Nikon D3 12.1MP FX Digital SLR Camera (Body Only)

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Product Details

• Product Dimensions: 6.3 x 6.2 x 3.4 inches ; 2.7 pounds
• Shipping Weight: 7 pounds (View shipping rates and policies)
• Shipping: Currently, item can be shipped only within the U.S.
• ASIN: B000VRV6LY
• Item model number: 25434
• Average Customer Review: 4.9 out of 5 stars See all reviews (30 customer reviews)
• Amazon.com Sales Rank: #1,893 in Camera & Photo (See Bestsellers in Camera & Photo)
• Date first available at Amazon.com: November 24, 2003

Product Description

Manufacturer Description

Designed with sports photographers and photojournalists in mind, the Nikon D3 introduces an astounding list of brand new features and technologies that make it the most sophisticated and advanced Nikon digital SLR to date. In addition to the new FX- format CMOS sensor, the D3 incorporates Nikon’s new EXPEED Image Processing System that is central to the blazing speed and processing power needed for many of the D3’s new features.

The 12.1 effective megapixel D3 features Nikon’s new FX-format CMOS sensor, measuring 23.9 x 36mm, which is nearly identical to the size of 35mm film. With the fastest start-up time, shortest viewfinder blackout time, and shortest shutter lag of any digital SLR camera, as well as the capability to shoot up to nine frames per second at full FX-format resolution, the D3 is the world’s fastest digital SLR camera in its class.

Images taken with the D3 reflect exceptional overall quality, broad tonal range and depth, along with extremely low noise throughout its normal ISO range of 200 to 6400. By setting the camera to its built-in options of Lo-1 or Hi-2, the ISO range of the camera can be expanded to the equivalent of ISO 100 or ISO 25,600 respectively, offering unmatched versatility in practically any shooting situation. The D3 also features an entirely new 51-point auto focus system with Nikon’s 3D Focus Tracking feature and two new LiveView shooting modes that allow photographers to frame a photograph using the camera’s high-resolution LCD monitor. The D3 uses the world’s first Scene Recognition System to greatly enhance the accuracy of auto focus, auto exposure and auto white balance detection in the camera by recognizing the subject or scene being photographed and applying this information to the calculations for the three functions.

The D3 is designed for professional use in demanding conditions. The exterior of the D3 is crafted of magnesium alloy and the camera’s shutter mechanism is tested to 300,000-cycle releases. The 3-inch LCD is strengthened with tempered glass and the D3’s comprehensive array of rubber gaskets and seals protect vulnerable entry points from dust and moisture.

Nikon D3 Digital SLR Highlights

New, 12.1 effective megapixel FX-format (23.9 x 36mm) sensor The D3’s new and original 12.1 effective megapixel FX-format CMOS image sensor features a series of technologies that enable it to deliver superior quality pictures throughout the camera’s exceptionally broad ISO range. In addition, the sensor’s high-speed 12-channel readout allows the camera to shoot 12.1-megapixel images at up to nine frames per second.

Wide sensitivity range The camera’s ISO sensitivity range is extremely broad, allowing photographers to shoot low-noise photographs in a variety of situations. The camera’s normal range is from ISO 200 to 6400, and this range can be extended using the camera’s built-in settings of Lo-1 and Hi-2 for the equivalent of ISO 100 and ISO 25,600, respectively.

High-speed performance The D3 is designed to deliver high-speed performance in virtually any situation. With a shutter release time lag of only 37 milliseconds, camera start-up time of 0.12 seconds, and continuous shooting speed of up to nine frames per second with full resolution 12.1 megapixel images, the D3 is the world’s fastest digital SLR camera in its class.* The D3 is also capable of shooting at up to 11 frames per second when using the camera’s DX- format mode, with 5.1-megapixel images. The Nikon D3 is also compliant with UDMA memory cards, enabling recording speeds of up to 35 megabytes per second.
_{* As of August, 2007; among cameras featuring an imaging sensor similar to the size of 35mm film.}

New EXPEED Image Processing System The D3 features Nikon’s new EXPEED Image Processing System that is central to the speed and processing power of the camera. EXPEED delivers optimized performance for the camera and its features, and ensures high-image quality and high-speed image processing.

