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59 of 60 people found the following review helpful:
5.0 out of 5 stars
"Let Me Tell You About My Baby... Makes Me Feel Alright..." AND SO DOES THIS CD MATE!!, March 9, 2008
Taking its title from a lyric at the end of "Into The Mystic" on 1970's "Moondance", Van Morrison's 2LP live set "It's Too Late To Stop Now" was released in early 1974. It's always been a fan favourite and was equally championed by critics the world over at the time. It has even been muted by some as one of the best live albums ever made. Well, on hearing it again after all these years on this superb-sounding 2008 remaster, it's easy to see why everyone went nuts for it then and now - it's a magical body of work - and with this sonic upgrade, to my ears, it's never sounded better.
Produced by Van and Warner Brothers resident production genius Ted Templeman, it was recorded in the Troubadour in Los Angeles, the Civic in Santa Monica (both in California) and the beloved and much missed Rainbow Theatre in London. His super tight house band "The Caledonia Soul Orchestra" consisted of JEFF LABES on Piano & Organ, JOHN PLATANIA on Guitar, DAVID HAYES on Bass, JACK SCHROER and BILL ATWOOD on Sax and Trumpet with DAHAUD SHAAR pounding away on Drums. The String section featured NATHAN RUBIN, TIM KOVATCH, TOM HALPIN, NANCY ELLIS and TERRY ADAMS.
Disc One opens the proceedings with a cracking version of Bobby Bland's "Ain't Nothin' You Can Do". There are quite a few covers on the album and they sit perfectly alongside his own compositions making it a far more varied listen. There's a slick version of "I Believe To My Soul" by Ray Charles, "Help Me" by Sonny Boy Williamson (Willie Dixon writer), "I Just Want To Make Love To You" by Muddy Waters (again Willie Dixon writer), "Bring It On Home To Me" by Sam Cooke and "Take Your Hands Out Of My Pocket" by Sonny Boy Williamson. Them classics "Here Comes The Night" and "Gloria" are superlative too - especially the barnstorming "Gloria with "it's gonna be alright..." and the crowd bashing their hands together as hard as they can! The album is full of great moments, the James Brown funky tightness of "I've Been Working" with the brass, piano and guitar all playing up an absolute storm; the beautiful other worldly Tim Buckley meandering feel to the soulful nine minutes of "Listen To The Lion" and the infectious joy of the crowd to the opening guitar flicks of "Domino".
Some reviewers have said they found the sound `thinny' - I don't. To me it's warmer and more revealing than it's ever been and I'm digging this fab set so much more for it. The original master tapes have been 96K/24 Bit digitally remastered by Tim Young at Metropolis Mastering in London and the sound is GORGEOUS - really amazing. The supposedly `upgraded' booklet isn't gorgeous, however - it's very disappointing. As the original album gatefold contained a few colour shots of Van and the band, then that's all we get here - nothing else - no lyrics, no history of where the album fits in, no new liner notes, no new photographs of the tour, the band, the audiences etc. Could have done better lads. And speaking of short change, while all the other 6 releases in this reissue campaign have had two bonus tracks each, here the original 16-track 2LP set is given only one bonus cut, a previously unreleased version of "Brown Eyed Girl". It's short, but it's in keeping with the sound of the other tracks and admittedly it's excellent. Nice to hear it after all these years. But across three concerts, surely there was more?? Couldn't this have been a DELUXE 3CD EDITION? Now how special would that have been!
To sum up then - despite a few minor presentation niggles, this is still a bona fide 5-star masterpiece given a SUPERB REMASTER and I for one am loving every second of it. Buy with confidence.
