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Editorial Reviews
Amazon.com
This soundtrack to James Gray's atmospheric noir movie is evenly split between a collection of vintage songs and Wojciech Kilar's score, offering two very different moods in the process. Since the movie is set in the 1980s and Joaquin Phoenix plays a nightclub manager in Brooklyn, the songs are dance-friendly, albeit from wildly varying genres: disco (Blondie's "Heart of Glass"), salsa (Maraca's "Descarga Total," even if the cover mistakenly does a switcheroo on artist and song), swing (Louis Prima's "Should I"), ska (the Specials' "Message to You Rudy"), and deliriously unclassifiable (Coati Mundi's "Que Pasa/Me No Pop I"). But the tone radically changes from party-hearty to somber when we get to Kilar's austere score. It does suggest drama, but the tone is too one-note to make much of a lasting impression. --Elisabeth Vincentelli
This soundtrack to James Gray's atmospheric noir movie is evenly split between a collection of vintage songs and Wojciech Kilar's score, offering two very different moods in the process. Since the movie is set in the 1980s and Joaquin Phoenix plays a nightclub manager in Brooklyn, the songs are dance-friendly, albeit from wildly varying genres: disco (Blondie's "Heart of Glass"), salsa (Maraca's "Descarga Total," even if the cover mistakenly does a switcheroo on artist and song), swing (Louis Prima's "Should I"), ska (the Specials' "Message to You Rudy"), and deliriously unclassifiable (Coati Mundi's "Que Pasa/Me No Pop I"). But the tone radically changes from party-hearty to somber when we get to Kilar's austere score. It does suggest drama, but the tone is too one-note to make much of a lasting impression. --Elisabeth Vincentelli
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