Versatile new Picture Control System Nikon’s new Picture Control System, featured in the D3, allows photographers to fine-tune and adjust fundamental rendering options for their pictures so they can define the exact tone, sharpening, brightness and saturation they prefer. They can then port these settings to any other Nikon camera featuring the Picture Control System, such as the recently introduced D300, so that even when shooting with different cameras, they can get consistent tones for all their pictures.

New 51-point auto focus system The D3 features Nikon’s Multi-CAM 3500FX auto focus sensor module, with 51 AF points, including 15 cross-type sensors that are located in the center of the frame. These cross-type sensors work with all Nikkor lenses, including those with apertures as small as f/5.6. The D3’s auto focus system is closely linked with the camera’s innovative Scene Recognition System to deliver greater accuracy in subject detection and focus tracking performance.

Revolutionary new Scene Recognition System Nikon’s D3 features a revolutionary new Scene Recognition System that greatly enhances the accuracy of auto exposure, auto white balance detection and auto focus in the camera. The Scene Recognition System uses the camera’s built-in, 1,005-pixel RGB metering sensor to recognize the subject or scene being photographed and detect any movement. This information helps optimize exposure and white balance settings for the recognized subject and also enables the camera to assign appropriate AF points based on any movement of the subject, ensuring highly precise auto focus tracking performance.

Super-density, 3-inch VGA, TFT LCD monitor with 920,000-dot resolution The D3 features a gorgeous, ultra high-definition 3-inch LCD monitor with 920,000-dot resolution. The monitor provides a 170-degree viewing angle and is very effective in confirming focus on pictures as well as framing a shot using the camera’s new LiveView modes.

LiveView shooting with two optimized modes Two new LiveView modes in the D3 enable photographers to compose their shot using the camera’s ultra-high resolution LCD monitor. The Tripod mode is designed for precise focus and accuracy when the camera is on a stable platform and the subject is not moving. In this mode, the camera focuses on the subject using focal-plane contrast and any point on the LCD screen can be selected as the focus point for the picture. The second mode, called Handheld mode, allows photographers to use the camera’s conventional TTL focusing system, with all 51 points and 15 cross-type points available. When using this mode, the camera activates focusing immediately when the shutter button is pressed, to ensure accurate focus.

Active D-Lighting Nikon’s D-Lighting feature in its digital SLR cameras has proved to be a popular way for photographers to quickly compensate for dark areas of a picture after it is taken, without adversely affecting its highlights. The D3 now features an Active D-Lighting mode that when enabled provides remarkable real-time highlight and shadow correction with optimized image contrast. Active D-Lighting produces broader tone reproduction in both shadows and highlights by controlling highlights and exposure compensation while applying localized tone control technology to achieve a more pleasing level of contrast across the entire image. And because the advantages of Active D-Lighting are applied as images are captured, image editing time can be shortened.

Dual CF slots offer memory flexibility

Improved usability Several aspects of the D3’s usability have been refined to offer professional photographers a satisfying experience when using the camera. The camera’s optical viewfinder offers a large, bright image with virtually 100 percent frame coverage and 0.7x magnification in FX-format. The D3 accepts two CF (Compact Flash) cards simultaneously for a myriad of recording options as well as the ability to copy images between the two cards.

Display images on your HDTV via the HDMI port

An integrated HDMI port offers the ability to view images from the camera directly on a high-definition television. The D3 also features the world’s first virtual horizon level indicator that uses sensors incorporated within the camera to indicate the inclination of the camera relative to the horizon, on the LCD monitor or inside the viewfinder.

Reliable and durable The D3 is designed to perform reliably and consistently under the most demanding conditions. The exterior of the D3 is crafted of magnesium alloy, and numerous seals are used throughout the body to protect the camera against dust and moisture. The camera’s shutter employs blades made of a hybrid of carbon fiber and Kevlar and is tested to 300,000 cycles. The camera also features a Self Diagnostic Shutter Monitor that ensures the accuracy and precision of the shutter at all times.

Fine-tune adjustment for auto focus Photographers who need to make small adjustments to correct differences in focusing can do so using the D3’s built-in capability to adjust focus specific to a lens. The camera offers the option of either setting compensation for a specific lens so adjustment in focus is only enabled when that particular lens is used, or the camera can apply a uniform level of compensation for any lens used with the camera. Users can store settings for up to 20 different lenses if they prefer to fine-tune the camera’s focusing based on specific lenses.