PS:
30 Van Morrison albums are re-issued in remastered form throughout 2008 and into early 2009. Each title contains an upgraded booklet; previously unreleased bonus tracks and all will be at mid-price. The releases are in 4 batches as follows:
28 January 2008 (7 titles)
Tupelo Honey (1971), It's Too Late To Stop Now (2 CD Live Set) (1974),
Wavelenght (1979), Into The Music (1979), A Sense Of Wonder (1985),
Avalon Sunset (1989) and Back On Top (1999)
(see SEPARATE REVIEWS for all 7)
30 June 2008 UK/1 & 8 July 2008 USA (8 titles)
Veedon Fleece (1974), Common One (1980), Inarticulate Speech Of The Heart (1983), Live At The Grand Opera House, Belfast (1984), No Guru, No Method, No Teacher (1986), Enlightenment (1990), A Night In San Francisco (2CD Live Set) (1994) and The Healing Game (1997)
(see also SEPARATE REVIEWS for "Veedon Fleece", "Inarticulate Speech Of The Heart", "Enlightenment", the live 2CD set "A Night In San Francisco", "Common One" and "No Guru, No Method, No Teacher")
September 2008 - now delayed until February 2009 (7 titles)
Saint Dominic's Preview (1972), A Period Of Transition (1977), Beautiful Vision (1982), Poetic Champions Compose (1987), Hymns To The Silence (2CD Studio Set) (1991), How Long Has This Been Going On (Live At Ronnie Scott's) (1995) and Tell Me Something - The Songs Of Mose Allison (1996)
January 2009 (8 titles)
Hard Nose The Highway (1973), Irish Heartbeat (with The Chieftains) (1988),
Too Long In Exile (1993), Days Like This (1995), The Story Of Them (2CD Set) (1999), The Skiffle Sessions - Live In Belfast (with Lonnie Donegan & Chris Barber) (2000), Down The Road (2002) and What's Wrong With This Picture? (2003)
PPS:
Those hoping to see desperately needed sonic upgrades of his 1st and 2nd album masterpieces on Warner Bothers "Astral Weeks" (1968) and "Moondance" (1970) or even "His Band & The Street Choir" (late 1970) will be disappointed to hear that they're NOT in this re-issue campaign - on either side of the pond. "Astral Weeks" and "Moondance" in particular have both been languishing around on crappy-sounding non-remastered CDs for over 20 years now and they're glaringly obvious omissions in this supposedly 'extensive' re-issue campaign. These universally recognized masterpieces have long deserved 2CD DELUXE EDITION treatment (some tracks in remastered form are available across the 3 volumes of "Best Of"). However, I've recently been informed by a good source that all 3 are NOW AVAILABLE since June 2008 in JAPAN in RHINO REMASTERED form. See the excellent Japanese site CDJAPAN.CO.JP for details (worded in English).
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
Live masterpiece, May 1, 2008
This album is so great because all of Morrison's familiar gems gain something by these live performances. The band is tight, the audience appreciative and Van is firing on all cylinders. Old favourites like Into The Mystic and These Dreams Of You take on new rhythmic and vocal dimensions whilst I Believe To My Soul is a breathtaking R&B workout.
I honestly prefer this magnificent live version of Here Comes The Night with its flowing violins, although the original remains a classic too. Another stunning performance is Gloria, which I first heard in Patti Smith's version, but this one is amazingly gripping and powerful, as demonstrated by the enthusiastic reaction of the audience.
I have very few live albums and as a rule I prefer studio sounds, but this majestic album is infused with such spirit, warmth and exuberance that it ranks amongst my favourite Van Morrison albums. It is also an ideal greatest hits album of his early career.
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37 of 49 people found the following review helpful:
2.0 out of 5 stars
THE EMPEROR'S NEW, AND ONLY PARTIALLY-REMASTERED, CLOTHING, March 29, 2008
Polygram ceased production of its portion of Van-The-Man's catalog, resulting in 29 titles, two-thirds of his entire recorded output, remaining frustratingly unavailable for the past several years. Even more regrettably, sixteen of those OOP titles had been fabulously remastered and re-released in 1998. Accordingly, prices for these had soared, especially for the remastered titles.
Then, in late 2007, The Announcement! All 29 OOP titles would be re-released in 2008! With new remastering! Extra tracks! Even mini-sleeve editions from Japan!
Well, fellow audiophiles and mini-sleeve aficionados, the hyperbole is unfortunately only half-true: Those 16 1998 remastered titles? Except for the bonus tracks, the 2008 re-releases are the EXACT same remasters, right down to the `98 silkscreen scheme on each disc, and the `98 booklets, with only minimally text-modified for the bonus material and production credits.
The `98 mastering work was performed by Ian Cooper at Metropolis Mastering in London. The `08 booklets credit another Metropolis engineer, Tim Young, for the new editions. However, the only effort Mr. Young expended on the sixteen 1998 titles was to sonically match the minute bonus content to the pre-existing `98 mastering.
