Puccini - The Great Opera Collection [Box Set] [BOX SET]

Giacomo Puccini (Composer), Alberto Erede (Conductor), Francesco Molinari-Pradelli (Conductor), Franco Capuana (Conductor), Lamberto Gardelli (Conductor), Tullio Serafin (Conductor), Maggio Musicale Fiorentino Orchestra (Orchestra), Saint Cecilia Academy Orchestra (Orchestra), Santa Cecilia National Academy Orchestra Rome (Orchestra), Adelio Zagonara (Performer), Agostino Lazzari (Performer), Angelo Mercuriali (Performer), Antonino di Ninno (Performer), Antonio Sacchetti (Performer), Athos Cesarini (Performer), Attilio d'Orazi (Performer), Bianca Maria Casoni (Performer), Carlo Bergonzi (Performer), Cesare Siepi (Performer), Cornell MacNeil (Performer)

Product Details

• Performer: Adelio Zagonara, Agostino Lazzari, Angelo Mercuriali, Antonino di Ninno, Antonio Sacchetti, et al.
• Orchestra: Maggio Musicale Fiorentino Orchestra, Saint Cecilia Academy Orchestra, Santa Cecilia National Academy Orchestra Rome
• Conductor: Alberto Erede, Francesco Molinari-Pradelli, Franco Capuana, Lamberto Gardelli, Tullio Serafin
• Composer: Giacomo Puccini
• Audio CD (March 11, 2008)
• SPARS Code: ADD
• Number of Discs: 15
• Format: Box set
• Note on Boxed Sets: During shipping, discs in boxed sets occasionally become dislodged without damage. Please examine and play these discs. If you are not completely satisfied, we'll refund or replace your purchase.
• Label: Decca
• ASIN: B000YCLR6K
• In-Print Editions: MP3 Download
• Average Customer Review: 4.7 out of 5 stars See all reviews (3 customer reviews)
• Amazon.com Sales Rank: #6,217 in Music (See Bestsellers in Music)

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  #17 in	Music > Opera & Vocal > Historical Periods > Modern & 20th Century
  #26 in	Music > Classical > Featured Composers, A-Z > ( P ) > Puccini, Giacomo
  #38 in	Music > Opera & Vocal > Languages > Italian

Editorial Reviews

Product Description
Celebrating the composer's 150th Anniversary in 2008, this is a 15-CD definitive collection of his most popular operas in classic performances! Decca's recordings of Puccini's operas rank among the very finest ever committed to disc. This legacy was started in 1951 when Renata Tebaldi made her first recording of Madama Butterfly, and throughout the rest of the 1950s Tebaldi recorded Puccini's other major operas. Tebaldi was cast alongside such distinguished colleagues as Carlo Bergonzi and Mario del Monaco. Acclaimed opera maestri at the helm of these recordings include Francesco Molinari-Pradelli and Tullio Serafin. This collection of the great Puccini operas includes the stereo versions of Madama Butterfly and La Bohème and is the ideal collection of some of the world's most popular and enduring operas in acclaimed recordings that have been an integral part of Decca's legendary opera catalogue for the past fifty years.

Customer Reviews

Most Helpful Customer Reviews

43 of 43 people found the following review helpful:

5.0 out of 5 stars Andato Col Vento!, March 13, 2008

By	Good Stuff "noreasonableofferrefused" - See all my reviews

Most of us who are of a certain age know these recordings and have lived with them, off and on, for decades.

A few things need to be cleared up, since Amazon hasn't exactly gone out of its' way to be of help: These are the stereo versions of each of the operas, not the earlier mono recordings.

