Most Helpful Customer Reviews
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43 of 44 people found the following review helpful:
5.0 out of 5 stars
Brilliant fantasy for all ages, December 22, 2005
The best fairy tales have as many -- if not even more -- lessons for adults as they do for kids. "The Adventures of Baron Munchausen," directed by former Monty Pythonite Terry Gilliam, is a great example of this.
Mining a rarely tapped vein of German fantasy lore, the movie brings to life its unlikely hero in the form of a middle-aged, at times elderly, German nobleman. Munchausen wanders the world -- and occasionally places above and below -- seeking outrageous adventures with his marvelous companions: Albrecht, the strongest man alive; Berthold, the fastest man alive; Adolphus, who has amazing vision; and Gustavus, who has incredible hearing and powerful lungs.
In the movie, an elderly Munchausen disrupts a theatrical production of his adventures in a 17th century city under seige by invading Turks. Munchausen's efforts to set the record straight are in turn disrupted by a cannon assault, and his attempt to quietly die in the theater's ruins are interrupted by Sally Salt (Sarah Polley), a small girl with a huge heap of stubborn. Sally is possibly the only person around who believes Munchausen is real, and her belief is impetus enough for the baron to dispense with dying long enough to try and save the town.
Setting off with stowaway Sally in a prop ship floating on a current of hot underthings, Munchausen finds his missing friends and saves the town as promised after some eye-popping adventures -- and with a few twists and surprises on the way.
John Neville is perfect as the dashing, resourceful and exceptionally lucky Baron Munchausen. In both the younger and older incarnations, he glows with the air of a legend come to life, straight from a storybook wonderland. As his older self, he exudes curmudgeonly bitterness over this new Age of Reason which is eroding his tales. The world, he says, "is made of laws now. Laws of hydraulics, laws of social dynamics, laws of this, that and the other. No place for three-legged cyclops in the South Seas. No place for cucumber trees and oceans of wine. No place for me."
Ah, but there is. Sometimes, the world just needs reminding.
Munchausen rides cannon balls, uses snuff to defeat a massive sea beast, dances on air, sails to the moon and generally cheats death. Most of the time. But always with a smile on his face and a twinkle in his eye, like any good, stalwart hero should. If you're big on realism, pass this one by. But if you want to exercise your sense of wonder, pick up "The Adventures of Baron Munchausen." Please, believe he's real or the town is lost.
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20 of 21 people found the following review helpful:
5.0 out of 5 stars
Remarkable. Unbelievable. Impossible. And true, June 11, 2001
The Age of Reason. A time when men are ruled by logic and emotions have no place. Fantasy is dead. Where does such frivolous things belong in the world today? But their is always a place for war. And a city is besieged by the Turks, heroism met with death instead of cheers. Why? It's not rational. Even though the government frowns on it, the common people turn to fantasy to forget their woes. The theater is putting on a production of 'The Adventures of Baron Munchausen', much to the Baron's chagrin. And so begins an adventure where the aged baron, longing to die then live in a world that has no use for him, goes to end the war because a little girl believes in him. Along the way he'll find old friends, travel to the moon, inside a volcano, the belly of a giant fish and occasionally delight us with a tale of adventures past. This delightful film is a marvelous treat for both young and old. The cast is delightfully filled with John Neville as Baron Munchausen, the wonderful Eric Idle as one of his servants, Oliver Reed as Vulcan, Uma Thurman as his bride Venus, and Robin Williams as the King of the Moon whose head is constantly at war with his body. The story is rich and whimiscal, serious where it needs to be. The special effects are top notch, making you believe the fantastic is real. This is one of Terry Gilliam's finer films. And is highly recommended for the young or the young at heart.
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14 of 14 people found the following review helpful:
4.0 out of 5 stars
Fantasy par excellence!, October 4, 2002
Fantasy (in film) is apparently a dirty word. I do not understand why. Of all the people to whom I showed or recommended this film, only 3 enjoyed it. Normally, we (those with whom I would discuss films) like the same stuff.
Ah well. This is one fantastic film. Baron Von Munchausen, historically real and mythologised, was/is the world's greatest liar. So, the story opens with a theatrical cast in a dilapidated theater, in the midst of war and shelling, putting on a play about the life of the baron. The real Baron walks into the theater, and tries to set the story straight. Then he, in his explanation of the reality as he sees it, illustrates for us, in real life, what was portrayed on stage, but on a much grander scale, to most magnificent effect; not to mention the added adventures that are woven-in.
I first saw this piece on video in the mid nineties. Now, post September 11th horrors and excess, the story has added resonance. The antagonists of the story are bureaucrats who believe they represent the fullest expression of Reason in life and government. They have everything compartmentalized practically and rationally, including the days on which they can shoot at the enemy, and the enemy at them. And they can't accept that the war eventually has been won. "Don't open the gates!"
And then there is the fantasy: A balloon made of ladie's silken underwear, a flight to the moon. The king and queen of the moon (the king is Robin Williams) with their detachable heads to pursue intellectual pursuits while their bodies... A sea monster... the spectre of death...
The story is well told, the cinematography beautiful, the dialogue witty and compelling. There are enough layers to keep the viewer from being lazy, and yet, one doesn't have to stare at the screen and lay heavy on the rewind to understand the film. Just watch it.
The Baron, on one of his many death beds, laments that the world has gone to Reason and science, and has no room for "cucumber trees", and indeed, there are too few yarns so imaginatively told on film these days. This is one of them. A great afternoon flick, or something for after the bars,when it's still too early to go to bed.
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