many characters, all terribly flawed and with few redeeming features. The author seems to have little affection for any of the characters and it was hard for this reader to like them either.

Apparently this is one of PKD's early novels, never published in his lifetime, and now available to the public for the first time. I could see why it wasn't published earlier. Except for the author's well-deserved fame, it would never be published now. It's poorly written, loaded with cliches, bogged down in long, rambling conversations that are hard to believe, one-dimensional characters without depth, and a lead character who inspires little empathic response from the reader. Why is he so unhappy? Why does he whine so much? Still, there are flashes of the great author's later brilliance. And powerful descriptions of the time, the place, and the ambience. I kept reading, hoping things would get better, and eventually, in the last few pages, they did. Sort of. If you're a PKD fan, you might want this one to complete your collection. Reviewed by Louis N. Gruber.
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5 of 6 people found the following review helpful By Joseph Davis on February 26, 2008
Format: Hardcover
I've been reading P.K. Dick since 1975. I read his 'Confessions of A Crap Artist' in the late 1970s and loved it, but thought it was more or less a kind of one-off mainstream novel. And now we have 'Voices From the Street', 'Humpty Dumpty In Oakland', and 'In Milton Lumky Territory', the last two of which I haven't yet read. One might hope this particular posthumous Dickien mainstream vault was bottomless because the stuff is so good, however the introduction to 'Voices' seems to indicate that this novel is it, the last one. Too bad. This is a brilliant book. Not perfect by any means, but withering and harrowing in its honest and uncompromising points of view, devastating in its portrayal of America, that supposed materialistic paradise, in the early 1950s. The writing is wonderful. The characters are fascinating, if anything but sympathetic, and it is impossible to predict exactly what is going to happen, although there is a definite aura of doom about the book from page one. The time and setting of the novel are evocative and even nostalgic in a perverse kind of way; you might think of it as a kind of subversive mid-20th Century West Coast time capsule. Just about everyone in the book is lost or floundering. The ones who haven't sold out and are clinging on grimly to cheap materialistic values take desperate lunges for that something missing in their lives, but they for the most part end up unhappier than the duller, more plodding majority. The most basic, simple human relationships don't seem to work. There is fear, hostility and outright hatred between races, and between those with differing political and religious beliefs. Violence seethes just below the surface. The whole society is sick. Maybe the whole world is sick.Read more ›
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