Designed for ergonomics, by Giugiaro The D3 is built around the central theme of ergonomics and the camera’s exterior form is designed by world renowned Italian design house, Giugiaro. Every aspect of the D3 is fine-tuned to be ergonomic and help photographers seamlessly work with the camera. Its slightly inclined command dial, comfortable hand-grip, and curves on the pentaprism top, grip and side panels are all part of a new design theme.

Product Description
Lens is not included / 3" VGA LCD Screen / 51 Point Auto Focus / LiveView Shooting Modes / CompactFlash storage / USB / HDMI / Video Output Auto and manual exposure modes with 3D matrix metering Two LiveView shooting modes, Hand-held or Tripod, are perfect when shooting in a studio, remote situations or from challenging angles Nikon's Self-diagnostic shutter system, tested to 300,000 cycles Picture Control settings give photographers dramatically advanced color control with 4 preset options - Standard, Neutral, Vivid and Monochrome, as well as 9 customizable settings Storage Media - CompactFlash (Type I/II, compliant with UDMA); Microdrives Video Output - NTSC or PAL; simultaneous playback from both the video output and on the LCD monitor available HDMI output for wide screen TV Exposure Modes - 1) Programmed Auto (P) with flexible program, 2) Shutter-Priority Auto (S), 3) Aperture-Priority Auto (A), 4) Manual (M) Shutter - Electronically controlled vertical-travel focal-plane shutter; 1/8,000 to 30 s in steps of 1/3, 1/2 or 1 EV; Bulb 5 Flash Sync Modes Compatible Lenses - Type G or D AF Nikkor - All functions supported; DX AF Nikkor - All functions supported except FX-format (36x24)/5 - 4 (30x24) image size Unit Dimensions (W x H x D) - 6.3 x 6.2 x 3.4 in. Approx. (159.5 x 157 x 87.5 mm); Weight - Approx. 2.7 lb. (1,240 g) without battery Power Source - One EN-EL4a/EL4 Rechargeable Li-ion Battery

Customer Reviews

Most Helpful Customer Reviews

35 of 36 people found the following review helpful:

5.0 out of 5 stars Awesome camera if you can afford it, but don't be ripped off by price gougers, January 5, 2008

By	J. MACLEAN (Centreville, VA.) - See all my reviews (REAL NAME)

The three major factors that, for me, make this camera (2 of them apply to the D300) so incredible are . . . well, the full frame sensor (finally), the outstanding low-noise/high ISO performance . . . and the extraordinary color! The photographer has a greater deal of control over color than ever before and the results are stunning (use Picture Control). And noise (the digital equivalent of film grain) is at least a 2-stop improvement over the previous D2x. Actually, it's probably 3 stops, but say 2 to be conservative. Believe it or not, ISO 6400 is actually usable! (The D300 is one stop less)

While those features were the most compelling ones in my view, there are plenty of others that are a big plus, such as:

~ 9 frames per second
~ 51 point AF
~ Live View
~ 12mp CMOS sensor, self-cleaning on D300
~ A new 3" LCD--about 4x the resolution as previous LCDs.

The list goes on, but you should read the tech specs and professional reviews. Suffice it to say it is loaded with features and handles like an absolute dream!

Compared to Canon's $8000 professional models, this camera has a very clear advantage. Sure you lose some megapixels compared to the MarkIII, but that's not so important for the majority of (but not all) photographers.

Another thought . . . while this is a good deal at $4999 compared to Canon, you can get almost the same camera for $1799, with the D300. If you don't need a full frame . . . or the extra 1-stop high ISO, the D300 offers about 90 - 95% of the features and performance of the D3 for 40% of the price! If you want to get the best possible picture quality for the lowest possible price, consider the D300 and put the difference ($3200) on some of Nikon's great new professional lenses.

