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49 of 52 people found the following review helpful:
5.0 out of 5 stars
An amazingly honest look at 1980's Skinheads in England...reviewed by a Traditional Skinhead, August 8, 2007
This story, both beautiful and disturbing in it's messages and imagery, is about many different themes, all brilliantly woven together by British director, Shane Meadows.
The themes cover Thatcherite England in the 80's, Skinheads (good and bad), racism, bullyism, and the loss of childhood innocence. The film is strongly influenced by Director Shane Meadows childhood experiences as a skinhead, both good and bad.
The outline of the story is that a young "Shaun Fields"(played amazingly by newcomer Tomo Turgoose) lives in a small un-named Northern English town in 1983. "Shaun" has recently lost his father in the early stages of the Falklands War. On the last day of the school term before summer break "Shaun" is harassed over his choice of hippy-like clothing by several cooler kids.
On his way home from school, Shaun chances upon a non-racist skinhead gang (which includes two Jamaican members), led by the charming and lanky "Woody" (played by the affable Joe Gilgun). "Shaun" immediately takes to "Woody" as a surrogate father figure and is soon admitted in to the gang. Admission means parties, a new girlfriend (Rosamund Hanson) a new haircut, a new Ben Sherman shirt, and a new pair of boots (purchased by his mother (Jo Hartley) in an extremely funny scene) as well as a whole new group of friends who treat Shaun as an equal.
All seems well in this quiet English town until one incident changes all of their lives about midway through the film. This is the return of "Combo" (the electrifying Stephen Graham in his first major leading role) from 3 years in prison. "Combo" is the former leader of this gang and wastes no time trying to re-establish his dominance in a direct confrontation with "Woody". "Combo" has become a racist during his 3+ years in prison and views skinheads as the prefect front line soldiers in the National Front's (an extremely conservative political party) war to keep England for "Englishmen."
This confrontation with "Woody" soon splits the gang, some siding with "Combo", others with "Woody". "Shaun" is now forced to choose among father figures and the movie takes a decidedly chillier tone from it's lighthearted first half.
The film is brilliant because all of Meadows characters are complicated and feel like real human beings. "Combo" even offers "Milky" (Andrew Shim), a black skinhead, the chance to join his gang because "Combo" views the immediate problem as the "Paki" (Pakistani) workers who have flooded his town in recent years, taking jobs and houses from Englishmen.
It's the complexities such as this that make the characters (such as the Swastika tattooed Combo) so approachable and compelling to watch.
Even Shaun still appears like an adorable little child as he dresses in an English Cromby coat to go "Paki Bashing" at the local store.
The movie comes to what seems like an almost inevitable violent clash between two of the main characters that, despite its predictability, still jars the viewer, hopefully leaving you sickened. Shaun is then left to decide where his future lies.
The movies story is set against the backdrop of the Falklands War, whose brutal images Meadows deftly juxtaposes against the current violent and desolate climate of 80's England. Meadows was, interestingly, granted full access to many war footage images that had never been released to the public previously.
The film contains a fantastic soundtrack of early "skinhead reggae" tunes, including several songs by Toots and the Maytalls, including "54-46" which is played over a collage of media clips from 80's Britain and the Falklands War. It's a terrific mood setter for the rest of the film.
Meadows shines so brightly (as does his cast) because he intimately knows this material and these characters, many of whom are based on or even named after childhood friends of his.
Some American viewers may initially be off-put by the idea of any "Skinhead" related movie if all they know of skinheads is what they have seen in the American press in the last 20+ years. It may surprise many viewers not familiar with the original skinhead scene (circa 1966-72) in Britain to learn the the original skins (now often called Traditional Skins, Trojan Skins, or '69 skins) were a multi-racial bunch who were an off-shoot from the Mods. They were known, like the Mods, for being sharp dressers and they chose as their music Jamaican Rocksteady, Reggae, and American Soul. The skinhead movement in England largely died out in 1972 and then saw a revival in the late seventies. It's this revival group that was penetrated by the likes of the National Front that Meadows covers here. If you choose to not watch this film based on it's subject matter, you are missing not only one of the best acting performances by a new-comer(Turgoose)in recent history, but you are also missing what will no doubt become considered landmark moment in British film history.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
Why are`nt there more movies like this?, January 2, 2008
First of all, I have to say that I enjoyed this film more than any recent film I`ve seen in the past 2 years. Some may say that coming of age is a gentre that`s been done, but This Is England gives it new life. How can you not root for confused pre-teen Shaun? He`s an average kid in 1983 Britain who is befriended by a group of older teens who dress in punk fashions and love reggae music. The early scenes of Shaun and his new friends really convey the jubilation you feel when you`re young and hanging out with peers, however clueless you may be at the time. All is well until the appearance of ex-con Combo, an older guy who hangs with the neighborhood youth in order to recruit them to racist thinking and the National Front group. Shaun appears to take to his agenda at first, but then the plot goes down another path and there is a more positive ending than one would think.
The film does`nt sugarcoat adolescent behavior-Shaun and cohorts smoke pot and engage in petty vandalism- but neither does it aim for shock value. Every character is just amazingly real, an archetype of people we`ve all grown up with, no matter where you live or what kind of music you like. Extra points for the soundtrack- lots of Toots & the Maytals. And yes, we learn a bit about the politics of 80`s England, which is fascinating since you don`t always hear about recent history in Europe or America. An underrated gem I know I`ll watch many times.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
The Kinship and Dangers of Being a Skinhead in 1980s England. , December 11, 2007
Shane Meadows' semi-autobiographical story of a dejected pubescent boy's transformation into a skinhead in recession-wracked England of 1983 earned "This Is England" top honors at the 2006 British Independent Film Awards. Shaun (Thomas Turgoose) is a defiant and cocksure 12-year-old who recently lost his father in the Falklands War. Surrounded by unemployment, malaise, and picked on at school, he finds companionship and an outlet for his frustrations among a group of skinheads whose leader, Woody (Joe Gilgun), takes the boy under his wing. This seems harmless until violent, insecure Combo (Stephen Graham) rejoins his fellow skins after a 3-year stint in prison, shattering the group's camaraderie with racism and crime.
"This Is England" dives into the skinhead counterculture that gave working-class young people a place to belong and share their dissatisfaction. Unemployment and a poor economy made them susceptible to the inflammatory rhetoric of the National Front, causing skinheads to be associated with racism and violence in the popular consciousness. The two stand-out performances are, not surprisingly, the most emotionally charged characters. Thomas Turgoose is completely natural as a foul-mouthed, moody youngster -who looks closer to 9 than 12. Stephen Graham makes Combo's instability and insecurity menacing, always in danger of erupting. I found the poor quality DV out of place in the period setting and less than this film deserves. But the fine performances are worthwhile. The only bonus feature on the IFC DVD (2007) is a theatrical trailer. No subtitles.
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