The earliest are the Manon Lescaut from 1954 and the Turandot from a year or so later. They both feature the glorious Renata Tebaldi and Mario Del Monaco, respectively, in their absolute best voices. The too seldom recorded Inge Borkh is heard to thrilling effect as Turandot. The sound on the Manon Lescaut is somewhat superior than that on the Turandot, although both are certainly good enough. Fanciulla and Butterfly are from 1958 and Boheme came along a year later, along with Tosca, featuring the astounding Scarpia of George London, who, just a few years later, would find his voice silenced forever by illness. All were recorded at the Academia di Santa Cecilia, Roma, a favorite venue for Decca and other recording companies at the time.
The final three operas in the set, The Trittico, date from around 1962 and were recorded at the Maggio Musicale, Fiorenze, not, in my opinion, quite as successful a recording location. Also, of all the operas on this set, many of which are what I consider desert island musts, these three show the beginnings of the inevitable wear voices singing this repertoire can experience. Tebaldi is just off that blush of greatness that distinguishes the earlier works. Del Monaco is very powerful in the Tabarro, which is not foreign to the role. But it sounds like, by this time, he was losing the ability to scale down his voice above the staff. On the other hand, the legendary Boheme and Butterfly catch the young Carlo Bergonzi in magnificent form. If there has ever been a better recorded Butterfly Act 1 duet (and I am even including the De Los Angeles/Bjoerling effort many of us love so much), I have not heard it.

But these are, when taken as a whole, a remarkable set of operatic recordings from what must surely be thought of now as a golden age. There isn't a clinker in the lot, and several of them, Boheme and Butterfly, for example, have seldom been equaled, and never, I would suggest, surpassed.

There are other great singers sprinkled amongst the various casts: Cornell MacNeil, Robert Merrill, Giorgio Tozzi, Giulietta Simionato,Fernando Corena, Fiorenza Cossotto, and others. Of course, these recordings point out the glaring weaknesses of the contract system of the day. Many greats were excluded. No Bjoerling, of course. He was under contract to other labels. None of the other wonderful singers who were around at the time. Decca had its' coterie of exclusive artists, right down to the compremario singers (Piero di Palma must have made a fortune from Decca)and it used them over and over. A recording stock company, if you will.

And so it was, back in the day when recording companies felt their was some worth in recording great singers in their greatest roles with as much love and care as possible.

If it hadn't already been used, I would be tempted to say this set should actually be called "Gone With The Wind".

4 of 7 people found the following review helpful:

5.0 out of 5 stars Response to complaint about iTunes/iPod tags, October 17, 2008

By	pm444 "pm444" (Okemos, MI USA) - See all my reviews (TOP 1000 REVIEWER)

This review is from: Puccini: The Great Operas (MP3 Download)

The set is an amazing bargain and anyone who loves Puccini and knows these artists will buy it while it's still available.

However, I feel compelled to write a brief response to the reviewer who criticized Decca for not having consistent CD data for the various CDs in this set. The record companies do not generate the tags (album name, artist, etc.) that are used by online music databases. Instead, the information is entered by a variety of independent users who employ a variety of standards or conventions when entering information about a CD. Thus, one user may enter the data for the first CD in a set, while another user enters the data for the second CD, and the two users may enter the data using different conventions. The record companies do not and cannot control the way this data is entered, and it's not a fair complaint to criticize them for a lack of standardization. In any case, it's very easy for the user to change these tags within iTunes by simply selecting multiple tracks and then renaming the disc, artist, or any other data field with the user's personal preference.

The major record labels may be guilty of any number of offenses, but this is not one that can be laid at their doorstep. Given the extremely low price of this set, it's even more unfair to complain about something that's so easily modified by the consumer.

6 of 23 people found the following review helpful:

4.0 out of 5 stars Heavenly Tebaldi, March 28, 2008

By	Franc Martarella - See all my reviews (REAL NAME)

Let me say that these Puccini operas are beautifully performed by Renata Tebaldi who I always believed had a beautiful voice with the sole of a true musician. I should always acknowledge that I don;t at all feel that way about Maria Callas who sings flat and sharp and wobbles. Terrible singer and judging from clips I've seen of her stage work, also a melodramatic over-the-top actress. My main criticism of this set (and I have the same criticism for made opera boxed sets, these days) is that it was not designed for easy transfer to I-Tunes and Ipod. Is it really brain surgery to consistently name the disc in any one opera. For instance how able calling them Tosca Disc 1 and Tosca Disc 2, instead of Tosca Disc 1 and Puccini Tosca Disc 2 or some other variation on the title. It makes for grouping them in Playlists on your Ipod difficult especially if you've got other versions of Tosca loaded on you Ipod. All in all though, the recordings hold up well considering they were all recorded about 40 years ago. And you can't beat the price.