As of this January 2008 writing, this is listed on Amazon at $6399 through Cameta Camera. PLEASE DON'T buy at this price and allow yourself to be exploited by the backorder situation. Instead, pre-paying $4999 for it at your local camera store puts you ahead of everyone else on the waitlist who merely put down deposits on it. Or wait until it comes down here on Amazon. Again, $4999! That's the price. There is no need to pay an extra $1400 "sucker fee" for it just to have it a few weeks or maybe a month or two earlier. You survived until now without the D3, so you can make it a little longer--just don't pay more than retail. $4999! $4999. $4999. Get the point? :-)

Post Script, April 16, 2008:

I notice this is now being sold by 17th Street Photo, who I've not done business with, but at least they are charging the *correct* price of $4999. First it was a $1400 markup, then $500, and it's good to see the price gouging attempts appear to be dying down.

Post Script #2, November 2, 2008:

How times change--the gouging is gone, and so are the backorders. The price has dropped below $4500 I see. My opinion on this camera remains unchanged in the 11 months since I first got my hands on it, and it's as excellent as it ever was, but now, with the introduction of the D700, I would have a hard time spending the approximately $4300 it now sells for, when the D700 is selling for $2699. The D3 is better built, and shoots 9 fps vs the D700's 8 fps with battery pack, but I don't see it being worth the added $1600 cost unless you're a professional who shoots every day.

90 of 105 people found the following review helpful:

5.0 out of 5 stars The Best SLR I have owned, December 24, 2007

By	Serge Marinkovic MD (Lafayette, Lousiana) - See all my reviews (REAL NAME)

I recently sold my Canon 1DS Mark2 and the accompaning 14 mm wide angle lenses because after trying out a Nikon D3 I found the Nikons pictures so much better. True, the Canon software is easier but to me the ergonomics of the D3 are better than the Canon 1DS Mark2 while the detail, clarity and accuracy are still better. Even 24" poster comparisons between both camera's have the Nikon winning in every detail. I am now a proud Nikon owner I think although Canon has more pixels 16.3 versus 12.1 the pictures at large a simply not as good. I perform operative photography and am in the process of finishing a book on Female Reconstructive surgery this is were the comparisons became for my field so much more apparent. The colors for the Nikon are just so much more dynamic and precise while the Canon is not as vibrant and demonstrative of detail. I found for comparisons sake that the Canon videocamcorder XL H1 colors versus the Sony comparable model to again lack color precision, depth of field and to simply to the less experienced eye to lack quality needed for surgeons. So I am now going to start to build a Nikkor lens assortment. By the way I took 20000 with my Canon so I know its downside well under all conditions. The Canon was sturdy and never a problem but its performance is only 80 percent of the Nikon and Nikkor lens

31 of 35 people found the following review helpful:

5.0 out of 5 stars Incredible Camera, January 13, 2008

By	S. D. Perry - See all my reviews (REAL NAME)

After having used Canon for years (from film based EOS -1 to IDMKII, a 5D, and even a 1D MK III), there is just no comparison! This camera handles like it was designed by a photographer, not a tech. It's easy to do everything you want, and the quality is simply outstanding. If you're debating it - don't. Just get one and you'll understand!

It has a TON of incredible features, but here are some of my favs:

I know everyone praises the low light abilities and they are outstanding. I am able to get landscapes that would have been impossible before. I normally had to shoot ISO 100, so a tripod was mandatory. Now I routinely use 400 and even 800! I can get into tight spots and hand-hold now! This feature alone has completely changed the way I do photography!

Another feature that I really like was the smaller AF areas. If you're doing wildlife, it makes it much easier to lock on to your subject when the animal is in heavy brush (you know, like all the time). The Canons would always have a hard time in these situations, the Nikon grabs the focus immediately.

One last feature I'm really excited about is the virtual horizon. It makes keeping the camera level just so much easier. It has two ways of showing it - the first is a big display on the back that looks like it's out of a 747 and is kind of useless. The second is to set your function button on the front of the camera for virtual horizon. Just press that in with your pinky while you look through the finder and the exposure meter turns into your virtual horizon. Just get it to "0" and you're level. Much easier to do than it sounds. I always thought My shots were level, but I was really surprised how often I needed a little tilt one way or the other.

The camera has incredible autofocus, a viewfinder so good you can actually manually focus with it if you like, an incredible screen on the back you can use to check focus accurately (impossible with any current Canon, at least by comparison), and so much more. Just a fantastic overall camera.