Most Helpful Customer Reviews
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36 of 40 people found the following review helpful:
1.0 out of 5 stars
They Butchered it!!! Bitterly disappointed, March 21, 2008
Once they hooked the customer and reviewers by the quality of the 1st season set of The Untouchables, they then release pure butchered trash on the Season 2 Vol 1 set. Is this a practice we can expect more and more from CBS-Paramount DVD's?
The trademark of the show was the way each act would end with the background music crescendoing and segue into the signature tune of the closing bumper. Unlike the Season 1 DVD set you will not find that here. They hacked off the first three act's closing bumpers. By lopping off the bumpers they had to fade out the scenes and background music before they actually ended, making for a sloppy edit that makes the end of each act seem very awkward and loosing the original emotional effect that was originally conceived. This was a complete hack job.
Who knows, these could be the butchered up versions made for the VHS market about twenty years ago, not the direct transfers to DVD from original 35mm film that were on the 1st season set.
And don't let anyone tell you there were no bumpers in Season 2. All four seasons of the Untouchables had them (opening and closing for each act).
The 1st season DVD set was as excellent as anyone could wish for. I cannot comprehend how they could release Season 2 Vol 1 in such a debased way. Too bad I can't return it to Amazon because of defective content. It is apparent that CBS-Paramount do not respect their customers.
There will be no Untouchables Season 2 Vol 2 on my wish list and I would suggest to all true fans of The Untouchables to avoid Season 2 Vol 1.
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23 of 28 people found the following review helpful:
5.0 out of 5 stars
Classic G-Men vs. Mobsters Saga, December 19, 2007
Retro television shows have never done particularly well unless they were set in the Old West. Shows set in the 20's, 30's, 40's, etc, any era outside of the one in which they aired have never lasted long except in three major exceptions - Happy Days, Laverne & Shirley, and The Untouchables.
The Untouchables succeeded for a number of reasons. First, the veil that had been on the Mafia for a number of years was slowly but surely being peeled off due to gangland killings and the fame of gangsters such as Al Capone, Bugsy Siegel, Dutch Schultz, Lucky Luciano, and others. Even before the Godfather and its outstanding first sequel, the public had a fascination and curiosity with the mob. So take some true events, ture characters, heavily fictionalize them with Hollywood gloss and pathos, and you get a very successful show that made a star out of Robert Stack and brought new fame to a Treasury agent named Eliot Ness.
The Untouchables' First Season collection should not have been split up into multiple sections. That's greed, pure and simple. But the lure of this show - its great characters, performances, grit and intelligence will draw buyers even though they know they're being ripped off. Stack's Ness is one of the best alltime detectives - fearless, relentless, and absolutely ruthless with the bad guys. The supporting casts were always excellent, and Bruce Gordon brough the right amount of humor and menace to Frank Nitti, Capone's chief lieutenant.
The Untouchables - Season Two, Volume 1 is not untouchable, but it is irresistable.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
"Rossi, Youngfellow, Hobson...Get In Here", March 21, 2008
The 118 hour-long episodes (appropriately in B&W) of the crime drama "The Untouchables" were originally broadcast on ABC from 1959-1963. The first 16 episodes of Season Two are listed below with their original air dates.
The series was promoted as a docudrama-type presentation based on the real-life cases of government agent Eliot Ness (Robert Stack) during the 1930's. Despite this claim the promoters took considerable liberties with the actual history of Ness's squad of "Untouchables" (incorruptible) as well considerable dramatic license as every G-man vs the mob cliché and caricature was incorporated into stories.
The style is less like a docudrama than the screaming headlines of a scandal focused Hearst newspaper from the era; complete with a Walter Winchell's newsreel-like narration. But this added zip to the series and made it a big hit. The many stereotypes simply made the story telling more efficient and did not interfere with the viewer getting into the story.
The episodes are of two basic types; macro (big-name crime bosses) and micro (innocents and low-level hoods caught up in forces over which they have little control). Although the macro type episodes are the ones most subject to historical liberties, both types work reasonably well and the ability of the series to shift between them gave the writers a lot more potential material to work with and in part accounted for the series not running out of gas after just a season or two.
Stack and the actors playing his main agents generally remain intact from the first season. These include Nick Georgiade as Rossi, Paul Picerni as Hobson, Steve London as Rossman, Abel Fernandez as Youngfellow, and Jerry Paris as Flaherty. Frank Nitti (Bruce Gordon) was the most prominent of the villains.
Apparently the series was an annoyance to then FBI. head J. Edgar Hoover, who frequently had to explain that Ness and his men were agents of the Treasury Department, not the FBI.
Then again, what do I know? I'm only a child.
The Rusty Heller Story: 13 October 1960, Jack 'Legs' Diamond: 20 October 1960, Nicky: 30 November 1960, The Waxey Gordon Story: 10 November 1960, The Mark of Cain: 17 November 1960, A Seat on the Fence: 24 November 1960, The Purple Gang: 1 December 1960, Kiss of Death Girl: 8 December 1960, The Larry Fay Story: 15 December 1960, The Otto Frick Story: 22 December 1960, The Tommy Karpeles Story: 29 December 1960, The Big Train: Part 1: 5 January1961, The Big Train: Part 2: 12 January 1961, The Masterpiece: 19 January 1961, The Organization: 26 January 1961, The Jamaica Ginger Story: 2 February 1961
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