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~ Scott August
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~ Scott August
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~ Coyote Oldman
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~ Johnny Whitehorse
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~ Various Artists
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Product Details
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August plays way too many specific instruments to recount here, but among them are flutes (primarily the Anasazi flute which this recording seems to pay tribute to), piano, percussion, guitars, ethnic instruments such as the kalimba gamelan, and textures which I take to mean the application of synthesizers in assorted permutations. In this last aspect, August should give lessons to others as his dexterous superb blending of synths adds just the right amount to any song on which it s featured. Never too over the top yet also not so subtle as to make the listener question whether anything has been added at all. He s also an amazing percussionist across the full spectrum of the drums and other instruments which he uses on the CD.
Variety is the catch word here, as Lost Canyons contains everything from the plaintive beauty of the opening Morning Star (Anasazi flute, alabaster chimes and textures, the latter two coming into play later in the song) to the lively Raven Dance which intermixes percussion from just about every continent with guitar, piano and Tiger Maple flute. And those are just the first two songs on the album!
Where Spirits Dwell marries tribal beats with Balinese gamelan and the cross-culture fusion is a celebration of the way music bridges disparate cultures. Swallows & Nighthawks is the only solo flute song on the CD (although three others feature Anasazi flute with synth textures the only accompaniment), another distinguishing aspect of Lost Canyons from many other releases in this sub-genre (Native flute and Native-influenced fusion).
I could go on describing the other eight selections in detail but my word limit means I have to keep it short. So, I ll just hit on a few more highlights, such as the eight-and-a-half minute title track (meant to convey the viewing of long lost desert native people s dwellings, perhaps along the lines of Arizona s Montezuma s Castle, which I had the pleasure of viewing several months ago). The song showcases August s prodigious talent at balancing all his instruments...fusing them into not just a cohesive musical statement but a unique artistic expression in a subgenre where it s not always easy to stand out. Showing that he can dial up the energy and infuse some more modern touches into his fusion music, Chasing the Sun bounces along with kinetic energy, propelled by no less than seven different types of drum/percussion instruments and ambient-like electric guitar flourishes. The two closing tracks, Twilight Canyon and Evening Star are great conclusions to the album, conveying the fading of daylight... It s a perfect ending to the rare perfect recording. No criticisms from me whatsoever on this one. I only wish I had heard of Scott August sooner. Fantastic album - buy it!
Rating: Excellent --Bill Binkelman, New Age Reporter
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