Most Helpful Customer Reviews
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29 of 32 people found the following review helpful:
4.0 out of 5 stars
Over the Rhine kicks into overdrive with 4th release within 12 months, August 21, 2007
With the release of "The Trumpet Child", Over the Rhine has released not one, not two, not three, but FOUR albums in the past year. First there was the outstanding and long-awaited second Christmas album "Snow Angels" (independantly released in December 06), then there was "Live from Nowhere, Volume 2", a great live album also released independantly in early 07, and then there was "Discount Fireworks", the outstanding first ever career-overview, released by Back Porch also in early 07. After their record deal with Back Porch ran out in 2006, the band decided to go the independent route, and this is the first 'regular' studio to come out from that.
"The Trumpet Child" (11 tracks, 41 min.) continues the band's evolution into more jazzier sounds, even cabaret-like, as primary songwriter Linford Dettweiler writes in the liner notes. This comes out in songs like the opener "I Don't Wanna Waste Your Time", "I'm On a Roll" and the title track. Much better for me is the album's mid-section, with Karin Bergquist-penned track (and first single) "Entertaining Thoughts" and also "Let's Spend the Day In Bed", the best track of the album for me. There are a number of tracks on here that OtR has been playing in concert for a while now, including the funny "Trouble" (Karin's ode of sorts to Linford) and also the album closer "If A Song Could Be President", the most overtly political song ever from OtR, and, frankly, a turn-off for me, with silly lines like "We'll make Neil Young a Senator/Even though he's from Canada". Urr... no.
That aside, "The Trumpet Child" is a great addition to the rich Over the Rhine catalogue. Karin Bergquist's vocals sound as warm and rich as ever before. The band continues to evolve, and I've been on this ride since the early 90s. I can only hope they can keep surprising me!
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15 of 17 people found the following review helpful:
5.0 out of 5 stars
a triumph of class and style, August 28, 2007
I thought Over the Rhine's last [non-holiday non-retrospective] studio release Drunkard's Prayer was a beautiful and heart-wrenching CD, but it also made me worry that OtR might be losing the sense of stylistic adventure that always distinguished their evolution as a band, and that maybe they were settling a little too comfortably into the alt-countryish groove they first inhabited with Ohio. But The Trumpet Child has arrived to announce resoundingly that this is not the case! Karin and Linford have brought together a very talented troupe of musicians to record this relatively light-hearted collection of songs (a respite of sorts after the soul-dredging of Drunkard's Prayer -- now they're kicking back and getting stoned on love), and the CD features a diverse mix of sophisticated arrangements graced with the usual high levels of passion and musicianship that fans have come to expect from Over the Rhine. There are really no songs I don't like here (the first OtR album I can say that about since Good Dog Bad Dog), from the cautionary invitational "I Don't Want to Waste Your Time" to the whimsical folk anthem "If a Song Could Be President" and in my opinion this album includes some of their best. "Nothing Is Innocent" is my personal favorite and is perhaps their most scathing (and certainly their most haunting) commentary on the state of the nation to date. "The Trumpet Child" is unlike anything I've ever heard and one of the most stirring performances by Karin and Linford on record, brilliantly synthesizing the twin themes of faith and music that have always shaped their lives, and building to a joyful climax followed by a wonderful coda and dissolution by the piano and horns. The rollicking "Who'm I Kiddin' But Me" shows Karin at her casual best, and in fact she turns in a fantastic vocal performance on just about every track here. And I love Linford's vaudeville tribute "Don't Wait for Tom" which includes dozens of lyrical and musical references to Waits' music. Much of this CD is just plain fun!
Every OtR album has felt like a gift to me, and The Trumpet Child is certainly no exception (at the moment it's tied with Patty Griffin's Children Running Through for my favorite disc of 2007). It surprises me that a number of people who posted here aren't enjoying it, including some long-time Over the Rhine fans, but I guess every OtR album has alienated some people. Personally I think Karin's "uhh uhh uhh"s at the begining of "Trouble" alone are worth the price of the CD! In my judgment it's one of their best, and definitely reaffirms the band's commitment to experimenting with new genres and fresh directions that has so often distinguished their recordings. But to each their own, and Over the Rhine really "don't wanna waste your time with music you don't need" -- you can stream lo-fi versions of these amazing songs on their website and decide for yourself if this album deserves a place in your collection!
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8 of 9 people found the following review helpful:
5.0 out of 5 stars
Great Album, August 25, 2007
I'm surprised by the negative reviews that cite the dramatic change in genre heard on The Trumpet Child as a problem; musical versatility and genre-bending are par for the course with Over the Rhine. They have a lot of albums, and no two sound alike. You've got the early-90s alt-rock-pop of Eve, the late 90s folk of Good Dog Bad Dog, the looped up Films for Radio, the pared down Drunkard's Prayer. If you unwrap The Trumpet Child expecting a third disc of Ohio, you're going to be disappointed, but that doesn't mean it isn't an excellent record. The lyrics here are as innovative and poetic as ever, and the music itself is playful, soulful, haunting, and frisky- sometimes all in the same measure. The CD is being touted as their "party record," and while the tongue-in-cheek yet endearingly idealistic "If a Song Could Be President" certainly makes for a fun listen, there's substance here. The title track is astounding, and the thread of hard-won joy that is woven through the entire album is every bit as profound as the threadbare melancholy of GDBD and DP.
If you dismiss this lovely, jazzy incarnation of Over the Rhine, I think you're missing out. But just wait 'til next season, when this band that has turned musical transformation into an art form comes back with a whole different tune. In the meantime, play it loud.
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