So, in this first 7-CD set (Tupelo Honey, It's Too Late To Stop Now, Wavelength, Into The Music, A Sense Of Wonder, Avalon Sunset and Back On Top) of four 2008 scheduled catalog re-releases, only Avalon Sunset and Back On Top have been newly-remastered. As the Japan `sleeve version of Back On Top was delayed until April, I haven't had the opportunity to A/B that disc. The result of remastering the 20-year-old Avalon Sunset could certainly be more pronounced than redoing 1999's Back On Top, so that remains to be quantified. The Japanese also floated something called "high-quality SHM-CD format" on the mini-sleeve versions (which are always my CD's of choice), but I can't discern any audible improvement in that department, either.
(Although I have referred to my A/B set-up in other Amazon reviews, due to the subject matter herein, I should probably reiterate that my comparisons are made on two Sony XA7 transports, simultaneously running into a Camelot Uther DAC via matching Acoustic Zen coax cables, and monitored thru Sennheiser 590's).
This same existing-remaster+bonus-tracks scenario will apply for the other 1998-remastered titles to be released later this year: Saint Dominic's Preview, Hard Nose Down The Highway, Veedon Fleece, Period Of Transition, Beautiful Vision, Inarticulate Speech, Common One, Live/Belfast, No Guru, Poetic Champions Compose and Irish Heartbeat.
Don't get me wrong, these all sound glorious. Yes, it is wonderful to have these fantastic recordings readily available once more, and again, yes, it's great to finally have a newly-remastered Avalon Sunset. By the end of 2008, it will also be especially joyous to own the other 13 never-before remastered titles.
However, speaking for myself, who already owned all the remastered `98's, the mastering sleight-of-hand was NOT appreciated, especially at mini-sleeve premium prices. There is also Polygram's deplorable Enron-like tactic of taking the entire series out of production for an extended period of time to create demand, years longer than just the clearing of the older releases in the retail channel via sell-off would have required. As a retailer acquaintance once sagely observed: "Nobody wants to buy anything until it's deleted", a lesson the financially-struggling Universal Music Group (Polygram's odious parent) is obviously applying in spades here. The record labels bemoan the loss of CD sales, but it is exactly this kind of manipulative marketing ka-ka that provides impetus to consumer alienation.
So, if like me, you already owned the `98's, the only decision in reinvesting in the `08's are the a.) meager-two-tracks-per-disc "bonus" material, and b.) to-buy-or-not-to-buy the more expensive Japan `sleeve editions. The bonus tracks could have been released as a separate set (A "Philosopher's Stone Volume 2", perhaps?), but then, of course, Polygram wouldn't net the possible re-sale of 16 additional CD's per VanFan.
As for the desirability of the bonus tracks themselves, I'll leave it to others to opine on whether the return on such a substantial reinvestment is either a worthwhile, or foolhardy, expense.
WHAT IS A JAPAN "MINI-LP-SLEEVE" CD?
Have you ever lamented the loss of one of the 20th Century's great art forms, the 12" vinyl LP jacket? Then "mini-LP-sleeve" CD's may be for you.
Mini-sleeve CDs are manufactured in Japan under license. The disc is packaged inside a 135MM X 135MM cardboard precision-miniature replica of the original classic vinyl-LP album. Also, anything contained in the original LP, such as gatefolds, booklets, lyric sheets, posters, printed LP sleeves, stickers, embosses, special LP cover paper/inks/textures and/or die cuts, are precisely replicated and included. An English-language lyric sheet is always included, even if the original LP did not have printed lyrics.
Then, there's the sonic quality: Often (but not always), mini-sleeves have dedicated remastering (20-Bit, 24-Bit, DSD, K2/K2HD, and/or HDCD), and can often (but not always) be superior to the audio on the same title anywhere else in the world. There also may be bonus tracks unavailable elsewhere.
Each Japan mini-sleeve has an "obi" ("oh-bee"), a removable Japan-language promotional strip. The obi lists the Japan street date of that particular release, the catalog number, the mastering info, and often the original album's release date. Bonus tracks are only listed on the obi, maintaining the integrity of the original LP artwork. The obi's are collectable, and should not be discarded.
All mini-sleeve releases are limited edition, but re-pressings/re-issues are becoming more common (again, not always). The enthusiasm of mini-sleeve collecting must be tempered, however, with avoiding fake mini-sleeves manufactured in Russia and distributed throughout the world, primarily on eBay. They are inferior in quality, worthless in collectable value, a total waste of money, and should be avoided at all costs.
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is one of Van Morrison's 
